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Essay On Don Jon In Much Ado About Nothing

691 Words3 Pages

The Dimwit vs the Deceiver Vile villain, scheming scoundrel, and royal rapscallion are terms that all apply to Don Jon. After suffering defeat at the hands of his brother, the kindly Don Pedro, and his brother’s top soldier, Claudio, Jon seeks revenge on the two. Craftily spinning scandalous tales, Don Jon initially succeeds in sabotaging Claudio’s wedding to Hero and in defacing the innocent maiden’s reputation. However, his villainous plot is thwarted by the timely arrival of Dogberry, the clueless constable. Despite his seeming stupidity, Dogberry rises to become the hero of Shakespeare’s play, Much Ado About Nothing. Throughout the entire play, Shakespeare explores themes of deception both for good and evil. Yet Dogberry shines …show more content…

Unfortunately, Don Jon appears never to have heard of the concept as nearly every word from his mouth is a lie. Unless speaking to his faithful coconspirator Borachio, Don Jon rarely speaks an honest word to a fellow character in the play. When he initially talks to Claudio during a masquerade dance, in which Don Pedro had promised to woo Hero on behalf of Claudio, he lies. Sadly, it seems, Don Pedro has brutally betrayed Claudio by wooing Hero for himself. Of course, this report is later proved false by Don Pedro himself. Still, Jon continues his lies by describing to Claudio the infidelity of Hero. Then, he shows Claudio what he claims to be Hero with another man, the night before the wedding! However, this is merely Borachio and Hero’s handmaiden flirting in Hero’s bedroom. Antithetically, Dogberry never breathes a dishonest syllable. Even reminding everyone constantly of how Borachio insulted him to his face. Instructing the watch on how to perform their duties, revealing Jon’s evil designs to Leonato, throughout everything he does, Dogberry is entirely, unflinchingly honest. Most likely, Dogberry does not even possess the knowledge of how to lie. Inevitably, honesty proves the best course of action with Dogberry winding up a hero and Don Jon fleeing the city only to be captured later …show more content…

Don Jon is present during most of the event of the play up until the wedding scene, after which he flees the town. On the other hand, Dogberry is gifted with very little time in the spotlight before his heroic reveal of the true villain behind Hero’s scandal. This comes at the very end of the play, with Dogberry appearing in a measly two scenes beforehand. Nevertheless, his miniscule number of scenes still prove vital to the salvation of Hero’s reputation and her and Claudio’s union. Meanwhile, Don Jon is around all too long, jeopardizing the entire ceremony before his

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In Much Ado About Nothing by William Shakespeare, Don John serves as the foil character of Don Pedro by which Don Pedro’s valorous strengths are illuminated through Don John’s belligerent weaknesses; thus, interminably influences the conflict in the plot. Needless to say, Don Pedro and Don John are the antithesis of one another, for Don Pedro is consistently playing peacemaker in Don John’s diabolic schemes which carries the plot through a rollercoaster of conflict. Don Pedro highly values his victorious army, especially Claudio, the war-hero. In fact, Claudio is responsible for keeping Don John from gaining power over his brother. As a result, Don John makes it his duty to destroy Claudio, admitting that he is determined to “cross him any

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Hero had chosen to accept Claudio’s proposal and claimed to have fallen in love with

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In William Shakespeare’s renowned comedy Much Ado About Nothing, a lot happens when nothing needed to happen. What could have been a simple course of events turned into a plot of schemes, mayhem, passion and deception because a few characters decided to play god. Specifically, the love god: Cupid. This Roman child of the Goddess of Love, Venus, is known for his mischievous meddling in making people fall in love with each other. It seems he has a few comrades to his cause in this play, for the characters of Don Pedro, Claudio, Leonato, and Hero take it upon themselves to bring fire and ice together in holy matrimony, only fire and ice take the form of the quick witted, proud pairing of Benedick and the Lady Beatrice.

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Dogberry’s silly name only reveals one part of his multidimensional nature. While mainly serving comedic relief purposes, Dogberry also has many other traits that make him a complex character. Many of his characteristics are reflected in the design of the play’s playbill. One of Dogberry’s most notable traits is his perceived self-importance. This is shown in Act 4 Scene II when a troublemaker that Dogberry is interrogating snaps and calls him an ass.

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Don john, being the main villain of the book, is the illegitimate brother of Don Pedro. Don John shows a lot of machiavellian acts throughout the book. His main part in the play is to foil Claudio and Hero’s wedding. Even though During Act 1, Scene iii, both Claudio and Borachio make the plan

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Psychology says that the person who tries to keep everyone happy often ends up feeling the loneliest. Don Pedro is one of the mysterious characters of the play, Much Ado about Nothing by William Shakespeare, as he does not have a clear motive for any of his actions, like wooing Hero for Claudio, or setting up Benedick and Beatrice. Through meticulous analysis of his character, Don Pedro’s motive for his actions can be perceived as devotion to make others around him ebullient; as he continues to execute his plans for everyone’s happiness, he forgets about his own, making him melancholy at the end of the play. Don Pedro made various plans and actions to create happiness for his friends; first’s being wooing Hero for Claudio. Don Pedro helps

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The Crucible by Arthur Miller has many lessons to learn from. One of The major lesson I thought that is important is honesty. The accusations throughout the story were built on lies from those trying to protect their own name, and putting the town into confusion. Nobody in Salem, Massachusetts felt like they could trust anymore, after all of the false allegations made. If Three characters in the story would have been honest from the beginning, the town would not have been in such confusion.

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The audience may understand the concept of love and romance flowing within the characters because it was to portrayed that way but the critics would argue the fact that some of the characters like Beatrice and Benedick were made to fall in love with each other through deception. As simple as the characters were, the situations arousing in the play became more complexed as scenes passed by. What led to the trouble and chaos in the play also led to the solution in the end, when Claudio and Don Pedro were deceived into thinking by Don John that Hero was unfaithful. That very same idea also solved the problem in the end when Leonato, Hero’s father, deceived Claudio by making him believe that she is dead and that it is his duty to clear Hero’s name by reading out on her tomb and marrying the said niece who looks just like Hero. Again the plotting against own is present where the said niece turns out to be Hero and she comes back to life again.

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Shakespeare reveals the theme that people deceive others out of love, embarrassment, and hatred. All evidence comes from Much Ado About Nothing. Love makes people act less rationally than they would normally behave. In this case, Claudio has fallen in love with Leonato’s daughter, Hero. In this love-dazed state, Claudio seems thoroughly confused at Don Pedro’s plan to win Hero over on his behalf, due to being lied to about the actual plan by Don John.

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Throughout the play, deception is a vital element in the betrayal of both King Lear and Gloucester. For example, Shakespeare depicts Edgar’s scheme personality by saying, “A credulous father, and a brother noble— / Whose nature is so far from doing harms” (1.2. 192-193). By utilizing descriptions such as “credulous” and “noble” to describe Gloucester and Edgar, it reveals the malicious aspect of deception. Shakespeare shows the evil behind this deception by revealing Edgar wants to take advantage of the innocent for his own personal gain. In contrast, Kent’s deception is seen as, “If but as well I other accents borrow, /

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