They did commit the same crime, but they had different reasons why. Eric was full of hate. He only actually liked a handful of people. He had a very rough childhood, and didnt have that many friends throughout school.
Dick did not have any second thoughts about the murder. He had firmly wanted to walk-in and kill the Clutter family despite their innocence. Dick viewed the Clutters’ as an opportunity that was going to make him rich. There was not any
While Perry is mortified that he and Dick could commit such a gruesome crime, Dick couldn’t care less. All Dick is worried about is how odd Perry is. Because of how quick Perry’s mood could change, Dick thought he was “spooky as hell.” Now, Perry wasn’t your average run of the mill man. He still wets the bed, cries in his sleep, and “could slide into a fury ‘quicker than ten drunk Indians’”.
In Cold Blood Rhetorical Analysis Typically upon hearing about a murder, especially a brutal and unwarranted one, we find ourselves feeling a great sense of disgust for the murderer or murderers who committed these crimes; however, in Truman Capote’s novel In Cold Blood, the lives and experiences of the murderers, particularly Perry Smith, are displayed in a way the makes you feel pity for him as well as the victims. When comparing Capote’s Novel to a typical news article on a similar topic it is easy to see the that Capote's style varies from typical journalism. An article written by Frances Robles and Nikita Stewart titled “Dylan Roof’s Past Reveals Trouble at Home and School,” discusses the childhood and background of Dylann Roof, a twenty-one
This quote illustrates that Dick, being raised in a well environment, also had some faults. He could not achieve his American Dream due to lack of money that his family did not
The poem "To My Dear and Loving Husband", and parts of the play "The Crucible" have many similarities. In the poem Bradstreet states her love for her husband, and how she'd rather not live than live without him. For example, she says, "That when we live no more, we may live ever." This statement shows how much love she has for her husband, and how she couldn't go without him. This relates to "The Crucible" because both of the stories show their love for their significant other.
However, the Clutters have certain aspects which could be considered ‘abnormal’, especially in the case of Bonnie, a depressed and reclusive mother. Perry and Dick are juxtaposed with the Clutters, they are a seemingly abnormal duo, who are antisocial, have a hunger for murder and are even physically disfigured. Both Perry and Dick have attributes that are still somewhat ‘normal’ despite their surface abnormality. Perry is sensitive, creative and sings, Dick has had an upbringing that was completely typical of any American child, that is, he was brought up in a loving and caring environment, with enough money to live comfortably and attend secondary education. Dick also constantly defends himself saying: “I’m a normal”.
In Cold Blood Persuasive Essay The debate nature versus nurture is a prevalent topic in today’s society because the violence going on. People would like to know whether a criminal is born or a criminal is made. A great example of nature versus nurture is the nonfiction novel In Cold Blood by Truman Capote. This book follows around two characters Perry Smith and Richard (Dick) Hickock.
Murder can be defined as “the unlawful premeditated killing of one human being by another”. How then, are others able to make us sympathize with not only murderers, but people who have committed horrendous crimes? For example, the media is constantly attempting to humanize rapists and even terrorists with phrases like “lone wolf” or “alienated and adrift.” Such phrases make some of us want to pity the criminal. This can be seen when we compare Perry Smith and Dick Hickock from Truman Capote’s In Cold Blood.
Stories of Tobias Wolff’s Bullets in the Brain and Timmy Reed’s Birds and Other Things We placed In Our Hearts has similarities and differences. Wolff’s Bullets in the Brain first appeared in The New Yorker on Sept 25, 1995 while Reed’s Birds and Other Things We placed In Our Hearts is publish in a web jounal Necessary Fiction on January 2014.
The Crucible also known as the Salem witch trials and the duke lacrosse case were both a turning point in history for America. Both of the events harmed many people in a number of ways. Although the crucible was a lot harsher, they both compare and differentiate in a plethora of ways. For example, they compare because of the lack of evidence used and the false accusations told upon the people. They contrast because of the way the accusers were treated at the end of it, and because of all the lies told.
How crazy would it be to interview criminals who murdered 4 people in cold blood? Well that’s exactly what Truman Capote did in this chilling book. In the novel In Cold Blood, Truman Capote used different rhetorical strategies to create sympathy and influence the idea that there are always two sides to every story. Some of the mainly used rhetorical strategies throughout the novel were imagery, diction, tone, and pathos. Furthermore, Capote also illustrated sympathetical emotion towards both types of characters, the protagonists and antagonists.
Although Perry is responsible for the murder of four innocent people, Perry’s actions do not reflect on who he is as a person because he is easily influenced, therefore; showing how easily people can be pressured into doing something they would not typically do. Dick, a violent, cold-hearted, manipulator, has molded Perry into the person he is today. As Perry is a follower, Dick has taken advantage of that by turning Perry into the cold-blooded killer he is today. Capote displays Dick’s manipulation of Perry through symbolism to make evident that while Perry did pull the trigger on four innocent people, although the fault does not entirely lay on him, as he was taken advantage of by Dick.
He is portrayed as a mastermind in the cold-blooded killing of the Clutters family, a man with little respect for the lives of others, which can be seen through Dick’s expression before the murder of the Clutters when he converses Perry, “We’re gonna go in there and splatter those walls with hair” (Capote 234). This sudden tone shift enables Capote to depict Dick as a cruel and immoral character. Dick’s lack of empathy and concern for other people beside himself allow him to commit crimes without remorse, which is in contrast to Perry’s moral contemplation after each bad actions they committed. Moreover, Dick is represented as the true criminal with evident motives in murdering the Clutters, while Perry is seen as a vulnerable victim who depends on Dick for validation and acceptance, something in which Dick happily provides in order to manipulate Perry, as Capote writes, “Dick became convinced that Perry was that rarity, ‘a natural born killer,’—absolutely sane but conscienceless, and capable of dealing with or without motive, the coldest-blooded deathblows. It was Dick's theory that such a gift could, under his supervision, be profitably exploited” (Capote 205).
The non-fiction novel ‘In Cold Blood’ interestingly begins as a fiction novel would-with the author setting up the scene of the gruesome quadruple murder about to take place, unbeknownst to the victims. Capote describes the isolated flatlands of rural Kansas, and introduces the victims and their killers as if they were the main characters of a fictional murder mystery. What immediately struck me is how Capote uses literary techniques like the simultaneous narration of the lives of the killers and victims, and the fragmented retelling of the story not specifically in the order of events, which makes the story read more like a work of fiction than of pure journalism. As one gets engrossed in the book, it gets easier to forget that the story is based on truth and is not just a fictional story born in Capote’s head. Capote also demonstrates his mastery over the ‘thriller and suspense’ genre, detailing the Clutter family’s everyday lives, emotions and experiences but with progressively higher levels of anticipation as the pages go by, employing versions of the omnipresent phrase, ‘and that was their last’ for dramatic effect.
