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Gender role in victorian era
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More handpicked essays just for you.
Gender role in victorian era
The victorian era and gender roles
Freedom in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In the article “Traditions Subordinating Women”, Bonnie S. Anderson and Judith P. Zinsser explore the very strong opinions, theories and beliefs of female subordination within the eyes of various origin cultures through stories, passages and history itself. This article gives a vast understanding of a woman’s role, the purpose of her body, what is expected of her, society’s double standards and how literature and poems portray women. Before Christianity, there existed many old cultures such as the Greeks, Romans, Hebrews, Germanics and Celtics, who all came in agreement to preserving the subordination of women. A woman’s main duties were to remain faithful to her husband, to be fruitful and to preserve and nurture her home. A woman was incapable
“Trifles” and “The Yellow Wallpaper” are early 20th century short stories that depict women’s suppressive role in society and the belief that women should be treated as subservient and substandard to men. Authors Susan Glaspell (“Trifles”) and Charlotte Anna Gilman (“The Yellow Wallpaper”) are both known for advocating feminism in their works of literature. “Trifles” and “The Yellow Wallpaper” exploit patriarchal dominance and its effect on suppressing women’s intellectual and societal equality. In each short story, the woman protagonist is depicted as trapped in her marriage.
The work is not yet complete, and is evident by looking at the domination of women throughout the centuries, specifically the 19th and 20th century, which was the height of the women’s rights movement. By analyzing two literary works from two different eras, “The Yellow Wallpaper” written by Charlotte Perkins Gilman in the late 19th century and “Aunt Jennifer’s Tigers” written by Adrienne Rich in the mid-20th century, one can conclude that while there have been improvements to women’s rights, there is still discrimination prevalent. Although set in two different time periods, the main
Judith Butler’s Gender Troubles emphasizes gender as the constant repetition of non-existent ideals to uphold a masculine-dominant culture. Likewise, “Body Politics” highlights this belief within the overtly feminine qualities of city women. As a whole, the poem contrasts idealized feminine “city women” with a “real woman” who possesses both feminine and masculine qualities. The mother figure challenges both the gender binary and the patriarchal order by rejecting the feminine gender norms of the society. This feminist reading of the poem makes many valuable and probable claims, however the feminist approach contains some weaknesses.
Patriarchal societies have existed as long as there have been humans. From the beginning when men would hunt and women would gather, to the present day wage gap, men’s demonstration of superiority is evident throughout history. Women, historically, serve as accessories to men, seen not heard. However, some brave women question their role in society. Edna Pontellier, in Kate Chopin’s The Awakening, conforms outwardly to the societal role of women existing only as mothers and wives but questions inwardly through exploration of her individuality and sexuality, as demonstrated through her relationships with her husband Leonce Pontellier and Robert Lebrun, yet her realization that her growth will not be accepted by others ultimately causes her death.
Authors, especially female authors, have long used their writing to emphasize and analyze the feminist issues that characterize society, both in the past and the present. Kate Chopin, Charlotte Perkins Gilman, and Susan Glaspell wrote narratives that best examined feminist movements through the unreliable minds of their characters. In all three stories, “The Story of an Hour”, “The Yellow Wallpaper”, and “A Jury of Her Peers”, the authors use characterization, symbolism, and foreshadowing to describe the characters’ apparent psychosis or unreasonable behavior to shed light on the social issues that characterized the late 19th century and early 20th century. Penning many stories that demonstrate her opinions on the social issues of the era,
Edna experiences the hardships of striving to break as a “ [feeling] like one who awakens gradually out of a dream, a delicious, grotesque, impossible dream, to feel again the realities pressing into her soul … the exuberance which had sustained and exalted her spirit left her helpless and yielding to the conditions which crowded her in … clutching feebly at the post before passing into the house.” (79). Through the imagery of a weight on her mind and feeble body, Chopin conveys her inability to find the strength to break the chains of the archetypal female identity. Extremely fleeting, her momentary empowerment clearly validates her circular growth rather than a building of personal development.
In Kate Chopin 's novel The Awakening and the short story “The Story of An Hour” feminist beliefs overshadow the value in moral and societal expectations during the turn of the century. Due to Louise Mallard and Edna Pontellier Victorian life style they both see separating from their husband as the beginning of their freedom. Being free from that culture allows them to invest in their personal interest instead of being limited to what 's expected of them. Chopin 's sacrifices her own dignity for the ideal of society’s expectations. Chopin 's sad, mysterious tone seems to support how in their era, there was a significant lack of women 's rights and freedom of expression.
Women’s Body The Figuration of the female body is well described in both Woman at Point Zero by Nawal El-Saadawi and Margaret Atwood’s The Handmaid’s Tale. Both novels show that the women bodies are not their own and controlled by others which it turned into an object in order to survive. In this paper, I would like to argue how the objectification of the female bodies in both novels resulted in their oppression and sufferings. Moreover, what is the definition of the figuration of a body to both Offred and Firdaus? And is there a way out to survive this tragedy in both novels?
“Poetry Is Not a Luxury” (1982) intertwines feminism and poetry together. Author Audre Lorde says that for women, “poetry is not a luxury, but a necessity of our existence” (Lorde, 1982, pg. 281). In today’s society, women’s opinions aren’t really expressed, because it’s not widely accepted in this man-built world. Lorde’s quote “poetry is not a luxury, but a necessity of our existence” means that women should use their voices and channel their energy into poetry. Since poetry is accepted, women aren’t being deviant.
The topic I chose to conduct my research on is the short story “The Story of an Hour”, by Kate Chopin. While reading this story the deeper meaning may not be initially apparent, but after some careful analyzation it is clear what led to Mrs. Mallard’s demise. I have chosen to conduct my research on “The Story of an Hour” because I previously studied it in my Intro to Fiction course last semester and it’s impactful message stood out. The deeper message being communicated through “The Story of an Hour” by Kate Chopin is how oppression by patriarchal forces hinders female independence.
By using casual diction, simple sentences, and well-known allusions, Woolf is able to shift the audience’s attention from the gender of the
The play closes on a positive note with Nora, representative of the supressed female, overcoming Torvald, representative of the oppressive male, however to express the true extent of this achievement, Ibsen makes evident the context of the struggle that society dictated women live by. The progressive characterisation of the protagonist Nora encapsulates Ibsen’s intention of pushing theatrical and societal norms through showing how women deserve to create their own identity and not be restricted by their male oppressors. Ibsen crafted every line to show the development of her dialogue, actions, setting and properties, and in doing so he potently slammed the door on the patriarchal society of the 19th
This essay will approach the poem My Last Duchess, by Robert Browning, from two perspectives: Masculinity and femininity. The essay will illustrate how the abundant details of this poem can be clear representations of many of the concepts of masculinity and femininity contained in the pertaining theories. Among the theorists that will be used or referred to are Kate Millet,Janet Saltzman Chaves, Helene Cixous and Michel Foucault.
She finds that women are currently writing nearly as many books as men, on all kinds of subjects, such as economics and philosophy, “which a generation ago no woman could have touched“. So, to explore current novels and to see what kind of changes occurred in