ipl-logo

Diego Rivera's Small Images Of Fruit And Vegetables

182 Words1 Pages
Diego Rivera’s small image of fruits and vegetables displays a connection to all the other images on the wall. The fruits and vegetables are considered to be a “minor image” shown next to the main image of the baby curled up in the center of the plant. All the minor images on the wall are placed under the major images, and have some sort of relatedness between them. For example, the major image above the fruits and vegetables is a fertility figure that is holding apples, the connection between these two images, is that these fruits and vegetables are naturally grown from the ground to help keep our bodies nourished. In addition, the baby and the fruits and vegetables both symbolize growth and nourishment. A seed is planted and taken care of
Show More
Related
206 Words | 1 Pages

That is why a group of students in Winnepeg decided they were going to grow the seeds. The seeds were from a type of squash, which was extinct. The students were able to bring this squash back to life by growing the seeds. The students are eager to let the rest of the world know about the squash.

Read More
267 Words | 2 Pages

The second picture I chose to describe is the one that shows the lima beans. I chose this picture because the lima beans are what sparked the whole garden. The garden all started because Kim wanted

Read More
387 Words | 2 Pages

In the vignette, “The Monkey Garden,” Cisneros uses similes, personification, and juxtaposition to show how the garden quickly changes from a child’s playground to a place of haunting grownup memories. In the beginning, Cisneros uses similes to describe the carefree nature of the garden: “There were big green apples hard as knees. And everywhere the sleepy smell of rotting wood, damp earth, and dusty hollyhocks thick and perfumey like the blue-blonde hair of the dead" (Cisneros 95). Initially, Esperanza and the other children are young and naive and play in the garden without any worries. The garden is a place of childhood innocence and shows that although Esperanza wants desperately to grow up, she is still a child.

Read More
488 Words | 2 Pages

This helps keep the seeds living for many years.

Read More
919 Words | 4 Pages

I gained some insight from this piece of artwork. I chose to start with this video due to my background knowledge on the Virgin of Guadalupe. However, I obtained so much more knowledge after viewing this. The thing that was most striking to me was when Juan Diego presented his cloak to the bishop, not only did the requested roses fall, but also the image of the Virgin of Guadalupe. Next, I observed the Sun Stone documentary.

Read More
1237 Words | 5 Pages

The author also uses imagery in the following quote, “Watermelon is the ambrosia of the household, closely followed by cantaloupe, strawberries, and cherries.” Through this quote the author conveys the idea to the reader that the family admires watermelon. Since the author refers to the watermelon as ambrosia, meaning the food of the gods, the readers can imagine that the taste of watermelon which might make them want it. The usage of imagery throughout the article allows the readers to view food from the same perspective as her

Read More
604 Words | 3 Pages

Known for his defining role in the Mexican Mural Movement, Diego Rivera sought to create paintings that depicted the Mexican renaissance and socialist ideas of Mexican politics. After some time studying in Europe, Rivera was influenced by Italian renaissance artist Giotto to paint using fresco techniques (famsf.org). “Two Women and a Child” serves as an example of the theme he portrays in many of his paintings. While the fresco technique was predominantly used during the Italian renaissance, Rivera revitalized this ideal by including it in his painting of “Two Women and a Child”. Rivera’s use of techniques in Two Woman and a Child provide viewers with an understanding of the strength, pride, and perseverance Mexico had during the Mexican Renaissance.

Read More
977 Words | 4 Pages

As Iglesias mentions that "if he were to get out of [captivity] alive he would be attentive to his plants", he references the country as a whole. The plants represent the growth of the Latin American host country. They represent the growth of the country and the goal of reuniting the proletariat and the monied in the

Read More
352 Words | 2 Pages

In the essay "A Gringo in the Lettuce Fields," Thompson tells us about his errors and reminds us that he is an outsider. I believe the reason for this is because there is so much misconception that immigrants just come to America to take away these jobs from Americans. I also believe that immigrants know that Americans believe this to be true. With that being said, I think his target audience are both Americans and the immigrants doing this type of work. I think there is somewhat of an ignorance when it comes to understanding what this type of work entails and the damage it does to ones body.

Read More
743 Words | 3 Pages

Rivera’s, Creation is the first of Rivera 's many murals and a touchstone for Mexican Muralism. In the artist 's words, "The origins of the sciences and the arts, a kind of condensed version of human history" (Vasconcelos). It depicts a number of allegorical figures, all seemingly represented with unmistakably Mexican features. Through features of the work as the

Read More
838 Words | 4 Pages

Another ideology that is set is the more care you take of the plants the better the outcome and vice versa. Finally, the garden represents the propagation and cultivation of life which the characters agree about despite their

Read More
358 Words | 2 Pages

Downe also uses a combination of gustatory and visual imagery when writing about the abundance of food the United States had to offer. He then writes of all "the fruit you can gather on the side of the road" to further explain this abundance. This imagery was used to activate the reader's (his wife's) mental eye and evoke their sensory

Read More
532 Words | 3 Pages

Most people would expect the artists painting to be monopolized by one perspective of nature. However, the artist incorporates both the violent and beautiful sides of nature. The artist explained how “the long-necked lily-flower which, deep in both worlds, can be still as as a painting” (Hughes 22-24). The artist proves how the even if beauty is surrounded by negativity, nature 's beauty will not be consumed by its violence. Most people would also expect the artist to put an emphasis on nature 's violence, especially after the repeated mention of the violent parts of nature.

Read More
655 Words | 3 Pages

They are the key symbol of the vignette “Four Skinny Trees” and they represent resilience and perseverance. Esperanza identifies with the trees seen from her window, because they have been “planted by the city” without having had a choice, similar to how she is put on Mango Street without having a say in where she herself would like to be. However, the trees “grew despite concrete”, which symbolises growing through hardships, and Esperanza finds inspiration from them to keep going despite the hardships she faces due to her race and poverty. She realises that she has to break through the prejudice that her social class receives, and continue striving for freedom and a better life in the future no matter what her background is, in the same way the trees “reach and do not forget to

Read More
1023 Words | 5 Pages

The flower demonstrates the sexuality between her and Diego (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The last item you see is the pelvic bone, which represents her broken pelvic bone and the reason she couldn’t conceive a child successfully (Self Portrait as a Tehuana, Autorretrato como Tenhuana,

Read More

More about Diego Rivera's Small Images Of Fruit And Vegetables

Related Topics

Open Document