Contrasting Moliere 's "Tartuffe" and Voltaire 's "Candide" , each author took a different approach in expressing their true opinions of institutional religion. In "Tartuffe", the main idea of the poem comes from hypocrisy of moderation and religion. In the beginning, we find Madame Pernelle criticizing Orgon 's family and fellow associates about their way of thinking and living. She talks about how they are not living as Tartuffe is and how they are fools to do other wise. In reality, Tartuffe is an ungodly hypocrite who uses his priest identity to mask his crimes and true identity.
Edmond Rostand’s comedic play Cyrano de Bergerac recounts the tragic heartbreak of an unsightly French poet as he aids his handsome but dull cohort Christian in capturing the heart of the beautiful Roxane. Cyrano de Bergerac, a colossal-nosed man with a masterful talent for wielding both words and sword, battles self-doubt and insecurity as he contends with his own feelings of love for Roxane. Throughout the play, Rostand reveals a stark polarity between Cyrano and Christian, illuminating the gaping disparity between the characters’ appearance and intellect while portraying the men as foils for each other. From the play’s beginning, Rostand’s audience becomes keenly aware of the divergence between Cyrano’s intellectual substance and Christian’s physical attributes. While Cuigy pronounces Christian “a charming head,” the character describes himself as “...far from bright” (Rostand 1.4-5).
Ever been able to see through someone? In book Tangerine Paul, is a seventh grader that is nearly blind but he has this special ability to see things in his perspective and others. Meaning he sees what other people don’t. Edward Bloor, the author of Tangerine makes many different themes for each chapter. The most important theme in Tangerine is seeing the truth.
As well as, this recognition of Tartuffe's false nature reveals the severity of Orgon’s arrogance. Moliere highlights within the second half of the play, the extremes of pride and how mankind struggles to face it. The theme of pride is accentuated by Orgon’s nature, especially, during
(Act 1, Line 71-72) However, while defending Tartuffe and preaching Christian charity her actions involving striking her maid do not correspond with her claims. Another character that shows this type of hypocrisy would be Elmire. Throughout Act 3 she is aware of the delusion that Tartuffe is hiding behind and attempts to prove to Orgon his hypocritical ways. “ I am quite certain I can find a way to show you in the fullest light of day.”
Dorigen portrays as a figure of the ideal wife in medieval society based on George Duby’s Courtly Love. Duby describes women as a pawn in chess game. If this chessboard’s imagery implies the society of the Middle Ages, Medieval women represent the puppet of the game controlled by men. It shows in Dorigen and Arveragus’s marriage by imaging two relations of unequal power.
All throughout time women have been treated differently from men. They were not given a voice or trust but was it for the better? I am deciding to defend feminist because women need to be treated better and in this essay i will show you how women were treated and why it 's wrong. Although i believe in defending feminism some believe women should not be treated equal. I am explaining this through showing that men were not expected to love their wives.
Tartuffe went through many revisions until it was allowed to be shown. Tartuffe address gender roles and stereotypes with its characters. For example, Dorine states: “But now that they’re no longer what they were she quits a world that is fast quitting her. And wears a veil to conceal her bankrupt beauty and her lost appeal.” This line by Dorine speaks to how women are forgotten about in a sexual way once they reach a certain age in the 17th century.
While reading Tartuffe, I was constantly dumbfounded by the prevalence in the world today of Moliere’s, comedically portrayed, accusations regarding ignorance in arranged marriage, social class dynamics and religious hypocrisy. Moliere created the characters to the complete contrast to what society saw them as, which was intriguing and comedic. He also displayed the average practices, such as planned marriage, to be disgraceful and shameful. Lastly, but most prevalently, Moliere saturated the hypocrisy of religion by later in the story revealing the religious character’s deceitful and malign nature. In this essay, I will be using historic and literary theory to examine Moliere’s interesting views of such practices and the satire involved.
In fact, the text before the actual story explains that Molière uses satire and humor to “comment on his own immediate social scene, imagining how universal patterns play themselves out in a specific historical context” (Molière). Because of this, the king of France was made by the Catholic Church to have Tartuffe banned. He is seen, at first, by some of the household members, specifically Orgon and his mother, Madame Pernelle, as this pure, kind-hearted man. As the story progresses, it slowly becomes apparent that Tartuffe is not the person some characters have made him out to be. For example, the first time we get a feel for the idea is in scene 1.4 where Dorine begins to list off Tartuffe’s action as Orgon asks, “Ah, and Tartuffe?”
Well, it was not a stretch to presume how the author depicted gender roles in that period of time. The men firmly believed that a woman's place was in the home, not on a battlefield. Vianne, could be thought of a woman who stood by her “expected” role in society. After all, she did not draw attention to herself, she lived a simple teacher and was just a relatively normal housewife. In contrast, Isabelle, whom always had a disregard for the rules, burned her own path, not allowing anyone to convince her otherwise.
Being a maid doesn’t detain her from saying what she thinks. This gets her in trouble most of the time throughout the play, however she is one of the central characters that can see through Tartuffe’s mask. Dorine uses her ability to reason to demonstrate Tartuffe’s hypocrisy. When Orgon and Dorine are discussing Tartuffe’s supposedly holiness she is able to demonstrate how in the wrong Orgon is to believe that. She states, “It seems to me a holy man of merit / Wouldn’t brag of what he might inherit / Even gifts in heaven, he won’t mention. /
Although being written centuries apart, the limited expectations of women presented in ‘Othello’ and ‘A Streetcar Named Desire’ differ little from each other. The female characters are confined by society’s expectations of male dominance, female purity and virginity, and the many passive roles of women. Despite the differing legalities surrounding the position of women between the centuries in which the plays were written, both plays explore the impact of how societal conventions confine women and the ways they must comply to be safe in a patriarchal society. The behaviours and treatments of Desdemona, Blanche and Stella illustrate the attitudes enforced on and the behaviours of women throughout both periods in time and it is these attitudes and behaviours that impact the plays to the greatest extent. When characters in either plays defy their norms, or demonstrate a lack of compliance they induce negative consequences, such as the murder of Desdemona and the institutionalisation of Blanche.
Orgon is blinded by his admiration of Tartuffe. Without Orgon seeing for himself, he would never believe that Tartuffe could have deceived him. Moliere makes Tartuffe betrays others by his remarkable gestures of humiliation and aid. Moliere uses satire to emphasize the truth about Tartuffe’s lust for Elmire.
“When the whole world is silent, even one voice becomes powerful.” ("Voice Quotes." BrainyQuote. Xplore, n.d. Web. 17 Nov. 2016.)
