An example of diction is “a strange nostalgia”. The author chose the word “nostalgia” to add texture to her
6/24, Chapter One: As the book begins, the readers are introduced to Scout, and her knowledge of Maycomb. I noticed how Scout’s narration sounded; she is telling the story as an adult but from a five year old’s point of view during the book, but her narrative included complex words such as “imprudent” (5) and “domiciled” (10), which is unlike what a child would say. Harper Lee uses the unique narration so that Scout would be able to provide background and context to Maycomb, but also so that readers would be able to see how Scout reacted and felt about the events in the book, and how it impacted her life growing up. Scout also used description and imagery as she told the story, which I found intriguing, since children don’t usually care for description and see things simplistically.
In “A Raisin in the Sun” by Lorraine Hansberry, the author uses diction like abstract diction and details by explaining what he exactly wants in life to demonstrate Walter and his dream. To begin, Hansberry uses diction to demonstrate Walter and his dream by using abstract diction. She does this by explaining how he will give Travis anything for his seventeenth birthday and that he will “hand you the world!” (2.2). This shows that he wants to make his sons life as good as possible.
Tracey Lindberg’s novel Birdie is narratively constructed in a contorting and poetic manner yet illustrates the seriousness of violence experience by Indigenous females. The novel is about a young Cree woman Bernice Meetoos (Birdie) recalling her devasting past and visionary journey to places she has lived and the search for home and family. Lindberg captures Bernice’s internal therapeutic journey to recover from childhood traumas of incest, sexual abuse, and social dysfunctions. She also presents Bernice’s self-determination to achieve a standard of good health and well-being. The narrative presents Bernice for the most part lying in bed and reflecting on her dark life in the form of dreams.
First, syntax and diction are elements of the author’s style. The syntax shows the arrangement of words and diction is the sentences and word choice. Amy uses syntax and diction in an informal way, with short sentences, and easy word choice and it sounds like a teenager. “When I found out that my parents had invited the minister’s family over for Christmas Eve dinner, I cried.”
In the story, “St. Lucy’s Home for Girls Raised by Wolves”, the author, Karen Russell, uses feral diction to establish that although people strive for perfectionism in their lives, people cannot become someone or something that they are not, thus causing a loss of identity. Russell uses feral diction in “St. Lucy’s Home for Girls Raised by Wolves” to prove that people cannot change who the are. For example, Kyle tried to talk to Claudette, but just succeeded in annoying her instead. Claudette immediately reacted and, according to the story, “I narrowed my eyes at Kyle and flattened my ears, something I hadn’t done for months” (249).
“He’s dead, you can’t save him, there is nothing you can do about it” this sentence haunts medical professionals as doctors are trained to save lives. Perhaps what’s even more haunting is a doctor ending a patient’s life. Samuel Shem’s the House of God sheds light on the issue through its intern, Roy who goes through a rough time after killing a patient. Roy falsely thought he killed the patient to release his suffering, however, that’s not the case as he killed him to make peace with his own death.
Indeed Lord of the Flies has tremendous amounts of connections to the real world. Important events, speeches by characters and even words tend to act as an allegory to the real world. I felt that the most important word of the book would be: “Conch”. The “Conch” is a shell of “ deep cream, touched here and there with fading pink” (16). and the authors expresses its value to be very expensive “ -- a conch, ever so expensive” (16).
The Out of Many textbook discusses the history of America. A huge part of the history in America is industrialization. Chapter 19 of the textbook talks about the industrial city in which The Jungle by Upton Sinclair opens the realities factory life and work in the early 1900’s. The Jungle tells about the lives of the workers in factories, specifically meat, and how harsh and disgusting their work really was. The topic of industrial cities and their living and working conditions from the Out of Many textbook is weaved in The Jungle .
One example of an effective use of diction is in the sentence “my freedom had been temporary” (Pigott 81). This sentence has an effect of bring out sympathy from the readers as she is trying to say that in her time in Gambia she was judged but in a way that let her be free because she could consume food and wear what she wanted to whereas back home she is more restricted as she doesn’t has as much freedom in what she eats and wears because its frowned upon (will be harshly judged). Furthermore, another example of effective use of diction is imagery in the sentence “women swivelled their broad hips and used their hands to emphasize the roundness of their bodies” (Pigott 80). This helps a reader visualize how beauty in Africa (Gambia) looks like. It also has the effect of creating joy amongst the readers as it is supposed to be a cheerful sentence because they are celebrating and this indirectly show the reader the women are free and enjoying their bodies.
In using diction the author was able to invigorate a higher connection, and therefore amplify a connection between reader and writer. Another example, that can really inform readers in multiple aspects is, “The houses up here were shabbier than the brick houses lower down in the valley. They were made of wood, with lopsided porches, sagging roofs, rusted-out gutters, and balding tar paper or asphalt shingles slowly but surely parting from the underwall.” (Walls 150) Jeanette connected her lifestyle with her environment around her, as well as connecting the readers with her feelings.
Poetry is an effective means used to convey a variety of emotions, from grief, to love, to empathy. This form of text relies heavily on imagery and comparison to inflict the reader with the associated feelings. As such, is displayed within Stephen Dunn 's, aptly named poem, Empathy. Quite ironically, Dunn implores strong diction to string along his cohesive plot of a man seeing the world in an emphatic light. The text starts off by establishing the military background of the main protagonist, as he awaits a call from his lover in a hotel room.
Oliver starts the poem by calling her audience, “you” and pulling them in to listen. The poem does a great job of convincing the reader of their true worth by comparing the lives of troubled people to the simple lives of geese; Mary Oliver makes the reader feel like their problems are not as big. She forces the reader to realize that life goes on around them whether they choose to see it or be enraptured in their
In Eugene Collier’s short story, Marigolds, the author used figurative language and diction to convey a serious and angry tone on poverty. Marigolds, a tale full of voice elements, addressed the theme of poverty with indignation and sincerity. Though Lizabeth, Collier narrated the story; it was about a girl recalling her life during World War 2 in a poor family. In the first example of voice element, Lizabeth described poverty as “the cage in which we all were trapped” (Collier 1). She uses this metaphor to explain how penury anchored her family.
Through the poem’s tone, metaphors used, and symbols expressed the poem portrays that fear can make life seem charred or obsolete, but in reality life propels through all seasons and obstacles it faces. The poem begins with a tone of conversation, but as it progresses the tone changes to a form of fear and secretiveness. The beginning and ending line “we tell