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Ethos pathos logos in the declaration
Ethos pathos logos in the declaration
The meaning of Othello
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More handpicked essays just for you.
Ethos pathos logos in the declaration
Ethos pathos logos in the declaration
The meaning of Othello
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Recommended: Ethos pathos logos in the declaration
Primary Drama Posting: Act V, Scene ii Othello makes a careful distinction between “a murder” and “a sacrifice” (65). What is the difference, as he sees it? Othello starts the scene thinking Desdemona’s death will be an honorable “sacrifice”(V.ii.65), but her denial of guilt “dost stone [his] heart, ”(V.ii.63), and vilifies his murderous intent.
Shakespeare’s Othello, an early 17th century play, is a widely renowned work that is still studied in a psychological aspect worldwide today. The eponym of the play had ambivalent feelings for Desdemona, his wife, that were prevalent in the sense that he’d gone to extreme lengths, such as; abusing her, mistreating her, and ultimately murdering her. This was all due to his inner conflict of his love, yet intense hatred for Desdemona. All of his unsureness about Desdemona, though, was due to his true flaw- insecurity in himself. He had internal feuds about whether he, a black man in 16th century Venice, was a satisfactory husband for a noble white woman.
Allusion • In act 3, Scene 3, Othello says “Her name that was as fresh / As Dian’s visage is now begrimed and black / As mine own face.” • Othello alludes to Diana, who was the Roman Goddess of Chastity • States that Desdemona’s name used to be pure like Diana face, but now her name is begrimed and black like Othello’s face, calling her impure and not celibate • Desdemona appears to be impure in Othello’s eyes, when in reality she is still pure and celibate • In act 1, scene 1, Iago says “I am not what I am.”
Do people often get accused of doing the right thing? Or is it always being accused of the wrong? In the play Othello by Shakespeare Desdemona is being accused of cheating on her newly wedded husband Othello. When she has been nothing but loyal to him, even loyal to him over her own father. Iago feed’s Othello these lies at times of vulnerability, and drops all these hints slowly.
Even now, now, very now, an old black ram is tupping your white ewe!” (Act I Scene 4)” (Cook 188). The lamb of God is a common reference to Jesus Christ who like a lamb is young and spotless without any imperfections. Othello’s Petrarchan view of Desdemona would also have been a sign that Desdemona is different than the other woman of Othello. A Petrarchan perspective marriage is when the wife is seen goddess-like and can do no
In Shakespeare’s ‘Othello’, Desdemona is spoken about as if she is Brabantio’s possession; his ‘white ewe’. Not only does the
Feminist point of view means the analysis of any literary works based on the feminist perception. Feminism has gradually become broad and noticeable in its attacks on male-dominated society. The Shakespearian era of the 16th century was a time when women were very inferior in the society. If we compare with other writers, Shakespeare was always careful of women and tried to give them respect in his different writings. If we look at his famous play named Othello we need to judge the equality of women in terms of political, social and economic perspective.
Othello’s Demise Othello, the lead character in William Shakespeare’s play Othello, is done in by the same character attributes, which propelled him to become a great military leader. He has accomplished great victories in battle to the likes, of no others. He is held in high regard throughout the nations as one of the greatest military leaders and is called upon to fight in the most challenging battles successfully. There is no deterrence, by Othello even though his is not of the same race or from the same country, whom he defends.
Johann Kaspar Lavater once said, “The jealous are possessed by a mad devil and a dull spirit at the same time.” People who have become jealous are taken over by an evil greater than themselves, but are also taken by a insecurity they have inside of them, strong people taken over by jealousy so much- that they change so horribly no one wants anything to do with them. William Shakespeare’s Othello teaches us that in jealousy as either envy or fear, the only thing that could come out is the monster deepest inside of someone that even the best people wouldn’t want anyone to see.
Most importantly, other lesson that we can gain from this novel is don’t listen to gossip. For instance, life was going pretty swimmingly for Othello as an awesome occupation as a general in the Venetian army, happy marriage to his adored Desdemona. It’s all until the point that he began listening to revolting tattle monger, Iago. The plotting deceiver dishonestly persuades him that Desdemona has been unfaithful: Othello covers her to death, discovers that she was innocent from the beginning, at that point commits suicide.
The repetition of the word ‘lust’, combined with the sexual associations of Desdemona’s bed, reflects and draws attention to Othello’s preoccupation with sensual matters. Othello even refers to his precious wife as ‘whore’ (III.iii.356), a ‘subtle whore’ (III.ii.20) and a ‘cunning whore’ (IV.ii.88), in a way to appreciate him. Shakespeare actually has indirectly revealed Othello’s fear of Desdemona’s sexuality. Even though Othello seems to be very confident in him and his control over Desdemona, he is actually tentative and afraid that Desdemona will cheat on him, proving his
Nadia In the play Othello, by William Shakespeare, the title character is a valiant hero who is in love with his beautiful bride, Desdemona. The play’s villain, Iago, destroys this love by feeding Othello vicious lies about Desdemona, causing Othello to slowly go mad. By the end of the play, Othello, in a fit of jealous rage, murders his wife. This significant change in Othello’s character is not sudden; rather, it is a gradual transformation that takes place after a series of events that occur throughout the play.
Olson, Rebecca. “ Too Gentle: Jealousy and Class in Othello.” Journal for Early Modern Cultural Studies, vol. 15, no. 1, 2015, pp. 3–25.
While Desdemona is a remarkably strong character, Emilia also displays independence unmatched by any other female in Othello, and there are multiple details of Shakespeare and his time that may have prompted such a portrayal. In Elizabethan England, many women worked behind the scenes of productions, like Shakespeare’s, as uncredited authors and editors (Crowley). Due to their anonymity, nobody can be sure that women were involved in Shakespeare’s plays nor Othello in particular, but there is a genuine possibility that female writers did have leverage. This may have had to do with how Emilia was portrayed as resilient from the time of Desdemona’s death all the way until her own, standing up for herself regardless of the ridicule it caused her (Iyasere). In fact, it even killed her in the end.
Cassio: Why wouldn’t I? She deserves the whole world and clearly the man she is with is not giving her that kind of treatment. Desdemona Enters Desdemona: What is going on here? Cassio: Nothing is my sweet lady...