The central idea of this excerpt from Dracula was the fear of the prisoner living in the castle of Count Dracula who felt trapped and alone. The authors use of first person point of view of the prisoner was able to develop this central idea of fear because prisoner was able to describe his feelings first hand living in the castle with the Count as well as emphasize the thoughts that were scattered inside of his head during this time. An example of the author using first person point of view to help develop the central idea of fear was when the prisoner had realized that he was helpless in the situation of his current living conditions. The prisoner said "I think I must have been mad for the time, for I have behaved much as a rat does in a trap" (lines 4-5).
During the 1950s, movies and TV were both a force for conformity and rebellion, depending on the specific content and audience. On one hand, the dominant narrative of movies and TV during this era tended to reinforce mainstream values and promote social conformity. Many films and TV shows portrayed idealized versions of American life, featuring characters who conformed to traditional gender roles and family structures. These narratives often emphasized the importance of conformity and adherence to societal norms, portraying those who deviated from these expectations as outcasts or villains. On the other hand, some films and TV shows challenged these mainstream values and promoted rebellion against the status quo.
In this response paper I will discuss what it means for a something to be a “cultural work” and how Ender’s Game qualifies as one. In particular, that Ender’s Game qualifies as a cultural work for many reasons, but the two I will be specifically focusing on are how our culture values someone who rises above misfortune and the fear of the unknown. In her book, Science Fiction: A Guide for the Perplexed, Sherryl Vint defines a cultural work as “…their role in imagining a world that is in some way different from the one we take for granted and their power to create mythologies that help us grasp the experience of human life in a world dominated by scientific thinking.”
In Dracula, Bram Stoker makes a contrast between two types of women in this novel. Women who are in the vampire state are vastly more powerful than the everyday human woman, but seem to still be subordinate. Towards the end of late 19th Century, the new woman develops toward the economic change as well as the sexual changes in society, with both men and women struggling to find a sense of this new order. The new woman was strong, finding a sense of independence and men were beginning to become terrified of their own woman. Stoker explains his idea behind the characters of the women in Dracula, he believes that “for women to deny their traditional role was to deny their womanhood, to challenge the distinctions between women and men upon which
In Bram Stoker’s gothic novel, Dracula, the overall and fundamental theme of the book is given away the further you read, expressing Stoker’s view of religion. The novel is an account of the paths taken by many different characters such as Count Dracula, Van Helsing, Jonathan Harker, Mina Murray and Lucy Westenra. Since this poem was written with ideas focused primarily on the concepts of evil, as it was viewed during an appearingly-conservative nineteenth and twentieth century society, the book can be seen as a parallel to Eliot’s and others’ own religious quests. While Bram Stoker attempts to acquaint the reader with a frightening tale on the accounts of a dreadful vampire named Count Dracula, he also expresses the goal of strengthening
Utilitarianism is a philosophical theory that claims that the morally right action is the one that produces more good and fewer dire consequences for everyone than any other action. Rule utilitarianism is a version that emphasizes the importance of following rules that promote the most important overall happiness or well-being for the most significant number of people. James Rachels, in his work "More Impertinent Distinctions and a Defense of Active Euthanasia," argues that in the case of euthanasia, "if an action promotes the best interests of everyone concerned, and violates no one's rights, then that action is morally acceptable." He argues that "in at least some cases, active euthanasia promotes the best interests of everyone concerned
In this article, “Why We Love TV’s Anti-heroes,” the author Stephen Garrett argues that in today’s society our whole perspective of heroes has changed since the mid-twentieth century. Garrett is appealing to all American’s who love watching their favorite TV heroes and heroines. In addition, Garrett’s main focus is the fact today’s heroes entirely different from what the idea of a “hero” was two or three decades ago. The author relies on generally accepted ideas from the American public to base his main idea; he uses sources from popular TV shows and movies which have anti-heroes that draw the attention of their audience.
Trinity Lam ENG 1302 Professor Loubser May 3, 2023 Dracula and the Anxieties of Victorian Culture Bram Stoker’s novel, Dracula, explores Victorian anxieties prevalent during the era that the book was written in. In contrast to Western uniformity, the cultural norms in England at the time were outmoded and constrictive; old and conservative values were highly respected and frequently connected with modesty and purity. With the Protestant ideals of Victorian society largely influencing the narrative, Stoker's work tackles the tension between yielding to one's desires and fighting them. Feminist Criticism is a School of Literary Criticism that refers to the masculine language used to subsume the role of women and construct a representation of
In the novel Dracula, author Bram Stoker creates a peculiar situation that pushes the main characters to decipher the supernatural from reality. Originally thought of as a myth, Dracula quickly becomes something more than the supernatural. By slowly building the conflict of Dracula himself, Stoker depicts all stages of the change from believing that Dracula is a fictitious character to being face to face with Dracula himself. As he terrorizes the lives of the characters in the novel, they soon come to the realization that Dracula is more than what they formerly believed, and in actuality he is their harsh reality.
It’s A Man’s World Bram Stoker’s Dracula is a highly controversial work of fiction. Bram Stoker’s Dracula touches on many different categories of literature which is why it can be analyzed in many different ways using an assortment of different criticisms. Throughout this piece, however, it is only focused on the patriarchal society and how women are portrayed throughout, leading to the expectations of women during this time period. Amongst this novel a feminist approach comes into play, but cannot be used to analyze Dracula as a whole but, more so to analyze multiple female characters. Bram’s stoker’s
Dracula is about vampires in general, the myth, the mystery and the horror. Even though Dracula wasn’t the first vampire story, it was the first really popular one. Throughout the novel, the author, Bram Stoker, portrays many different aspects of women's roles in the 19th century. With the use of imagery and symbolism, the theme of sexuality and gender roles has an enormous presence in the novel. Social gender roles of women and men during the Victorian Era were very strict and looked upon differently than any other time period.
In the novel Dracula, Bram Stoker highlights the theme of sexuality that challenge ideas of sex to both the female and male characters. The author objectifies the female characters in the novel to be over sexualized and portrays sex to empower women. Stoker may present the theme of female sexuality; however, he demonstrates gender inequality triumphs at the end leaving women in the shadows again. Women in the eighteenth century hardly had any type of power outside of overseeing the household and they probably contained much less power expressing any type of sexual emotions. Stoker’s novel gives readers a different perspective of the female sexuality as if almost empowering women and stating that they too can be sexual creatures like men.
Author Joyce Carol Oates ' discovery of the stories of Edgar Allen Poe and Ann Radcliff “sparked her interest in Gothic fiction”. These Gothic elements typically include gruesome or violent incidents, characters in psychological or physical torment, and strong language full of dangerous meanings. Oates herself is citied as saying that "Horror is a fact of life. As a writer, I’m fascinated by all facets of life". “Where is Here?" This story is sort of eerie and tells the tale of a grown-up man who goes back to visit his childhood home.
Dracula is a household name; however, the actual meaning is not as well known. The novel Dracula by Bram Stoker contains a unique story, one which due to the structure of the book there are multiple main characters. The book is written in the form of letters, allowing the focus to be on many different people and viewpoints. Dracula starts out with Jonathan Harker an, Englishman, who takes a trip to Transylvania to meet Count Dracula. On his way to the castle he is warned of the dangers of Dracula, however, Jonathan chooses to persist.
Peter Weller once stated, “Television is an isolating experience, sadly enough. But as good as it ever gets, it’s still isolating. You sit in your home and visit with no one.” Staring into the television screen, zoned out and mesmerized, our minds are living the life of the characters in the movie or TV show. In today’s society, people obsess over there shows instead of there family, friends, and children.
