Through the use of dialogue, the author shows how Nancy is doubtful and unhappy about the situation. The descriptions of the house show the family react to it, developing their character in the beginning of the
Family reunions are often used to dwell upon the past and reflect upon one’s life. Richard Rodriguez, in is his passage, goes to extreme lengths to explain to the reader his carefully taken observation of his family’s life. Looking deeper into the words and feelings of the passage, Rodriguez portrays a sense of strong family values. It is apparent (by his selective use of diction and narrative structure found throughout the passage) that Rodriguez is writing to a more mature, experienced audience. As a mature writer, Rodriguez knows that the best way to connect with his audience is through the one day responsible for some of their greatest childhood memories -- Christmas.
In the story, the main food item is gravy, which is used as a trigger for the narrator to reminisce about their childhood. This connection is made because the narrator’s mother made especially good gravy. The fact that the mother made better gravy than anyone else is a use of pathos,
The one thing that any author must do when writing any sort of essay is to make it comprehensible to the reader. In order to achieve this, the author must utilize anything to get their point across or else the writing would be futile. In Turkeys in the Kitchen , Dave Barry gives his own personal stories about his Thanksgiving and how he feels that men aren’t as useful as women in the terms of the culinary arts (kitchen), Barry’s flippant tone and his use of rhetorical devices such as similes and irony bring forth a light hearted explanation of stereotypes between men and women as well as describing how men are useless in the kitchen. The uses of similes throughout the essay give purpose by showing how men are useless.
One generally invites one’s friends to dinner, unless one is trying to get on the good side of enemies or employers. We’re quite particular about those with whom we break bread.” (Foster, 9) Through the breaking of bread, or in this case the laborious cleaning, cooking, and finally the eating of chitlins is representative of a communion, between the almost sacred bonds between a mother and her daughter. Throughout the exposition of the short story, we constantly see that the other members of her family reject the chitlins for being “country” or smelling strange.
Meals in literature often represent something bigger, bringing communities together in a form of communion. However, this is not the case; in The Poisonwood Bible by Barbara Kingsolver, the meals are ironic they help to show discord and strife among the characters of the book. She uses meals to foreshadow future events, reveal the flaws of the characters, and as the book progresses, allows for the reader to see character development. In novel, Kingsolver twists the normal connotation of a meal and makes it ironic in order to demonstrate the discord and strife that is commonplace throughout the book that shows the lack of community between the Prices and those they interact with for most of the book.
One quote from the book is “I spent my days in total idleness. With only one desire: to eat. I no longer thought of my father, or my mother. From time to time, I would dream. But only about soups, and extra ration of soup."
Wealth is to be pursued. Those lucky to acquire it effortlessly, often seek more. There is even a widely accepted “American Dream,” where everyone should pursue success and gain prosperity through their hard work and dedication. Although, there is admiration in wealth, some forget that happiness does not rely upon it. Many push aside family, friends and joy to gain it.
Similar to the father, he tries to pass on the culture hoping it could survive within the family. Sadly, the culture “[was] slowly dying” (341) in the sink. When the fish was being cooked in the wok, it is described as “tires on gravel, a sound so loud it drowns all other noises” (342). The noise level hints a tense argument that has been built up within the family for years. As such, when the fish is served, the tension and dissatisfaction between the son and father imploded; hence, the father acted violently towards his son for being “ungrateful” (344).
The kids are hungry all the time. We got no clothes, torn an' ragged. If all the neighbors weren't the same, we'd be ashamed to go to meeting.” (Pg 33). Farmers are trying to reason with the landowners, their whole community is out of money and are struggling to make a living.
Tom not only stays with his mother and sister well into adulthood but he also does not pursue a wife, a well paying job or a family of his own. Instead Tom dreams of a life that is more: a life filled with exploration, like the ones in the movies he adores. Throughout the play, Tom argues with his mother, drinks heavily and goes to the movies to forget about his problems. In this melancholy life filled with dissatisfaction he finds comfort in his sister who is shy, sweet and undeserving of the harshness life has thrown as her.
to still keep established pace and tone, which is that calm, disassociated mood. At this point the father, the reader might think, is a construction of the husband’s mind, because the husband had focused on “the idea of never seeing him again. . . .” which struck him the most out of this chance meeting, rather than on the present moment of seeing him (Forn 345). However surreal this may be in real life, the narrator manages to keep the same weight through the pacing in the story to give this story a certain realism through the husband’s
The short and brief sentences give no description and only state the food she is prepared. The passage would be descriptive if the occurrence is more appalling. Passage two is much shorter in length than passage 1 due to the lack of explanation. The sentence structure of passage two reveals the underlying attitude of resentment, gratefulness, and
Thank You Ma’am By: Kush Can you imagine a woman who would kick a stranger and then later in the story feed the same person? Well, in the short story, “Thank You Ma’am,” by Langston Hughes, Mrs. Luella Bates Washington Jones, the protagonist, does just that. She has a very complicated personality because she is hostile, but still lonely and caring. A big indication that Mrs. Jone hostile is, after, a boy made an attempt to steal her purse and failed, he fell.
When the argument shifts its setting by moving from the bedroom to the kitchen, Carver’s use of symbolism adds intensity to the story. Too busy with their selfishness, “In the scuffle they knocked down a flowerpot that hung behind the stove” (329). Neither parent stopped to see the broken pot, nor did any of them break focus on their fight with the child. The kitchen is usually a place where a family comes together, but here they were breaking apart at the seams.
