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Deception In Shakespeare Analysis

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In The Prince, Machiavelli dictates the importance for a ruler to have the skill of deception, and in Shakespeare’s Twelfth Night, Viola deceives the people of Illyria through disguising herself as Cesario. For Machiavelli, deception is an important skill rulers should have in order to deceive their subjects about the virtues they hold and their overall ability to rule. Viola deceives people through her disguise as a male, in order to serve Orsino, the duke. Machiavelli and Viola both view deception as a necessity, in order for one to achieve one’s ultimate goals. Instead of living an honest, truthful life, deception allows for one to excel further in the political, social and economic aspects of their life. Machiavelli encourages deception for one to succeed and advance further in one 's political life, whereas Viola improves her social and economic …show more content…

Viola loses her fortune and thinks she loses her brother in the shipwreck and as a result must disguise herself, deceiving those around her so she can have a job, in order to make a living. The deception of her disguise, as a female cross-dressed as a male, creates a sense of comedic, dramatic irony, in the fact that the audience knows Cesario is Viola, but the other characters do not. This deception creates a comedic chaos in the play and is only resolved when the deception itself stops, when Sebastian and Viola meet face to face, and Viola reveals her true self. Sebastian then explains to Olivia what transpired, “So comes it, lady, you have been mistook [...] / Nor are you therein, by my life, and deceived: / You are betrothed both to a maid and man” (5.1.259-264). Orsino, after discovering Cesario is actually Viola, decides to marry her, thus allowing Viola to advance further up the social ladder. Olivia and Orsino are the victims of Viola’s deception, but they were simply incommoded, for in the end Olivia marries Sebastian and Orsino marries

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Machiavelli argues the perfect prince will be both feared and loved by his people, and if unable to be both he will make himself feared and not hated. Machiavelli believes it is much safer to be feared than to be loved because people are less likely to offend and stand up against strong characters, also people are less concerned in offending a prince who has made himself loved. Accordingly, Machiavelli believes generosity is harmful to your reputation and the choice between being generous or stingy, merciful or cruel, honest or deceitful, should only be important if it aids the prince in political power. All in all, Machiavelli believes the ruler must be a great deceiver and do what is essential to uphold power over the

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Hamlet Character deception is a common characteristic that has and will be a reflecting characteristic in literature for centuries. In many of William Shakespeare’s tragedies, deception, whether positive or negative, is being used to mislead, to protect characters, or to hide a crime or future crime. Analyzing why the characters are using deception against each other is very important to the reader’s understanding of the work as a whole. In William Shakespeare’s Hamlet, He uses Hamlet’s deception of character and also the character’s use of deception towards Hamlet to carry out the overall theme of the tragedy. The theme that is represented, is that in able to get malicious revenge, you must be able to act as if you are someone different than your true self while in turn, being able to deal with others deceiving you.

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One aspect of Machiavelli’s theory which significantly contributes to his reputation as the “philosopher of evil,” is his advice to the prince on keeping their word to the public. In chapter eighteen, Machiavelli states, “a wise ruler cannot, and should not, keep his word when doing so is to his disadvantage, and when the reasons that led him to promise to do so no longer apply” (pg. 37). To simplify, Machiavelli says princes are obligated to lie in certain circumstances. He also states that while it is unnecessary for the prince to have positive qualities, such as honesty, trustworthiness, sympathy, compassion, or be religious, it is essential for the prince to be viewed so by the public (pg. 37). While many people argue that Machiavelli’s legitimization of lying and deception in politics is immoral, I argue the opposite.

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Vanity, one of Twelfth Night 's major concerns, is displayed throughout the play by characters who are plagued with emotional conditions which prevent them from loving others. The lives of Illyria 's Duke Orsino and Countess Olivia, for example, remain circumscribed by vanity and narcissism. Similarly, Olivia 's steward, Malvolio, remains encumbered by vanity and narcissism, while Olivia 's Uncle Toby shows himself to be selfish, and his drinking partner, Sir Andrew, stands as a caricature of vanity. In contrast, Viola, an outsider shipwrecked upon Illyria 's shore, suffers solely from grief for her sea-drowned twin brother. In further contrast, Olivia 's lady-in-waiting, Maria, displays none of these characteristics, but instead operates as the play

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Deception is an action driven with the motive to employ one purpose which can be to mislead another individual in order to gain knowledge, to get revenge, or to reveal a plan unknown to the public eye and keeping it that way for the dutiful well-being of the Kingdom of Denmark. In the tragedy Hamlet by William Shakespeare, deception develops into the character trait that initiates the actions, heartbreak, and revenge driving this play. This attribute held by Hamlet is the leading cause of this same flaw development in Ophelia, King Claudius, and many others in an attempt to reinforce the theme. This theme is one of heroism, but the deceptive notion each action reveals challenges the perception the reader has on each of the main characters. In order to be able to fully analyze the part Hamlet’s deception plays in driving the plot and storyline of this tragedy, one must understand that a foil character juxtaposes each character to illuminate their shortcomings.

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Both of these highly influential authors had different opinions on ruling that would shape how people would rule during their time and for rulers to come. One of Machiavelli’s major points in The Prince was that it was better to be feared than to be loved. He said this was because while both ways can be useful tools to help one rule, men are less likely to turn a ruler if they were afraid of punishment. Machiavelli had little faith in the common man and had this to say about them, “They are ungrateful, fickle, deceptive and deceiving, avoiders of dangers, eager to gain”(pg.353).

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In Twelfth Night, Viola and Olivia are the central characters to the play’s plot. Each are young women that take approaches to dealing with the people around them, which are mainly men. There is much trickery that goes on in Twelfth Night, but the ending is for the most part happy. Viola marries Orsino and Olivia marries Sebastian, but the events leading up to this are more or less chaotic. Ultimately, I argue that while Olivia uses her higher social status in order to maintain control of herself and others, Viola resorts to trickery in order to bring about her desires.

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In the play Twelfth Night, through the depiction of Orsino’s and Viola’s desires for romantic love, Shakespeare portrays how adjustable and self-delusional human romantic attraction can be, especially when blinded by wants and needs. Viola, who puts on the appearance of a man, makes everybody think she is a male. Her disguise becomes a sexual confusion throughout the play for several characters, creating an odd love triangle where Viola loves Duke Orsino, who loves Oliva, which then on the other hand loves Viola, in disguise as Cesario. On the other hand, Malvolio dreams of marrying his beloved Olivia, and gaining authority over his superiors, like Sir Toby. Shakespeare uses disguise in the play to show several confusions and internal conflicts between the characters, proving how malleable and deluded some human attractions can be.

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