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Cool Air Lovecraft Analysis

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Waiting on every exhausting whim of an 18 year old preserved corpse sounds absurd and impossible, but for H.P. Lovecraft’s first person narrator in “Cool Air” it is a shocking reality. The strategic application of first person point of view keeps the reader on edge with a limited view. Any other point of view would reveal too much information on the pivotal Doctor Muñoz, and not allow access to the narrator's thoughts and emotions. First person point of view in H.P. Lovecraft’s “Cool Air” connects the reader to the emotions of the narrator and keeps critical plot information a mystery. In the crazy, bizarre story “Cool Air”, the ability to get inside the narrator’s head is an essential aspect of the plot. If the story were not set in first person, the narrator’s thoughts of confusion, fear, and dedication would cease to exist. Within the first few paragraphs of “Cool Air” the narrator wastes no time delving right into these emotions. To set the stage the narrator utters, “You ask me to explain why I am afraid of a draught of cool air; why I shiver more than others upon entering a cold room, and seem nauseated and repelled when the chill of evening creeps through the heat of a mild autumn day”(Lovecraft 486). The tone of the narrator is established here. The …show more content…

Some may argue however, witnessing “Cool Air” unfold through a third person narrator may not affect the connection, it could not possibly happen since nowhere is closer to the narrator than inside his own mind. With any other point of view always something always separates the reader and the main character. Gotham Writers’ Workshop describes the direct relationship, “There’s nothing standing between this character’s consciousness and the reader”(Gotham Writers’ Workshop 79). The described connection to the character’s consciousness forces the reader to experience everything along with the narrator without any

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When reading a fiction, not only the plot, but also the narrator and the point of view are important to readers in order to understand the story. Stories can be told in a various angle of vision or in one perspective, depending on which person point of view. “A story is said to be from a character’s point of view, or a character is said to be a focal or focalizing character” (Norton, 174). Readers sometimes feel they are overhearing the narrator’s thoughts because they follow along the narrator’s thoughts, actions, and feelings. Both Sonny’s Blues and the Yellow paper use first person narration.

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In the excerpt, The Street by Ann Petry, there is a 3rd person omniscient narrator to explain the hatefulness of the cold along with the keen determination of Lutie Johnson. The narrator completely conveys the true parts of the cold to better show Lutie Johnson’s experiences by employing descriptive personifications and vivid imagery of the central antagonist as the wind. Imagery is undeniably the most used literary device in this excerpt, as it gives the reader an accurate sense of the horrible temperate weather that the protagonist is forced to endure in her search for a home. The presence of the “Cold November wind” is shown in the sense of disorder and chaos that is at 110th street. “Scraps of paper “are sent “…into the faces of the people

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In the story “Time of Wonder” the writer and illustrator Robert McCloskey creates a mesmerizing picture book. Throughout the book he relates his message to the reader of taking time to enjoy the weather and nature. Likewise, the reader is able to experience these events directly with phrases such as “IT’S RAINING ON YOU” (McCloskey 10). One event the reader is able to conjure up is the ocean in Maine with the taste of salt on their tongue. Moreover, the reader visualizes the calm sea on a sunny day and fears the roaring wind before a hurricane.

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In Tim Winton's novel Breath, the narrator's complex response to the incident at the riverbank is represented through the use of literary elements and techniques. Through the use of vivid imagery, the juxtaposition of different emotions, and the careful building of tension, Winton shows how the narrator's initial sense of duty and responsibility towards saving a drowning boy quickly turns into a mixture of guilt and glee, as he realizes that he and his friend Ivan Loonie have been playing a cruel prank on the panicked onlookers. Winton uses vivid imagery to create a clear picture of the riverbank scene, allowing the reader to feel as if they are right there alongside the narrator. The description of the "brown" and "cold as hell" river, the "big old gums" and the "dragonflies in the air above us" help to create a sense of place and atmosphere, while the image of the panicked women "slithering up and down the bank" and "yanking at their own ears" adds to the tension and urgency of the situation.

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The scene then changes to the narrator’s childhood, a lonely one at it. “I lay on the bed and lost myself in stories,” he says, “I liked that. Books were safer than other people anyway.” The main narrative starts as he recalls a

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Stories are all told from different perspectives and told from several points of view. In some stories, the story is not told by any of the characters, but rather from an omniscient viewpoint. In literature, choosing a point of view is one of the most important pieces in telling a story. It is through the point of view that the readers experience a story. In Jack London’s short story, “To Build a Fire,” he utilizes an omniscient point of view in order to add to the impact of his story.

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In Brave New World, imagery plays a huge role on the success of the novel. Huxley impacts his novel full of imagery which makes the book easier to visualize. For instance, when Huxley describes Linda, the mother of John, “A very stout blonde squaw stepped across… Lenina noticed with disgust that two of the front teeth were missing. And the colour of the ones that remained. . .It was worse than the old man.

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