Elijah Wald published the book Escaping the delta in reference of the music genre of the blues, in which he explains some of the myths that surround the blues genre, in which according to him were misleading about the culture of the genre. Derived from a lot of history, the foundations in which were perpetuated to promote the genre according to Elijah Wald were not accurate, and he tries to explain in detail the misconceptions in the book. One of the main ideas that Elijah Wald tries to explain is the concept of the blues being described as a definite genre. According to Elijah Wald, the genre exists but also does not exists (Wald, p 23 ).
When investigating the origins of country music, there are multiple different country music stars that could be recognized for their recording success, and innovation, which contributed to the progress of country music as one of the most popular genres in the 20th century. The pioneers for country music consisted of both men, women, and multiple different ensembles providing to country music’s success. Without the help of the founders of country music, this genre might not be as successful as it is today. One of the first country music stars is a man by the name of Jimmie Rodgers. In the later half of his career Jimmie was incredibly successful, with recording over 100 different pieces of music, he was labeled by many as “The father of Country
People were going from here to there which allowed for the clash of ethnic cultures. The blues were started before Jazz, it came from work songs, field hollers, minstrel show music, ragtime, church music, and folk music. (Blues, para. 5) Unlike Jazz, the blues were first
Music interconnects with all different individuals it does not matter what age, race, or financial status an individual may be. In the short story, Sonny’s Blues, a story that takes place in Harlem. It is about two brothers, the narrator, and Sonny, with a rocky relationship and both, are going through a serious drama individually. In Sonny’s Blues, music is portrayed as the key element that unites the relationship of the two brothers. Music is this short story affected the narrator and Sonny so many different ways.
The genre of jazz music was first born out of the woes and suffering of the then modern black society. Sonny’s brother on the other hand chose to be an algebra teacher; he was respected by the white culture and his teaching credential earned him the right to be accepted. His aspiration to become an African American teacher implied that his desire was to hide from prejudice, unlike Sonny who really embraced his ethnicity and African American culture. An algebra teacher is very logical and structured by nature, whereas a musician is more free spirited and creative by nature.
The genre of blues exploded into the blues craze during the 1920’s. During this time, white record producers saw the untapped goldmine that was blues music performed by people of color. Ma Rainey was one of them, and to some, one of the first, giving her the title, ‘The Mother of Blues’. The 1920’s was not only an era of continuing homophobia from the past (although that would change, briefly, into a mild form of acceptance until the more conservative 1930’s), but also of harsh racism. And yet, one singer, Ma Rainey’s, broke these restrictions.
Sonny's Blues was written in 1957, 37 years after the roaring twenties had come to an end. Long after the great Migration, where millions of blacks moved to northern cities to escape Jim Crow, and embrace the new found possibilities offered. During this period African-Americans in New York, collectively gathered in Harlem mainly, it was usually alluded to as the black capital. There blacks shared culturally and also, influenced music greatly. This is also where the "new negro" persona was crafted, blacks were no longer going to be referred to as someone's mammies or boy.
Blues could not exist if the African captives had not become American slaves. Without African slaves from West Africa, there would be no blues music. The immediate predecessors of blues were the Afro-American/American Negro work songs, which had their musical origins in West Africa. It is impossible to say how old the blues are but it is certainly no older than the presence of Negros in the United States. The African slaves brought their music with them to the New World.
In the story, “Sonny’s Blues” by James Baldwin insists, that music is a universal language that speaks life into a dead soul. Stereotypical notion of music arouses emotions that are disregarded. The story demonstrates the significance of music and the components that communicates needs and wants. Sonny’s character was not very talkative, but his music spoke with volume. This paper will analyze the elements of music told in “Sonny’s Blues” that connects and bonds the characters emotionally, physically and socially.
In life, there are few things as organic as jazz music. With its raw sound and scrappy roots, one cannot help but feel life head-on whilst witnessing players produce such a sound right before their eyes. Its origins and arch are a product of the United States’ national culture and identity. Jazz exists not only as a deeply rooted form of art but as a cultural marker, particularly during its commercial peak in the first half of the 20th century. Its impact transcends borders, and it is one of the most beloved musical genres worldwide.
Then, there are the blues, a type of song developed by African American originally that many white American tried to appropriate from African American to only increase their wealth and fame while at the same diminishing the culture of African
The Chicago blues is a subgenre of blues music local to Chicago, Illinois. It 's foundation is revolved around the sound of the electric guitar and its enhancer. In this paper, I will investigate what made is the essentialness of Chicago blues and what prompt to production of this subgenre in the city of Chicago and it 's legacy in the present setting. The blues initially started to show up close to the end of the 1800s after the Emancipation Proclamation.
(Press, 2016) Country music started the early 19th century, but over time country music came to evolve into something that had ties in all music. From the late 18th century through the 19th and 20th century country music has become a vast and intricate multimillion dollar music genre. From the beginning of being played in small churches and dances to humongous concerts and having our homes sold on a worldly
[the black musician] improvises, he creates, it comes from within” (Gerard 28). Despite Malcolm X’s criticism of the classically-trained musician’s inability to improvise, the European-influenced creole musicians began to learn to create variation within ragtime’s syncopated form. Likewise, blues musicians adopted parts of the genre of ragtime and implemented it into their call-and-response based music. The merging of these two styles of music occurred as a result of external socio-political pressure of Jim Crow segregation, but ultimately helped establish an innovative and swinging genre of jazz
Blues music as a genre and form was developed by African Americans in the south of the United States at the end of the 19th century. The genre has origins in many cultures such as in African music, African-American work songs and European-American folk music. Blues music incorporates field hollers, shouts, chants, etc. The blues form, found in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, and also the twelve-bar blues structure, which is the most common feature. Early traditional blues verses consisted of a single line repeated four times.
