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The influence of Hip Hop culture on the society
Culture influences on hip hop
The influence of Hip Hop culture on the society
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American Writer and Musician, James McBride has written multiple books and has voiced his opinions in magazines as well as newspapers. In this particular essay, which appeared in National Geographic in 2007, he talks about how hip-hop has influenced the world and how he realized that he has missed an important part of his life. There are many rhetorics used in this essay, -“Irony, Metaphors, Hyperbole and Allusions. ”- are some of the more notable ones. While talking about his biggest nightmare, a feeling of disjoint comes into his mind, “It is no longer…hip-hop planet.”
In this particular article, Ivan Fernandez discusses the unique connection between hip-hop and indigenous people. In the past few years, many more indigenous music artists have begun to voice out their stories of oppression and their traditions that have been suppressed for such a long time through hip-hop. This is because hip-hop is utilized as a medium for indigenous artists to take back their culture and tradition. This is connected to the historical material that we have studied because it pertains to the history and background of hip hop. Hip-hop and its culture originated in the rough neighborhoods in South Bronx.
As Can’t Stop Won't Stop continues to progress to the 1970’s, Jeff Chang addresses the developments, changes and increasing influence of hip-hop. Hip-hop’s influence and popularity seemingly spread globally overnight. Hip-hop culture took on new aspects and the motives for expressing the art continued to grow and change for artists. Throughout the chapters, Chang highlights the evolutions of hip-hop, hip-hop’s new audiences and the increase in drugs and violence in hip-hop during a rebellion ear. In the late 1970s, many citizens in the Bronx began to see a dramatic change in hip-
They also argue that hip-hop motivates people to end the racial crises surrounding their society. Throughout “Hip-Hop and Shakespeare”, Akala argues that hip-hop is dignifying because it informs its listeners that everyone has the ability to become an intellectual person. In “Hip-Hop Planet”, McBride illustrated that hip-hop is moving because it persuades people to eliminate racial conflicts. Both authors help the reader to reflect hip-hop’s genuine purpose and meaning. Hip-hop is a positive impact because it publicizes the dilemmas a nation faces and inclines people to make a difference .
The article “Hip Hop Planet” by James McBride is about how hip hop is not his favorite type of music but, it needs to be heard. McBride shows us this by explaining that he avoided hip hop most of his life. In the article McBride says that he basically ignored “the most important cultural event in my lifetime.” James informs us that hip hop has influenced the world globally and that it has become a phenomenon. Furthermore, McBride made clear that he eventually realized that hip hop is much more than just music, it has a message.
The Get Down can explain the social cohesion and power dynamics of the Bronx, how hip hop differed and was made from existing musical styles, how the various elements of hip hop interact with each other, and how hiphop affected community. Within the Bronx, most communal powers belonged to gangs and drug
Richard, Kyle. “Hip-hop” Teen solutions, 17 Sept. 2014. Web. 30 Mar. 2015. Richard’s “Hip-hop” Article are known for informing people about the history of hip-hop, the background of the society of hip-hop and how far hip-hop has came from that day to present day. Toward the middle of his article he states “through lyrics they raised social consciousness by speaking out real issues affecting them, such as racism”(Kyle).
It is easy to see the parallels between hip-hop and traditional African oral culture. Hip-hop artists use their music to tell stories and convey their opinions on different social and political issues. This is easily compared to tribal griots teaching history and telling stories in Africa. Since its creation, rap has been looked down upon due to the content. Traditionally, hip-hop music has lyrics filled with violence, drugs, and misogyny because most rappers portray the life of a “gangster”.
Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.
Around the mid 2000s, critics of the genre said that hip-hop was a declining art form that was losing its importance. In his book, Is Hip-Hop Dead?: The Past, Present, and Future of America's Most Wanted Music, author Mickey Hess assesses the changes in the genre over time, and argues, at the time of his book’s publication in 2007, the genre is dying because current careers, lives, and personas in the genre differ from those in the past. Hess also notices that different ethnic groups, specifically White people, have began to break into a genre that was once strictly African-American. Hess analyzes the claim made on Nas’ album Hip-Hop is Dead, that the genre is at a stalemate and that power no longer belongs to the hip-hop artists.
Some of the main cores of Beat Street are the music, dancing, and graffiti art works – all of which are part of hip-hop culture. Scholars note that hip-hop as a movement originated in roots from African American traditions and are mainly used to express their culture as well as identity (Blanchard 24). Rap music, for example, comes from West Africa’s “nommo.” This idea refers to the power to deliver words to act upon objects and to bring it to life. The historical and traditional underpinning of rap, therefore, becomes representative of the rich and distinctive culture of African Americans.
Much of the game of rap music has become a popularity contest, focusing on image and lifestyle rather than lyricism and technical ability. Despite its current state and massive value, the next step for hip-hop and rap music is to figure out how we can harness this cultural power and use it further for
Nowadays, everyone wears the identity with pride. The genre was a testament to triumphing over hardships, to having enough confidence in oneself not to let the world drag you down, and to rising above the struggle, even when things seem hopeless. Violence in rap did not begin as an affective agent that threatened to harm America 's youth; rather, it was the outcry of an already-existing problem from youth whose world views have been shaped by the inequalities and prejudice they have experienced. The relentless wave of heroic new rappers arriving on the scene formed the golden age of hip hop in the 1980s, a newfound voice which rose from the impoverished ghettos during the 1980s and inspiring a generation of black youth to fight the police brutality they faced on a daily basis.
Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.
The block parties, graffiti art, rapping, disc jockeying and diverse forms of dancing built Hip Hop by the black youth. They expressed their feelings, thoughts, but most importantly the problems they had to face, which were related to their race, gender and social positions. The rights that were given to black people during and after the Civil Rights Movement left the following generations at a lack of how to continue the fight for black rights. Hip Hop gave them this platform and with the usage of black nationalism, Hip Hop can explore the challenges that confront American-Americans in the post-Civil Rights Movement era. In the 1990’s Hip Hop lived its prime, sub genres started to appear and famous groups, MCs led the whole community, providing a voice to a group of people trying to deliver their message.
