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I will discuss how the poets have given the reader the ability to understand and view the characters within their own environments. ' In Cardigan Market' has continuous themes of locality, community and mainly character development due to the surrounding environment. Likewise, 'A Peasant' ensures these themes are present too. ' Auntie Jane fish' 'squats' in the marketplace all day.
It was filthy; chockful of human waste, smoke, and sickness. Robert Southey, an English Romantic poet, wrote after witnessing Manchester’s decline, that industrialization led Manchester to become a place where one only hears, “the everlasting din of machinery, and where; when the bell rings, it is to call the wretches to their work instead of their prayers” (Document #1). It is true that as people moved away from their home churches and to the cities, church attendance declined. The duty of work became constant and life was miserable for many of the working class. Southey, as a romantic, is expectedly biased against industrialization because of the romantic nostalgia and sentimentalism towards the past.
London did not live up to John’s high expectations, leaving him to believe that he would never be inside a community, even within his dreams. The behavior of the civilized people ran counter to all of his philosophies and morals. John articulated his frustration with this difference in one telling conversation, “’ But you always came before, John.’ ‘That’s precisely why I don’t want to come again.’”
In the poems "London, 1802" and "Douglass", although written 100 years apart, they described freedom fighters that fought for justice and equality. Although, the poems differ int he way they are structured and the style that they are written in, both poems were able to commemorate these politcical figures for their important contributions in unique and difficult situations. At first glance, the poems written by Wordworth and Dunbar have many similarities in structure and organization. Both of the poems start off with commemoration of important figures in the past, describe the source of trouble and the poems both end with highlights of the two freedom fighter 's characteristics. The similariteies between the two extend beyond stucture, it goes onto the imagery also.
Defined as a cynic by many who studied the pages of his works, London had never led us to believe there was hope, or so we believe. As stated formerly, the exposure of Jack London to the unfairness of society and its strict social pyramid revealed, to him, the links between society and nature. In his own words he recognizes these links as well as his own disposition to them as he states: “I see years and years of bloodshed. I see the master class hiring armies of murderers to keep the workers in subjection, to beat them back should they attempt to dispossess the capitalists. That's why I am a pessimist.
Considered very significant to numerous people, happiness and external appearances plays a part in themes of various works. Therefore, these themes of people’s happiness and outward looks are usually ones that many people want to experience. Reading works with these themes can allow the reader to view the subject within the author’s point of view. Poems with these themes lets the readers understand the topic through new eyes, and they may even inspire the reader think about what is truly valuable in life. Two poems that share the themes of happiness and external appearances are Marge Percy’s “Barbie Doll” and Edwin Robinson’s “Richard Cory”.
One may think these conditions only applied to the poorest members of society, but, in fact, entire cities of people were living like this. Manchester, for instance, seen to be the center of English industry and production, changed dramatically because of urbanization and industrialization. The English Poet Robert Southey, in Colloquies on the Progress and Prospects of Society, comments on Manchester that it has “...this multitude crowded together in narrow streets, the houses built of brick and blackened with smoke: frequent buildings among them as large as convents, without their antiquity, without their beauty….”(Document Q). Here, Robert Southey is comparing the older, bucolic and pastoral England with the modern cities in which productivity and profit is valued above maintaining an environment conducive to people’s health and happiness.
Another critical grievance against society performed by many affluent employers was the exploitation of the new generations. Not only were fully adult workers being brutalized through an abhorrent working environment, children as young as six years old were exposed to many of the same or similar conditions. Document three is a photograph of two little boys who look to be no older than nine years of age changing the bobbins in a giant machine without any safety equipment while the machine is running. Not only are these kids forced to work in danger of losing digits or other body parts to the hazardous contraptions they worked with all day, this eliminates any chance they have to complete much, if any amount of education that might have helped them rise up in society and break the vicious circle that makes and keeps the poor the way they are, impeding any hierarchical progress. After a grueling day of hard work with little income to show for it, as people went home to their families to eat, they were presented with virtually inedible meat that was then compounded with rat hair, and feces.
These workers faced dangers everyday and received little pay. At the same time, many other people also had more money and leisure time. Henry George’s book, Progress and Poverty, talks about this divide. “ It was as though an immense wedge were being forced, not underneath society, but through society. Those who are above the point of separation are elevated, but those who are below are crushed down” (Document 3).
The Crash Room Analysis What do you want to be when you grow up? This tends to be a famous question asked young children and adolescents. However, the question ends up getting an answer. It may be silly or serious answers such as a cupcake, firefighter, or doctor. The things is, no matter what we answer, once we actually have to phase reality and choose the career that will define us, we can loose ourselves in the process.
Literary texts in which London is the primary setting often discuss the crime that exists within the city. In some, such as Sir Arthur Conan Doyle’s ‘The Man with the Twisted Lip’, crime and its prevalence in London drives the central storyline. In others, crime feeds into the overall representation of the city that the text presents, as in John Gay’s Trivia, or, the Art of Walking the Streets of London. By writing the city in relation to the crime within, both Gay and Doyle create a London that by its nature enables and aids crime, and use its presence to facilitate the distinct messages within their texts.
“The Ruined Maid” by Thomas Hardy is a satirical poem which uses closed form and anapestic lines to emphasize the importance of complying with society’s ideals while the tone and meaning oppose conforming to society. The closed form and anapestic lines within “The Ruined Maid” follow the guidelines of their forms closely, creating a feeling of submission to rules. Hardy uses a rhyme scheme of AABB, from which he never falters. This relates to how one might behave if they follow all of the society 's ideals; never veering from the given standards.
Prose Analysis Essay In Ann Petry’s The Street, the urban setting is portrayed as harsh and unforgiving to most. Lutie Johnson, however, finds the setting agreeable and rises to challenges posed by the city in order to achieve her goals. Petry portrays this relationship through personification, extended metaphor, and imagery.
Describing the effects of the London city, Ralph Singh, the narrator and protagonist, speaks of the people being “trapped into fixed postures”, of “the personality divided bewilderingly into compartments”, and of “the panic of ceasing to feel myself as a whole person.” Selvon’s third person narrative voice sees London as a place which is “divide[d] up in little worlds, and you stay in the world you belong to and you don’t know about what happening in the other ones except what you read in the papers” (The Lonely Londoners, 58). The Lonely Londoners is a novel of realism and it depicts the lives of the immigrants in London.
London’s stories have many views into naturalism, but they also have insights into realism. The unnamed man in “To Build a Fire” believes he has control of his situation until mistakes are made and he realizes the odds and fate are against him. Realizing this, the man becomes scared and tries literally running for his life so no avail, so he slowly freezes to death after slipping into a deep slumber. The man, Mason, in