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Cyrano De Bergerac Appearance Vs Reality Analysis

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Cyrano de Bergerac
Appearances Vs. Reality Throughout the plot of Cyrano de Bergerac, Edmond Rostand clearly depicts his views by utilizing the theme of appearance versus reality. Cyrano de Bergerac is filled with dramatic plot twists and secrets, thus causing several conflicts to occur. Whether it is due to love or war, the characters remain at odds with each other throughout the majority of this play. As a result, nothing is as it seems. In Act I, Bore and the Viscount make the mistake of criticizing Cyrano’s nose. Although de Bergerac makes a point of dramatizing the incident, he is proud of his ugliness. Cyrano de Bergerac is extremely rebellious against French society. Therefore, despite its unattractive attributes, his nose gives him …show more content…

Cyrano is in a terrible accident when a large piece of wood is dropped on his head, giving him a life-threatening injury. Bed ridden, Cyrano still meets with Roxane at his usual time that day without speaking of his current condition. As Mathieu 4 darkness begins to fall, Cyrano reads one of his letters to Roxane. Once the sky is completely dark, Roxane begins to recognize his voice. The same voice that spoke to her that night under her balcony. Roxane accuses Cyrano of his deception. “Ah - things dead, long dead. See! How they rise again! Why, why keep silence all these fourteen years, When, on this letter, which he never wrote, The tears were your tears? (Rostand 497) However, Even in death Cyrano preserves his friend’s honor. “No my sweet love, I never loved you!” (Rostand 497) Cyrano dies with the knowledge that Roxane returns his love.
Rostand’s morals shine through his characters and his theme of appearances versus reality. Even though Cyrano and the other characters in this drama make detrimental mistakes, they always try to correct them in the end. Cyrano and Christian make the decision to deceive Roxane, but both wish to confess. However, the circumstances do not allow either man to come clean. Rostand’s characters and his own morals represent the love of honor, even in

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In the play Cyrano De Bergerac by Edmond Rostand, the main character Cyrano de Bergerac exhibits virtuous behaviors such as bravery, selflessness and loyalty. Cyrano discusses with Roxane about how she wants Cyrano to protect Christian so he does not gets hurt, she goes on to say that Cyrano exemplifies a sense of bravery for fighting 100 men, he replies with “ ‘I have shown more since’ ” (Rostand 47). Cyrano says that he has shown more courage in talking to Roxane than it took to fight 100 men. Seconds before Christian dies, Cyrano tells him “ ‘I’ve told her everything.

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Roxane’s desire for beautiful language and exquisite confessions of love heavily affect the behavior of Christian and Cyrano. When Christian attempts to tell Roxane that he loves her, Roxane, angered, pouts, “You offer skimmed milk when I ask for cream. Tell me how you love me” (76). While, for many people, a simple declaration of love is more than sufficient, Roxane expects her love to come in the form of exquisite, extravagant, and embellished poetry. Her demands for flowery language place an immense, stressful burden on Christian, who struggles to please her.

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This is surprising because of Cyrano possesses a passionate love for Roxane, yet has an extreme willingness to help Christian anyway. Though Cyrano knows Roxane well, he does not believe they can be together because he is not as handsome as Christian. When Christian melodramatically exclaims “Please! I must find some way of meeting her. I am dying of love,” Cyrano agrees to help, because he does not see a relationship between Roxane and himself to be likely anyway.

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Cyrano and Christian are contrasting characters, but their traits together make the perfect man. Cyrano is unable to confess his love to Roxanne because his nose makes him insecure about his looks. Believing Roxane will never love a stupid person, Christian comes to Cyrano for help when she expects a letter from him. Cyrano comes up with the plan that he will write the letters to Roxane, and Christian will give them to her as letters written from himself. Christian is able to be the face of the plan because of his handsome outer appearance, while Cyrano is the brains.

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He often challenges people to do things that put others in danger because he believes he is the best. For example, Ragueneau states of Cyrano, “Cocky, insolent, Gascony-proud he goes…” (Rostand 16). This expresses how others view Cyrano from his actions. Another reason the play ends up in a downfall is because of his lack of confidence when it comes to love.

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Fifteen years after Christian is killed in battle, Cyrano decides to tell Roxanne the truth about the letters as he is dying. Christian dies without receiving true love from Roxanne, Roxanne falls in love with a man who never

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Cyrano has confidence in executing his grand gestures, one of them including his high standards in art and theatre. At the Hotel de Bourgogne, the play La Clorise has just started. Montfleury, an actor, enters the stage when suddenly Cyrano, who is not part of the play interrupts him. Cyrano demands Montfleury to “leave the stage—at once!” (20).

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Has one ever met someone who would gladly help someone else and fight a group of attacker one hundred to one. Well this is the type of person Cyrano was. He was born an adventurous child and was always get hurt or in trouble play fighting with sticks. This played a part that In Cyrano de Bergerac By Edmond Rostand, Cyrano is the perfect example of a gentleman with his respect of others, pride, and noble status. The first trait that shows that Cyrano is the perfect example of a gentleman is his pride.

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“though I walk through the valley of the shadow of death, I will fear no evil”-psalms 23:4. What this means is that whatever goal you're trying to accomplish there's going to be unpredictable obstacles. Some harsher than the last, and even might bring you to the brink of death; but in your mind you don't care about those obstacles. You fear nothing... You are unconquerable.

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Then I dream- and i forget… And then i see the shadow of my profile on the wall! “ (i,41) Cyrano believes no woman

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