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The Myth Of Street Style Analysis

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Much skepticism had been made about what a unique sense of style is. In order to gain a unique sense of street style, one needs to gain an ample amount of self-confidence, knowledge of personal interests and a clear understanding of the term “street style”. In the essay “ The Myth of Street Style”, the phrase “street style” is Present in multiple sites, ranging from magazines, exhibitions, blogs, academic texts, and in popular parlance; its association with quirky individuality is one that arises out of its own mythologized and popularized histories. (Woodward 83) In order for you to achieve the goal in obtaining a unique street style, I have organized this paper in three main sections and two of which with sub-sections. The first section is …show more content…

It could easily turn your outfit into mainstream fashion if you purchase the garment without thinking. Therefore, what is deemed as vintage? From the essay “Hooked on vintage!” it states that “vintage usually involves the recognition of a special type or model, and knowing and appreciating such specifics as year of period when produced or worn” (DeLong et al. 23). Therefore, anything shorter than twenty years or more than a hundred years is not deemed as vintage. Knowing the background of a vintage shop is essential, as it will defer from a charity and second-hand shop. The importance of having knowledge of what to purchase helps you to be less overwhelmed when you visit a vintage shop from time to …show more content…

There is much debate on the authenticity of an outfit when both elements are involved. By incorporating a high street, fast fashion garment like TopShop into your outfit is deemed as ordinary with little to no creativity involved as the brand itself is deemed as mainstream. The essay “The Myth of Street Style” states that: Current street style is still conceptualized in terms of the same core duality: the innovations of subcultures (which is now alleged to have given way to the creativity of individuals) is defined in opposition to the mainstream, which is seen as sterile and conformist, frequented by unimaginative fashion victims. (Woodward 88) At this point, you might ask if staying on trend is essential, and it is obvious that keeping your style unique and modern is necessary. By staying modern, you could keep up with simple trends like, silhouette, colors and proportion that do not affect your unique style. For example, the color burgundy is currently in trend, you could create an outfit with the garments that might have burgundy in

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Poverty, sexism, and racism are all aspects of American life that dictate the lives of people, and each aspect affects the population in their own way. In the novel The Street, Ann Petry captures the setting and identity of Harlem in the 1940’s. The story explores the good and bad obstacles faced by Lutie Johnson, a young woman struggling to find a place to settle with her son. As a single mother Lutie battles to balance her home life and work life while facing monetary and social pressures. She must juggle all of these responsibilities while staying morally sound, a balance that is hard to maintain.

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In my first analysis paper, I looked at the novels Shane by Jack Schaefer and The Virginian by Owen Wister and I focused on how one’s body motion/image can make a cowboy who he is. In my second paper, I analyzed the novel True Grit by Charles Portis and the Coen Brothers’ film version of No Country for Old Men and looked at how a characters dress shows how they are assumed to act but that does not mean that they will act that way. In this paper, I will examine the novels Shane, The Virginian, and True Grit and look how well-organized clothing universally indicates a person with an organized mind with a sense of knowledge and how that affects how people will perceive them. In the novel Shane, the story focuses on the events that

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In this passage from, "The Street", by Ann Petry, Lutie Johnson's relationship with her urban setting is expressed thoroughly. The author creates a vision of the surroundings and expresses Lutie's relationship with her urban setting through the use of selection of detail, personification,imagery and figurative language. Petry begins the passage utilizing the selection of detail. She stated, "It rattled the tops of garbage cans, sucked windows shades out through the top of the opened windows and set them flapping back against the windows"(Paragraph 1). She uses details to describe how forceful the wind that was blowing was and the strength of it.

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Anderson discussed the Code of the Street as it pertains to inter-city morality, assessing that these attitudes either fall in the categories of decent or violent (Duncan, pg. 111). The “Code of the Street” is what Anderson would classify as the violent and is used as the law of the street that governs the community behavior particularly interpersonal violence and aggression. In the areas that fall into the arena of “Street Code” opportunities are limited due to the social isolation and economic oppression of these communities (Duncan, pg. 112). Due to the moral internalization of adult males to provide adequate financial support to their families, when social isolation creates a loss of jobs and opportunity the adult male is unable to adequately provide for his

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Cities can be bustling centers of opportunities; however, they can tear apart a person’s hopes and dreams. Writer, Ann Petry, in her novel, The Street, depicts a woman, Lutie Johnson, trying to find a place to rent out, but struggles due to the impenetrable city winds. Her purpose is to showcase how certain individuals have the ability to fight the barriers in their ruthless environment in order to succeed. Through the use of imagery, personification, and selection of detail, Petry depicts how Lutie Johnson tries to adapt to the harsh conditions of the city. Petry begins the selection by depicting the winds as an intrusive force.

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Inspired by social icons in the news, most American followed suit in the crazy hair trends, soon making them the norm. Following the trend of consumerism, dressing for success also became big as citizens tried to mimic the wealth and beauty they had come to know in icons of the time. Genres of dressing also arose in the contrasting styles of “Preppy” and “Street Style”. The first favoring the typical white-suburban look, many wore pastel polos, sweaters, Keds shoes, and jean or khaki pants. Street style, however; followed the rise of Hip Hop and Pop, taking inspiration more from music stars in the form of sequin dresses, colorful athleisure pieces, wild prints, and outrageous colors.

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