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Creative Writing: A Streetcar Named Desire

442 Words2 Pages

Sharp, abrupt sound of the ringing telephone spread through the house.

However, it was not the telephone that woke Blanche up. It was the wild (animalistic, as she immediately thought) yell of Stanley Kowalski receiving the information about his wife giving birth to a baby boy. He was having a son, just like he wanted! And there she was, laying in the glimmering morning sunlight. Looking as fragile and as frail as the porcelain doll she used to play in her childhood years. Wondering whether the horrific events of the night really did take place or was it just a hauntingly realistic nightmare. Yet, she needn’t wonder; she knew.

As soon as he got out of a brief, euphoric shock caused by the joyful news, Stanley changed his silk pajamas into …show more content…

First few attempts of getting out of the bed ended up with fiasco - she was feeling light-headed and couldn’t make a step without the whole room starting to swirl as if she was on a carousel at a funfair. Finally, she got up. Alas! Her whole body was trembling, her legs were as heavy as lead and, above all, she was feeling extremely nauseated. All the symptoms experienced at once, combined with recurring flashbacks of Stanley’s coarse hands leaving marks all over Blanche’s body made her unable to move. Suddenly, “blue piano” music got her out of the grips of numbness. She quickly ran to the bathroom and looked in the mirror. “Blanche, Blanche…” - she spoke to herself - “Honey! What are you doing? Stella...Stella and the baby will be here just in a moment! Is that how you want to look? Like a mess?! No, you have to make yourself look as elegant and as calm as possible, do you hear me? As elegant...” - she started sobbing - “...and as calm as...possible.” Before she noticed, tears were streaming down her cheeks and the sound of “blue piano” transformed into “Varsouviana”, resonating in her head as vividly and intensely as never

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Stanley is a blunt, practical, and animalistic man who has no patience for subtleties and refinement. His animalistic character shows the moment he meets Blanche, when he, moving with “animalistic joy” (24), “sizes” Blanche up with “sexual classifications” and “crude image” in his mind (25). Under his stare, Blanche draws “involuntarily back” (25), a movement that foreshadows their later conflict and her subsequent demise. His practical and straightforward side shows when he interrogates Blanche about the sale of Belle Reve to make sure that his wife is not swindled. His straightforward, practical nature makes him “boom” out of impatience (46) and demands Blanche to cut straight to the point when she tries to talk in an indirect, subtle manner as befit a Southern gentlewoman.

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The outro of the play is the final moment of Blanche’s mental breakdown that is shown in the play. After Stanley revealed all of Blanche 's lies which leads her to call the operator and trying to contact the man she knew that lived on a yacht. Blanche told everyone that she will be fine and that she will just contact an old friend to live with. She believed in her own lie of the man named Shep Huntleigh that did not exist. When a man knocked on the door she was expecting the man on that lived on a yacht while everyone else knew it was a doctor to take Blanche away because of her mental

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Stanley sexually assaults Blanche, along with humiliating her throughout the novel. This forces Blanche to mentally escape to somewhere else. A place filled with illusionary ideas and fantasy. She regresses back to her time with Shep Huntleigh, believing the oil millionaire is coming to rescue her from Stella's apartment. Yet, as the play progresses, it becomes clear that Shep will never rescue Blanche.

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To parallel the break of trust between the women after Stanley tells Stella of Blanche’s past, “The distant piano goes into a hectic breakdown” (Williams 535), thus making a despairing environment. The devastation of Stanley beating Stella is increased

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In the play A Streetcar Named Desire by Tennessee Williams, the main characters, Blanche Dubois and Stanley Kowalski, share a great dislike and distrust towards one another, ultimately becoming the basis for the story’s conflict. Their common contemption stems from their contrasting personalities and backgrounds, their incompatibility of being able to function under the same environment, and inability to adapt to the situations they find themselves in. Although Blanche detests Stanley and the manner in which he behaves in, she realises that he is a necessary part for Stella’s life in New Orleans, an environment that greatly differs from the southern aristocracy that Stella and Blanche once lived in. Blanche expresses this idea by stating, “Oh,

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Stanley takes advantage of Blanche using his assertion and Blanche’s vulnerability due to her mental state and high level of intoxication. After the attack, Blanche’s already diminished mental state continues to deteriorate, leading her into

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“[She springs up and crosses to it, and removes a whiskey bottle. She pours a half tumbler of whiskey and tosses it down. She carefully replaces the bottle and washes out the tumbler at the sink]”(1.71) Blanche tries to separate herself from reality when she drinks, trying to forget and escape her troubled past. Being in a new environment is unsettling.

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In Scene 10, she deviously claims that she has just received a telegram from the millionaire, Steph Huntleigh, to explain why she is dressed up. At first, Stanley plays along, but once Blanche musters up the audacity to say that Mitch returned to their apartment seeking repentance, Stanley draws the line. He calls her out for her fictitious tales of her past, and states, “We’ve had this date from the start,” just before he maliciously rapes Blanche. Their natures root in primal, animalistic instincts, Stanley like a dirty hog, open and free concerning his sexuality, Blanche like a fox, sly and deceitful. Despite her incessant attempts to destroy her past, Blanche is unable to stop their sexual connection as she has had so many other men.

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In other words, Stella is very aware that her sexual relationship with Stanley can help her sort out any problems between them. Also, shortly before Stanley rapes Blanche, Williams says in the stage directions that there were “inhuman voices like cries in the jungle” (399; sc. 10). Blanche, which means white wood, is out of her element in this jungle of Stanley’s and it is she, who once called Stanley “bestial” (322; sc. 4) and “sub-human” (323; sc. 4), who has now found herself being stalked and charged like prey being hunted by an animal. With his sister-in-law present, Stanley has been unable to fulfill his sexual desires and so he releases them out on Blanche.

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Stanley continues to impose his reality onto Blanche, which causes her more anxiety relying more and more on herself to create more of an illusion by creating an admirer for herself, saying that she ended it with Mitch because she does not deserve “deliberate cruelty”, and crating this alter ego for herself as being pure. While Stella is in the hospital, he and Blanche are left alone for the night as she continues bragging about her admiration coming from Sheep Hunt Leigh and how she just got a wire from him. Stanley catches her in her life, finally tearing apart Blanche's illusions. Although Stanley has been a threat to her through his suspicion and empowering masculinity over her, the last scene is where he finally takes final control over her, or symbolically where reality has a final triumph over her illusions. While catching her in the midst of her lies she reveals to Blanche that “[he’s] been on to [Blanche] from the start!”

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A Streetcar named Desire written by American playwright Tennessee Williams is a Marxist play that depicts the socio economic status of the characters and people living during that time. The play was written in 1947, two years after the second world war. The historical time leading up to the Second World War known as the Interwar period from 1918-1939 was an era classified with economical difficulties for a majority of American citizens. After the new economic system based upon capital emerged succeeding the Industrial Revolution, the United States saw a massive prosperity in the early twentieth century only to be demolished by the stock market crash of 1929 also known as Black Tuesday (source). These unsuccessful stock markets were one of the signs that showed that the new system, which depended on an extensive labor force and an open and unregulated market, was not as reliable as previously thought, this period was known as the Depression.

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Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.

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