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Crime And Punishment Analysis

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There are multiple times in Crime and Punishment by Fyodor Dostoyevsky that Raskolnikov’s mentality towards his actions change drastically. Although the ending of Crime and Punishment may suggest that Raskolnikov has a chance at redemption, his mental state is far too inconsistent to come to this conclusion. In one chapter, Raskolnikov is remorseful and deeply regrets his actions, even telling himself that he will confess, but in another, he acts as if he never even committed the crime and he believes that there is no chance of him ever being caught for his wrongdoings. Raskolnikov’s first attitude towards what he has done is shown immediately after he murders Aliona and Lizaveta. After Raskolnikov commits the crime, he is in utter shock that he was actually able to go through with his intended actions. He …show more content…

At first, he is very concerned that the police will eventually find out that he was the person who actually killed Aliona and Lizaveta, but this fear was momentary. “‘It’s all double-edged. Now everything is double-edged.’ Raskolnikov repeated, and he left the room more boldly than he had at any time before” (349). This quote refers to when Raskolnikov realizes that the only evidence Porfiry has against him is his intuition, rather than hard evidence such as the murder weapon or the items Raskolnikov stole from the crime scene. The mentioning of his boldness as he walked out of his room truly emphasizes how he is more confident than he ever has been that he has no chance of being found guilty for his horrendous crime. It is as if he erases it from his memory and acts like it never even occurred. Raskolnikov’s mentality towards his actions radically changes between right after the crime was committed and after Nikolay confesses to the murders. His inconsistency of opinion is also shown greatly in the epilogue of Crime and

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Dostoevsky repeatedly refers to Raskolnikov’s apartment as a closet or other such small enclosure. As others learn of his crime, and guilt closes in on Raskolnikov’s conscience, his dwelling shrinks in proportion. For example, after Dunya receives a letter from Svidrigailov, Raskolnikov becomes paranoid that she

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Peter Petrovich, the fiancé of Raskolnikov’s sister, first meets Raskolnikov when Raskolnikov is ill in his apartment. Raskolnikov’s preconceived dislike towards Petrovich conveys the idea that Petrovich is not likeable. A reader could understand why Raskolnikov and Petrovich would not work well together; Petrovich carries himself well and is confident in himself while Raskolnikov has a lot of self-doubt and avoids socialization. Whether or not Petrovich is an enjoyable person, his thoughts about self-importance and self-love are easily extendable to outside the world of Crime and Punishment.

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Before he had isolated himself by choice, but now it’s as if he doesn’t have an option anymore. Raskolnikov has done something so wrong that he no longer feels like a member of humanity, which is why he specifies a “human word”. Raskolnikov’s guilt comes from the need to rejoin society. That is why his guilt fluctuates so much, but becomes much worse when his rationale for the murder is put into question. In part 3 chapter 6, Raskolnikov has a dream, in which he tries to kill Alyona but fails and she laughs at him.

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all that well yet and any judgment I have starting at now would be arrogant. I do realize that if that was the situation, he would have felt his activity was supported (in any case, once more, not really virtuous). Raskolnikov imagined that he was bound to kill Alyona by discovering purpose for happenstances like helpfully finding a hatchet in the shed while on his approach to kill her. Before the murder, he trusts this fills in as his method for clearing his cognizant and maintaining a strategic distance from duty regarding the wrongdoing (in this manner exonerating all blame). So while I can just hypothesize with respect to regardless of

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Raskolnikov’s accumulating debt owed to his landlord prevents him from moving outside of Saint Petersburg and causes massive emotional damage. Each time he leaves his apartment, he fears seeing his landlady, The stress and anxiety arising from the debt he owes to his landlord causes him to become unruly and he had, “fallen into a state of nervous depression akin to hypochondria,” feeding into his detachment from society. Not only does Raskolnikov’s living situation seem grim, but his room itself furthers his emotional detachment from society. Raskolnikov’s room allows him to dehumanize himself.

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