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Whosoever Is Delighted In Solitude In Frankenstein

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“Whosoever is delighted in solitude, is either a wild beast or a god” (Aristotle). Romantic period writer and author, Mary Shelley, depicts two characters in her soft science fiction novel, Frankenstein, that is exquisitely similar to those who “would find delight in solitude” as quoted by Aristotle in his Politics. In Shelley’s Frankenstein, the parallel of Aristotle’s two presented personas consists as Victor Frankenstein as a god and his horrific creation, the Monster, as a wild beast. Unambiguously, Victor is indeed the god of the Monster because he created him, consequently bringing the Monster into existence. The Monster too is merely a wild beast from the perception that he appears to be a frightening and violent creature. Despite this, it is observable in Mary Shelley’s Frankenstein that the Monster is completely and utterly miserable in his …show more content…

And who is it who in fact enjoyed his solitude and seclusion from society? That would be none other than Victor Frankenstein himself. The disturbing reality that Victor is part god and part wild beast for his cruel actions towards his creation displays the evil that comes from a man when he removes himself from society. The Monster partially experiences these effects as well from his unwelcome seclusion from society when he is also slowly pulled back and forth between good and evil. Mary Shelley made no mistake in making this clear through her writing, however. Solitude exists as a motif in Shelley’s Frankenstein to show its effects on humanity and morality along the journey that the Monster and the real monster, Victor Frankenstein, endure. The motif of solitude in Frankenstein is

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Emotional and physical isolation in Mary Shelley’s Frankenstein are the most pertinent and prevailing themes throughout the novel. These themes are so important because everything the monster, Victor, and Robert Walton do or feel directly relates to their poignant seclusion. The effects of this terrible burden have progressively damaging results upon the three.

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(Shelley 131) Furthermore, the monster reveals to Victor “I am malicious because I am miserable” (Shelley 192). From the beginning, Frankenstein’s monster survives with his harsh reality alone. His creator abandons him; he leaves no moral, civil, or maternal values to live by.

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In Frankenstein by Mary Shelley, both of the main characters undergo physical and emotional isolation. This enforced or chosen solitude causes Frankenstein to become over-ambitious and harbor secrets from his family and friends, leading to his demise. In the monster, isolation turns to misery, which causes him to become vengeful against his creator and all the world. Through these examples of total isolation, Shelley shows that when people have no connection to others in the world, their worst characteristics and flaws are brought out. Victor Frankenstein was the first character to show a major flaw while in isolation.

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Emma Wales Mrs Schroder English III 13 January 23’ Frankenstein In the novel Frankenstein, the creature’s experiences with society cause feelings of isolation and loneliness which lead him to desire love and revenge. Once the creature is created by his master, he spends his time traveling trying to make connections with people. He feels a deep loneliness in his heart and is pushed away by everyone around him.

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In the novel, the characters' isolation, whether intentional or unintentional, serves as an image to convey loneliness and solitude. Victor and the monster share a common state of isolation that highlights their dualities and similarities. To illustrate, Victor loses sight of his responsibilities and the effects of his actions when he buries himself in his studies—which causes him to withdraw from human society. He uses solitude as his "only consolation" to help him regain his strength and peace of mind (Shelley 61). Likewise, this isolation enables him to neglect his friends and family and work like “one doomed by slavery,” demonstrating how isolation may spur ambition (Shelley 34).

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Therefore, one can only be truly lonely when they are in contrast with other people. Examples of this can be observed throughout fiction, such as in the 1818 novel Frankenstein; or, the Modern Prometheus by Mary Shelley. The Monster, the main antagonist of the novel, is Shelley’s depiction of what happens when someone is isolated to the logical extreme. The Monster, like many monsters in both fiction and reality, are isolated from their peers for their differences. Frankenstein’s Monster, for his part, is isolated because he is physically different from other people – he is an amalgam of spare parts that Victor, his creator, stole from graves.

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Mary Shelley, in her book, Frankenstein, has a reoccurring theme of isolation, in which she isolates the main character, Victor Frankenstein, from the rest of society in order to create a creature. Likewise, the creature that is created is also isolated from the rest of society as he is rejected from his creator as to his appearance. The theme is present throughout the novel as it reinforces Victor’s downfall from a normal boy to a grown man intrigued with creating life as he slowly becomes a madman that everyone soon fears. Isolation causes a loss of humanity as it affects the mind and body. Isolation from society does not teach social interaction, causes regret about oneself, provides one with negative feelings, and causes regretful actions.

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When Frankenstein is overtaken by his passion, he does not go out to enjoy nature, he forgets to eat, and he becomes sick. He isolates himself due to the knowledge he

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The moment Victor Frankenstein successfully infuses life into his creation he is overcome with horror and disgust. Without further examination he is certain to have created a monster, not a human being (Shelley 35-36). However, despite his grotesque appearance, Frankenstein’s creature was not born malicious. During the first stages of his existence, unbeknownst to Frankenstein himself, his acts are motivated by innocence and virtue, which even earns him the title “good spirit” (79). Frankenstein did not create a monster.

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Numerous research has concluded that several emotional bonds exist between humanity and nature that can impact everything from attitude to anxiety. Novels of the romanticism period, a significant literary era that encompassed most European works written in the early 1800’s, are most known for describing the impacts that nature has on people and implying that unexpected consequences can arise out of this relationship; Mary Shelley’s Frankenstein is a prime example of such a novel. The prime conflict of this 1818 science-fiction story occurs between the titular character, Victor Frankenstein, and a monster he creates through his own scientific innovations. Because of Victor’s abandonment of the monster, it becomes intent on destroying the scientist’s

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“Whosoever is delighted in solitude, is either a wild beast or a god” (Aristotle). Romantic period writer and author, Mary Shelley, depicts two characters in her soft science fiction novel, Frankenstein, that is exquisitely similar to those who “would find delight in solitude” as quoted by Aristotle in his Politics. In Shelley’s Frankenstein, the parallel of Aristotle’s two presented personas consists as Victor Frankenstein as a god and his horrific creation, the Monster, as a wild beast. Unambiguously, Victor is indeed the god of the Monster because he created him, consequently bringing the Monster into existence. The Monster too is merely a wild beast from the perception that he appears to be a frightening and violent creature.

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In the novel Frankenstein,by Mary Shelley, the mysterious and unnatural origins of the character of Frankenstein’s monster are an important element. The Monster, having been created unethically and haphazardly, is at odds throughout the novel, resulting in his alienation from society and prolonged feelings of anger, desertion, and loneliness. Shaping his character, his relationships with other characters, and the meaning of the work as a whole, the Monster’s origins are what define him. The Monster faces rejection and violence every time he attempts to make contact with the new, foreign world he has been thrust into.

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Such passion is seen in Victor’s ‘noble intent’ to design a being that could contribute to society, but he had overextended himself, falling under the spell of playing ‘God,’ further digging his grave as he is blinded by glory. His creation – aptly called monstrous being due to its stature, appearance, and strength – proved to be more of a pure and intellectually disposed ‘child’ that moves throughout the novel as a mere oddity, given the short end of the stick in relation to a lack of familial figures within his life, especially that of parents. Clearly, Victor Frankenstein had sealed his fate: by playing God he was losing his humanity, ultimately becoming the manifestation of Mary Shelley’s hidden desires, deteriorating into The Lucifer Principle by which the author Howard Bloom notes social groups, not individuals, as the primary “unit of selection” in human psychological

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Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions. Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions.

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Isolation and abandonment can cause many different reactions from people. In the words of William A. Sadler Jr., a sociology professor, “We often do not know how to cope. It can make us confused, distraught, depressed, frightened, and even outraged” (Sadler 105). In Mary Shelley’s Frankenstein, several of these effects are presented in Victor Frankenstein and his creation. They both suffer from being isolated from their creator, society, and family units.

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