Inside, Fahrenheit 451, Ray Bradbury practices a submissive, colloquial, and provocative tone as he writes. These varied tones offered demonstrate change in diction. A first claim is validating a difference in diction which stipulates a submissive tone. Montag is obedient while spotting the aircrafts that carry weapons.
Melinda’s character develops tremendously over the course of the book. In the beginning of the book, she says, “ I have entered high school with the wrong hair, the wrong clothes, the wrong attitude. And I don’t have anyone to sit with. I am an outcast” (Anderson, 4). At the start, Melinda had lost all of her friends after she busted a party last summer, but nobody knows that a senior boy at the party raped her.
Toward the beginning of Ray Bradbury’s, Something Wicked This Way Comes, William Halloway was often associated with dramatic irony to show his deficient understanding of the carnival’s operation but verbal irony to show that he was also suspicious of the carnival. Dramatic irony is evident when Will and Jim question the whereabouts of the lighting rod salesman, like when one of them said, “Storm never came. But he went.”(Bradbury70) then the other said, “Where? And why did he leave his bag?”(70), and finally, “What’s so important you forget everything?”(70).
Amelia Lost is a good read and if there is anything I can change, I would touch on what had happen after Amelia’s disappearance. Nonetheless, this book stands out from the other nonfiction books mainly because of the figurative language and suspense the author uses which makes it very interesting to follow the story. Fleming's biographical account also makes this story sounds straightforward, and suspenseful at the same time which can also be difficult to do with an historical life story people knows about already. Fleming presents the impossible in order to make it appealing to the readers and kept them involved in the story. The design of the book makes it easy to follow with the photographs on display throughout the story.
Insanity is a terrifying idea for some people. The idea of one losing his hold on reality can lead to all kinds of fear. The Hitchhiker, written by Lucille Fletcher, is a very suspenseful story, following by the main character, Ronald Adams. Ronald tries to prove to the reader that he is not actually insane, but as he keeps noticing the mysterious events occurring he realizes that he is actually dead. Fletcher uses the elements of plot to create a play that is suspenseful.
The Prologue engages the audience and creates tension. By using this quotation Shakespeare aims to get the audience interested but not to give away too much of the
“Suspense combines curiosity with fear and pulls them up a rising slope,” quote by Mason Cooley summarizes the idea of how W.F. Harvey creates suspense in his short story, “August Heats.” Everyone likes a little suspense in their life so W.F. Harvey attracts his audience by using foreshadowing, “the use of hints to suggest events later in the plot,” (source 1) a reversal is involved, “a sudden change in a character’s situation from good to bad or vice versa,” (source 1) and the narrator withholds information from the reader. With these steps the author intrigues the audience to continue reading and cause them to feel frightened as they read. W.F. Harvey first begins to get the character interested in the reading by the way he signals hints towards the reader in order to get them thinking about events that could possibly happen. As the reader continues reading W.F. Harvey introduces more hints that might change the way of thinking of the reader.
The story that had the most suspense was “The Sniper” because the author used short, choppy sentences, left cliffhangers at the end of paragraphs, and had a plot twist at the end of the story. Liam O’Flaherty’s use of short, choppy sentences makes it suspenseful because they don’t give you a lot of information. The lack of information leads you to keep reading so you can find out what happens next. If the sentences are drawn out, you don’t get a suspenseful feeling since everything is there in one sentence.
Harper Lee put this in to show being silent will cause someone to question you.
In an excerpt from the British novel, Kiss and Tell, Alain de Botton describes a young male narrator and his girlfriend, Isabel, in a theater where they coincidentally encounter Isabel’s parents. Through Isabel’s elaborate and detailed descriptions of her parents’ behavior and actions, De Botton reveals her comical embarrassment of the presence of her parents. In addition, by implementing dialogue containing unconstrained oversharing and by employing incongruous juxtapositions between the sophisticated setting and Isabel’s parents’ ridiculous actions, De Botton also establishes comedic overtones in the depiction of the universal situation of a child being teasingly humiliated by her parents. Isabel’s response to her parents’ presence and
“The Veldt” by Ray Bradbury, “Good Country People” by Flannery O'Connor, and “The Lottery” by Shirley Jackson all have very strong themes that depict a darker side of human nature. All are very different in plot, but are connected through their endings. They all start with seemingly normal characters who end up doing things that would not have been predicted. In “The Veldt” it shows children revolting against their parents. “The Lottery” shows a whole community turning against one person.
This first sentence in the passage immediately makes the reader wonder about the setting and what’s going on. In other words, the author W.W. Jacobs grabs the reader’s attention by making the readers think and be curious about
“A Rose for Emily” is a unique short story that keeps the reader guessing even though its first sentence already reveals the majority of the content. William Faulkner’s “A Rose for Emily” is the epitome of a work that follows an unconventional plot structure and a non-linear timeline, but this method of organization is intentional, as it creates suspense throughout the story. William Faulkner’s “A Rose for Emily” follows an unusual plot structure, which creates an eccentric application of suspense to a short story. Throughout the story, there are no clear indications of standard plot structure in each section, such as intro, climax, and denouement. Instead, there are sections, which are not in chronological order, that describe a particular conflict or event, which in turn creates suspense, as each conflict builds upon each other to make the reader question the overall context and organization of the story.
Readers could get his shame and anger from his choice of words “shocked” and “horror”. His tone made readers feel his emotion while reading the excerpt, thereby achieved his purpose of moving the readers. In conclusion, Malcolm X used two powerful techniques, hyperbole and tone, to express himself and impress the readers. He made me believe that “Ten guards and the warden couldn’t have torn me out of those books”(X,33).
For example, in the beginning of the story, the narrator tries to prove to the reader that he is sane. “How, then, am I mad?” Later on in the story, he tells the reader “I was never kinder to the old man than during the whole week before I killed him.” This is verbal irony since right after he said that he is sane, he confesses to the reader that he killed the old man. After the narrator asked how he was mad, suspense kept building, making the reader question if he was really sane and going to kill the man, until he actually killed the man.
