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Descartes Dream Argument Analysis

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“How do I know that I am not dreaming” is one of the main questions that Descartes brings afloat in the dream argument. He wants to know how can it be possible to prove that he is not dreaming while he is seating and holding his piece of paper, and this is what creates a skeptic argument about his perceptual beliefs. In effect, the dream argument is powerful because it depicts how the senses may deceive us while putting into question if it is possible to know what is real and what is not. In fact, it is very sufficient to produce uncertainties about waking experiences. As Descartes poses it in the in the First Meditation, “…I dreamt that I found myself in this particular place, that I was dressed and seated near the fire, whilst in reality
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Sam Quinones’ Dreamland is a commentary about the opioid problem in America. Quinones draws attention to how in the twentieth century opioids were seen as addictive: “[D]octers treating the terminally ill faced attitudes that seemed medieval when it came to opiates” (184). In the 1970s, Purdue Pharma stated that opioids such as morphine were not addictive substances. After this study was released, many doctors began to view opioids as a viable option for pain relief. Throughout the rest of the book, Quinones explains the shift from doctors never prescribing opiates to prescription opiates being used to treat any sort of pain: chronic back pain, arthritis, severe headaches, etc.

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This is evident through arguments such as “The Argument from Past Failures”, “The Argument from Madness” and “The Dreaming Argument”. In Descartes’ famous “Dreaming Argument” Descartes argues that “there are never any sure signs by means of which being awake can be distinguished from being asleep.”, giving an example where he thought he was sitting next to a fireplace, unaware he was actually in bed dreaming (13). This argument challenges the idea of the senses again as it presents the idea that we can never know if what we are currently experiencing is real as we may be in a dream. Proving that there is no way to differentiate between reality and a dream, resulting in the idea that our whole life may have just been a dream, Descartes provided a counter argument to elaborate on the “Dreaming Argument” known as the “The Painting Analogy”. This analogy explains how like a painting and painter, dreams derive their material based on experiences we have while awake (13).

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Descartes finishes up this Meditation with some more ethics about the self. Information of the self, or psyche, is more particular and sure than knowledge of the body. The technique for uncertainty in the First Meditation seemed to debilitate all information, yet in the Second Meditation Descartes discovers something that cannot be questioned. I think each of us must affirm our own particular presence and set up the means of our own

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Furthermore, the principle cannot come from Descartes’ claim that everything comes from something because that claim would not be able to pass the dream doubt. In Meditation 6, Descartes mentions that if someone were to appear from thin air and disappear into thin air again, it would be a situation that would exist in a dream (pg. 103). This means that Descartes’ claim that the principle follows from the fact that everything

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Notre Dame ID: 902008117 In René Descartes ' Mediations on First Philosophy, Descartes abandons all previous notions or things that he holds to be true and attempts to reason through his beliefs to find the things that he can truly know without a doubt. In his first two meditations Descartes comes to the conclusion that all that he can truly know is that he exists, and that he is a thinking being. In his third meditation, Descartes concludes that he came to know his existence, and the fact that he is a thinking being, from his clear and distinct perception of these two facts. Descartes then argues that if his clear and distinct perception would turn out to be false, then his clear and distinct perception that he was a thinking being would not have been enough to make him certain of it (Blanchette).

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The idea that if one can comprehend something in a dream, it therefore must exist in real life. The fact of this is that we know no positive transition between our dream state and the state of reality, and since dreams are so similar to reality, one can never tell when they are truly dreaming. Descartes demonstrates this idea with his own experiences, “How often, asleep at night, am I convinced of just such familiar events-that I am here in my dressing-gown, sitting by the fire – when in fact I am lying undressed in bed! Yet at the moment my eyes are certainly awake” (Descartes 145). By using simple experiences like these Descartes is able to emphasize that when a person is dreaming, they do not usually know they are dreaming, and the sensations they experience are as real as if they were awake.

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Descartes introduces a "Method of Doubt" that allows him to systematically doubts structures of knowledge. To understand the dream argument, you need to understand its function in Descartes's argument. Within mediation one on his Mediations on First Philosophy Descartes establishes many areas in which he can call into doubt his existence and experiences. One of the arguments where he begins his questioning is the dream argument. In the dream argument he presents evidence in order to support his claim that one can never establish if they are actually dreaming or are awake.

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The First Meditation is a exercises in learning to doubt everything that one believes at three different levels. Descartes notes that nothing is always as they seem at first glance and then notes to never trust in the truth of what we perceive (Perceptual Illusion). Descartes raised a more systematic way to doubt the legitimacy of sensory perception. He claims that anything we perceive in the physical world is nothing more than a fabrication of our imagination (Dream Problem).

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However, Descartes accepts that humans can be wrong by relying on their sensory knowledge, though mostly on small objects in life. Because the senses can be incorrect, skepticism states that it isn't what Descartes searches for. Descartes tries to reassure himself, saying that it his sense must have some truth, since he is not a mad person. However, mad people are certain that what they see is real, and Descartes has just proven that his sensory knowledge can be wrong at times, so skepticism states that he can never be sure that he isn't insane. Skepticism also doubts whether people's lives are dreams or not, as people can confuse their dreams as real

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The next step that Descartes uses in the second meditation is the existence of this Godly figure. He questions his own beliefs with that of the God, and argues that a mind should be capable of thinking for them to be of existence, “Is there not some God, or some other being by whatever name we call it, which puts these reflections into my mind? That is not necessary, for is it not possible that I am capable of producing them myself?” He then puts forward that for one to be deceived by this “evil demon” as he describes it, they have to exist to be deceived.

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Rene Descartes is considered as one of the most important founders of modern day philosophy. His greatest contribution to philosophy is his meditations. This paper aims at establishing what wax represents in Descartes meditations. In his second meditation, Descartes introduces the idea of wax freshly obtained from honeycombs.

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The “why we dream argument see dreams as only nonsense that the brain creates from fragments of images and memory” (Obringer). On this side of the argument dreams are viewed as tricks of the mind that just seem to happen. Other people believe differently. Some people believe dreams have meaning even if we don’t recognize it at first. “Many think dreams are full of symbolic messages that may not be clear to us on the surface” (Obringer).

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I Dreamed a Dream is a soliloquy piece, sung by Fantine during act one of Les Misérables (1980). Fantine has just been fired from her factory job after it is discovered that she has an illegitimate child and takes to selling herself on the streets to pay for medicine for her daughter. It is here that ‘I Dreamed a Dream,’ is sung as a way of progressing the story and providing a realisation by the character of her unfortunate situation in life with the song being composed as a way of expressing the feelings of Fantine as she wonders where her life went so wrong as to descend to her present predicament. Throughout the song an anguished, during and impoverished Fantine reminisces on happier days and descends back to the harsh reality that is her hopeless life. I Dreamed a Dream is set in common time (4/4) with a steady set tempo throughout the piece, de despite significant changes in dynamic, texture, modulation and emotion.

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“Dream interpretation” is the term used to describe the process of interpreting a dream by a dreamer (client), with the help of a therapist. Psychoanalyst uses this technique in therapy as a means of helping their clients understand themselves better. The initial and most important work on this topic has been done by three psychoanalysts: Sigmund Freud, Carl Jung and Alfred Adler. Sigmund Freud (1856-1939), is known as the father of psychology because of his vast contribution to the field of psychology. He was among the first to work extensively with dreams and to use it in therapeutic sessions.

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