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Essay themes for all quiet on the western front
What is the main message of all quiet on the western front
Essay themes for all quiet on the western front
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Kristina and Trey gathered all of their little belongings mostly caring about the lockbox containing about $3,600 of the finest mexican glass a.k.a meth. Rushing out of their little apartment as soon as possible after seeing a wanted picture in the newspaper of kristina stealing money illegally with a fake id. She thought it was odd that she had very very little remorse about getting up and leaving without saying goodbye to her baby that wouldn't even recognize her, her mom which she stole her identity and money from. It didn't phase her and she kept loading what little belongings she had into Trey's mustang. They rushed onto the snowy freeway still tweaked as usual, but exhausted from no sleep like usual and running from the police and the mexican drug lord that they owe and weren't planning on paying back.
Furthermore, the soldiers all had the fear of the unknown of what could or would happen to them. They all carried the emotional baggage of men who might die. “Grief, terror, love, longing – these were intangibles, but the intangibles had their own mass and specific gravity, they had tangible weight” (381). The fear of the unknown was also lingering and they did not know what could happen to any of them at any
Traumatic events have become business, not real cause for concern. In the article “The Things They Carried”, Richard Ford explains that “the possibility of death without warning strips the innocence from even the most idealistic and romantic of the men” (Ford 2). Ford backs up the evidence in the story, the young soldiers who still retain their childish imagination and dreams become exposed to the most harsh realities of war. They can’t cope and retain their innocence, instead becoming shells of their old selves. The soldier's loss of innocence and compassion is best shown through Ted Lavender’s
War carries important morals that heighten the perspective of men and women on their nation, but it also entails many acts and experiences that leave lasting effects on their emotional and physical state. Throughout the following texts, Paul Baumer, the dead soldiers, and Kiowa’s comrades all sustain losses that compel them to persevere and fight harder. All Quiet on the Western Front, Poetry of the Lost Generation, and an excerpt from In the Field all connect to the recurring theme, horrors of war, that soldiers face everyday on the front line through the continuous battle. War involves gruesome battles, many of which lead to death, but these events forever affect the soldier’s mind and body. In All Quiet on the Western Front, men experience horrific sights, or horrors of war, through the depiction of the terrain, death, and the
War has a profound and lasting impact on individuals and society. In “The Things They Carried” by Tim O’Brien, he tells different stories of before, during and after war and how it affects the soldiers, mentally and physically. In these stories Tim O’Brien illustrates these traumas and the long-lasting effects and impact that the war will always have on these men. Even though all the men didn’t survive the ones that did continue to have traumatic flashbacks. War has a lasting impact on individuals and society, affecting not only the physical but the mental and emotional well-being of those involved.
In his gripping poem entitled, Losses, Randell Jarrell normalizes war and the barbarities that it induces. Unlike Mary Ann in The Things They Carried, who feels invigorated and fully embraces war, Jarrell describes how war causes men to become insensitive and dazed. Seemingly, as a result of being constantly exposed to such horrors, soldiers lose their understanding of loss, and see death as an insignificant, ordinary occurrence. The narrator articulates, “With enormous adrenaline rushing through you, friends and fellow soldiers dying left and right, bullets of varying size and sound whizzing past you...stopping to help carry a wounded friend to safety and taking a bullet as a result, this is all a "mistake" on your part... How cold and unforgiving the world of war is.” (Jarrelll).
Everyone had seen those headlines. The same phrases had been plastered on the front pages of every newspaper for four everlasting years. Reports from aged soldiers; brave, bold boys and men; reduced to ghosts. And they were the lucky ones. Those who had escaped from the chaos that claimed the lives of thousands of others.
Dear Mother, It’s has been indisputable here in the trenches, I’m in dire need of new socks. The doctors say they might have to amputate my foot if my trench foot gets any worse. Also if you could provide me with some next time you send me a package I would be beholden to you. In addition to the already gruesome situation, the rats have begun to eat the dead in no man’s land, and steal my bread when I’m not looking.
There are times when even the soldiers, marked by society as fearless, “cover their heads and sa[y] Dear Jesus … and cringe and sob and beg for the noise to stop” (18). In part, this fear stems from the instantaneity of death. One moment, a soldier could be lightheartedly joking with friends, while the next, he or she could be on the ground, lifeless. Kiowa describes Ted Lavender’s sudden death as “Boom-down … Like cement” (6).
As I look back upon the battlefield we beheld the dead lying there as if the have fallen through resilience. An awful spectacle! Dead comrades and foes, pompous horses, and fragmented
It was a cold autumn evening, colder than normal for Germany around this time. Franz looked at his pocket watch, it was about quarter after 11. The swastika was worn proudly on Franz’s left upper arm. He saw the animals within the barbed zoo, striped like zebras. Hanz was enjoying a piece of bread his wife prepared for him this morning, but his face had a look of discomfort.
Gregor wakes up and looks at the clock. It is 6 a.m. “Time to get up,” he says. Gregor gets out of bed and walks to the bathroom. He brushes his teeth and washes his face.
The movie, ‘Citizen Kane’, is a memoir that describes the life of businessman, Charles Foster Kane. The uses of mise-en-scene elements reinforced isolation and loss as a recurring theme throughout the film. This is shown through depth, character placement, and camera framing. As the film continues on, a nondescript reporter collects personal recounts about Kane from his many acquaintances.
Once upon a time, long ago in the frozen north, there was a village. Every winter when the days grew short and the nights grew cold and dark, the wolves would come, growling and biting and clawing at the meagre wooden walls of the village. Every year the wolves came, and every year the villagers huddled in their homes and grew sick and hungry and cold, until one year they decided that something had to be done. They held a meeting in the town hall, the only building that had enough wood left for a fire. They talked and talked for many long hours into the night, but no one knew what to do.
Over all, this story allows us to observe changes within the mentalities of army officers. First, the trauma of living in a war zone can add a significant amount of intangible weight into someone’s life. In “The Things They Carried,” we discover that Cross’s men “carried all the emotional baggage of men who might die (443).” Given that the majority of humans have experienced some form of trauma, we can understand how some men were driven to suicide and others into
