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Connie In Joyce Carol Oates 'Where Are You Going, Where Have You Been?'

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During the years of adolescence, an individual goes through a period of time which causes confusion and curiosity, where finding themselves is inevitable. “Where Are You Going, Where Have You Been?” by Joyce Carol Oates takes the reader on an adventure of rebellion as the protagonist, Connie, sorts through a sketchy situation with her own self-experiences. Connie, through her confusion of life, creates a devilish nightmare that is a subconscious manifestation of her desires for attention from the opposite sex. The feeling of helplessness and loneliness is a major characteristic of a nightmare that seems to linger in Connie’s minds. Through her journey, she finds that she is a helpless heroin and cannot control the events occurring around her.
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Connie: The Victim To A Demon The “heroine” of the short story Where Are You Going Where Have You Been written by Joyce Carol Oates has been interpreted in many different ways by many different authors across the globe. They all have their own opinions on why Connie had left her home and walked into the arms of Arnold Friend. Larry Rain makes the argument that Connie was a noble heroine that “chooses the side with the devil [to save her family]” (Rain Gale).

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The story “Where Are You Going, Where Have You Been” by Joyce Carol Oates, is a one where the idea of how girl who struggles with wanting to be a mature woman, faces her demon full form. The protagonist of the story is Connie, a 15-year-old rebel girl, obsessed with her look; and through fault of her own, meets the antithesis of herself, the antagonist of the story, Arnold Friend. Connie seeks to be a mature adult and desires an emancipation from her family. Seeing herself as mature woman through the desires of her attraction by other boys and men, as well as her mother. Its this same desire which acts as the main fault for her character.

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Carol Joyce Oates’ “Where Are You Going Where Have You Been?” presents how falling into temptation leads to giving up control and innocence. Though her mother is unapproving of her actions, Connie spends her time seeking attention from male strangers. Home alone, Connie is approached by a compelling creature who convinces her to leave her life and join him on his unknown journey. Through disapproving her family, having multiple appearances, listening to music, and her desperation to receive attention from boys, Connie gives up control of herself losing the purity of adolescents and contributing to her detrimental fate. It is imperative that one should not be controlled because of a desire to impress others.

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Connie in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been” desperately wants to be independent from her family, while Gregor Samsa in Kafka’s “The Metamorphosis” pathetically yearns for inclusion. In this story, Oates pays special attention to the mother-daughter relationship and the lack of meaningful communication between them. Connie's mother is an image of the future Connie doesn't want – the life of a domestic housewife. Connie has a love-hate relationship with her mother, with whom she identifies, but at the same time she has to distance herself from her mother in order to establish her independence. On the other hand, The Metamorphosis, a story by Franz Kafka, is about a man who has been transformed into a giant beetle

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The short story “Where Are You Going, Where Have You Been?” was written by the author Joyce Carol Oates in 1966. Oates describes her idea for the story after briefly reading an article about the real-life murderer, Charles Schmid, who lured and murdered three teenage girls (Kirszner & Mandell 523). She uses this idea to create the character, Arnold Friend, and his victim, Connie. Connie is a typical teenage girl portrayed as naïve and self-centered. The short story appears realistic, given that the conflict in the story is based off of real events.

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Republicans and Democrats think differently when it comes to forming a U.S. economic policy. On average, Republicans make tax cuts their highest priority, since they prefer the idea that reducing the role of the government in the economy will stimulate economic growth and promote investment. They also adopted the idea of supply-side economics and prefer regressive taxes, or a flat tax rate, that taxes all income at the same percentage regardless of earnings. Thus, Republicans justify that the policy encourages individuals to become creative investors and productive workers. Democrats on the other hand, favor higher levels of public spending, since they need taxes to fund government programs.

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Home is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.

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1415 Words | 6 Pages

Connie in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been” desperately wants to be independent from her family, while Gregor Samsa in Kafka’s “The Metamorphosis” pathetically yearns for inclusion. In this story, Oates pays special attention to the mother-daughter relationship and the lack of meaningful communication between them. Connie's mother is an image of the future Connie doesn't want – the life of a domestic housewife. Connie has a love-hate relationship with her mother, with whom she identifies, but at the same time she has to distance herself from her mother in order to establish her independence. On the other hand, The Metamorphosis, a story by Franz Kafka, is about a man who has been transformed into a giant beetle

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The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates is about a teenage girl named Connie who is in the mist of her adolescent rebellion. She wants to prove her maturity to others and herself. In the story, Oates describes that Connie always lets her mind flow freely in between her daydream. She even creates and keeps dreaming about her ideal male figure in her mind to make her happy and satisfied. Oates allows the reader to step into Connie’s “dream world” through the appearance of Arnold Friend.

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In “The Yellow Wallpaper” by Charlotte Perkins Gilman and “Where Are You Going, Where Have You Been” by Joyce Carol Oates, both female protagonists are faced with opposing male forces that seek to control, undermine and take advantage of them. However, in the midst of the challenges and subordination they face from these dominant male figures, each protagonists independence is tested as they both strive to overcome these forces. Connie, the protagonist in “Where Are You Going, Where Have You Been” is a 15 year old, narcissistic teenage girl, searching for independence through her sexuality as she enters into the realm of adulthood. “Everything about her had two sides to it, one for home and one for anywhere that was not home,” (Oates, 1).

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“Where Are You Going, Where Have You Been,” is about a teenager named Connie who is trying to come to terms with her transformation from childhood to adulthood. Through this process, Connie attempts to act older than she is an tries to gain the attention of boys. In “Where Are You Going, Where Have You Been,” Joyce Oates portrays Connie as obsessed with men to symbolize how one’s obsession and narcissistic attitude can cause danger to seem surreal. In the short story, Carol Oates describes Connie as having two different personalities, one being a narcissistic attitude.

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804 Words | 4 Pages

In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.

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700 Words | 3 Pages

In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.

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In John Updike’s “A&P” and Joyce Oates’s “Where are you going, where have you been” there are multiple intriguing similarities and differences between both protagonists. Both stories involve an adolescent 's main character who goes through a type of struggle, however, the severity of their struggles differ greatly. “A&P” includes a young man named Sammy who loses his job grows an attachment to a small group of girls that are regular customers at the shop he works at. The situation in “Where are you going, where have you been?” is much more grim for the protagonist, a young teenage girl, Connie. She is put into a set of circumstances that put her life in danger.

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The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates can be interpreted in a multitude of ways due to its ambiguity. A psychological lens, however, provides the most accurate viewpoint for analyzing the story as it clarifies certain obscure scenes and actions of Connie. One psychological issue of Connie that is easily inferred from the beginning of the story is her insecurity about her looks. Connie constantly worries about the way that she looks and takes any opportunity to do so, “craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (1).

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