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Double Themes In The Bourgeoisie

1062 Words5 Pages
With reference to the double theme, it is not by chance that a lot of great authors of the last two centuries tests themselves in works which introduce this theme from different facets. Generally speaking, for many narrative gimmicks which made it be a great preamble for the writing of a novel as well as being both beguiling and perfectly in line with a period which has seen the analysis and the psychological self-analysis as one of its key points, the double theme volunteered itself. Besides, In the 18th century, in front of the great audience, the novel establishes itself. Altogether, a century of great revolutions, a century in which, crossed by a series of trends “godchildren” of the positivism, as the Italian verists or the French naturalists, the literary question is. In conclusion, in a social and a behavioral model “from bourgeois” or in dissembling thoughts and private sentiments, the definitive statement of the bourgeoisie results. The “facet” of respectability, first of all. The first seeds of the concept of twentieth-century duplicity, more bond to the identity problem, these are. As a matter of fact, in a cultural context of the kind, adorned of white and black, marked by behavioral poles, an entity well distinguished by the person, the “double” is. According to, the 2 best-known instances of the kind, the English literature offers. Firstly, all of the double theme features, "The strange case of Dr. Jekyll and Mr. Hyde" written in 1886 by Stevenson, contains in
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