In 1966, Joyce Carol Oates published a short story called, “Where Are You Going, Where Have You Been?” The short story projects a rebellious journey of a 15-year-old teenage girl named Connie, who alternates from her two side persona. At home, it was living with a dysfunctional family where she was ignored by her father, scolded by her mother, and being compared to her perfect sister. In public, her vanity was everything for her and so was getting the attention from boys. But it blinded her from seeing the true intentions of guys until she met Arnold Friend.
Connie, in Joyce Carol Oates’s “Where Are You Going, Where Have You Been,” encounters this experience, and falls victim to danger. Connie’s conscience will place her in a dream to help her see the threat that will be coming her way if she does not stop. Connie is a fifteen year old girl filled with insecurities, and depends on others’ reactions to her to make
In Oates’s Where Are You Going, Where Have You Been by Stephen Slimp, he goes in depth of what this story means to him. Slimp explains how to him one of the best qualities of this short story is “…the way in which the American culture is conveyed with an almost palpable intensity. One can visualize the squalid hamburger joint, hear the blaring of Ellie’s radio and the touch of Arnold’s finger on the screen door. Most amazing, the reader experiences, even with multiple readings, a tightening of the stomach and quickening of the pulse as it slowly becomes clear exactly what Arnold is up to” (179). Slimp believes that Oates writes this narrative in a way portray her belief of the circumstances of American culture in the late-twentieth century.
Carol Joyce Oates’ “Where Are You Going Where Have You Been?” presents how falling into temptation leads to giving up control and innocence. Though her mother is unapproving of her actions, Connie spends her time seeking attention from male strangers. Home alone, Connie is approached by a compelling creature who convinces her to leave her life and join him on his unknown journey. Through disapproving her family, having multiple appearances, listening to music, and her desperation to receive attention from boys, Connie gives up control of herself losing the purity of adolescents and contributing to her detrimental fate. It is imperative that one should not be controlled because of a desire to impress others.
The short story “Where Are You Going, Where Have You Been?” was written by the author Joyce Carol Oates in 1966. Oates describes her idea for the story after briefly reading an article about the real-life murderer, Charles Schmid, who lured and murdered three teenage girls (Kirszner & Mandell 523). She uses this idea to create the character, Arnold Friend, and his victim, Connie. Connie is a typical teenage girl portrayed as naïve and self-centered. The short story appears realistic, given that the conflict in the story is based off of real events.
In Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” she creates a dynamic between Connie and her parents to explore the concept of parental guidance. This story informs readers of the importance of parental guidance to children to prepare them for the outside world. According to “The Parent Gap,” Christopher Dickey argues that “parenting is once again understood—and this should come as no surprise—to be a key element determining the future success or failure of children” (Gale 1), which exemplifies the importance of parental guidance in children’s lives. In her short story “Where Are You Going, Where Have You Been?” Oates develops Connie as a rebellious teenager to contrast Connie’s need for her parents to raise her
Where Are You Going Where Have You Been? By Joyce Carol Oates Psychoanalytic Criticism Question How are id, ego and superego represented in “Where Are You Going? Where Have You Been?” By Joyce Carol Oates?
In Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”, Connie is a fifteen-year-old girl, who does not necessarily get along with her family. During the week, she often times goes to a shopping plaza with some of her friends. However, they sneak across the highway to go to a popular diner where the older crowd hangs out at. At home, Connie is often times arguing with her family. One day her family is invited to her aunt's barbecue but Connie refuses to go.
Where are you going, Where have you been? by Joyce Carol Oates is a story about a teenage girl who wants to grow up too fast. It shows how the growing gap between a parent and their teenage child. The movie Smooth Talk shows a different but interesting perspective to Oates’s story. In this essay the similarities and differences between the movie and the story will be evaluated and explained to see if the movie is accurate to the stories main points.
Home is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.
In the story “Where are you going, Where have you been?” Joyce Carol Oates depicts the turbulent sixties, a time of change and rebellious character towards the reformable youth. Throughout this era, many teenagers willed to rebel against their parents and the ethics and values they upheld since their youth. Among the many disruptions towards the societal flow, the most prominent and influential were the new generation’s erotic choice of music. The parent disapproval of the new music genre only caused more attraction to it, causing the children to rebel from their elders morality.
“Where Are You Going, Where Have You Been,” is about a teenager named Connie who is trying to come to terms with her transformation from childhood to adulthood. Through this process, Connie attempts to act older than she is an tries to gain the attention of boys. In “Where Are You Going, Where Have You Been,” Joyce Oates portrays Connie as obsessed with men to symbolize how one’s obsession and narcissistic attitude can cause danger to seem surreal. In the short story, Carol Oates describes Connie as having two different personalities, one being a narcissistic attitude.
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
Similarly explainable, are the adverse effects inspired by America’s push for conformity and consumerism following 1945. Regarding these years, historical statistics suggest a triumphant American atmosphere due to a victorious war outcome and economic affluence, but these positives quickly turned to negatives for certain societal sectors. Most notably, the unit that would grow to be labeled as the Beatniks. Within this crew, alongside Burroughs, was fellow writer Jack Kerouac. Kerouac’s most publicized text, On the Road, has been saluted as the quintessential novel of the 1950s and is beneficial in the fact that it conveys something that the aforementioned historical statistics cannot, emotion.
