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Twelfth Night Dramatic Irony Analysis

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Alex Galt Professor Whalen British Literature 4 March 2018 The Dramatic Irony in the Twelfth Night Dramatic Irony is a critical component of writing. The best possible utilization of dramatic irony allows an audience to have a facilitated comprehension of characters, by allowing the audience to know things that the characters in the writing don't have the foggiest idea. At the point when utilized appropriately, this learning is utilized to create feelings of humour and tension for the audience. Dramatic Irony is consequently a commonly used literary component, as many well-known authors and playwrights have utilized it to perform their works. Shakespeare for instance, was known to utilize dramatic irony in a significant number of his plays. …show more content…

The minor characters side stories that weave dramatic irony throughout the play makes the story line all the more fascinating. Malvolio, who is Olivia’s attendant, has the meanest of tricks played on him, and the trick is made considerably more amusing due the nearness of emotional incongruity. The sensational incongruity is made when Malvolio gets a note sent in penmanship that has all the earmarks of being Olivia's. The gathering of people, in any case, realizes that the note was rather composed by Olivia's worker, yet Malvolio trusts it to be composed by Olivia herself. The note gives Malvolio particular directions to win Olivia's adoration, and is loaded with things that are abnormal for Malvolio. He wears crazy garments and acts like somebody that he isn't, all in the expectations that Olivia will go gaga for him. His activities rather have the contrary impact, since she is worried by his activities and has him treated like he's crazy. The group of onlookers comprehends what's up, and each one of Malvolio's stumbles is more amusing than the last, consequently likewise adding to the comedic component of the play. The utilization of sensational incongruity in this way makes one of the significant focal topics of the play, the silliness of the human beings. Dramatic Irony is fundamental to setting the stage, as it enables an audience to encounter what it resembles to be transparent. This subject is supported by the events in the play. Each character settles on choices and judgments without enough information to make important and good decisions. Malvolio is a prime example. Had he taken the time to make sense of who had composed that letter, he would have acted completely

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A form of egotism is present within Malvolio, Orsino, and Olivia throughout the book, their egotism affects their actions, motivations, and relationships. Malvolio is very self absorbed in imagining what he could have. Malvolio is strongly in love with Olivia but he is her butler so he cannot act on his feelings. He daydreams about what his life could be like with Olivia. But he found a letter supposedly from Olivia and it had M.O.A.I written on the letter and with his self absorbed ego, he assumed it was directed at him, ““M.O.A.I” This simulation is not as the former, and yet to crush this a little, it would bow to me, for every one of these letters are in my name.

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Malvolio’s delusional dream of Olivia falling in love with him is not a romantic one but a beneficial one. Malvolio sees Olivia as a vehicle to carry him towards power and privilege and thus move up the social ladder. He yearns to transcend and transgress through the boundaries that are in place. Malvolio, in turn, collides with the social limits, ‘from his transgression of sumptuary codes to class intermarriage’ (Selden, 1989, 168). Shakespeare is evidently elaborating what could happen if one tried to transgress in society.

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When Olivia is first entertained by the Fool, she recognizes that “[Malvolio] [is] sick of self-love,” revealing Malvolio’s arrogance (Twelfth Night 1.5, 89-92). This arrogance is linked to his Christian self-righteousness when Maria describes him as “a puritan...an affectioned ass…[that] persuaded of himself,...that it is his grounds of faith that all that look on him love him, (TN 2.3, 145-150). Thus, Maria identifies that Malvolio’s self-love is tied up in his piousness, and that he uses his moral superiority as justification for his high opinion of himself. Malvolio takes this pride and sense of superiority further by desiring to be “Count Malvolio,” and imagining Sir Toby “curts[ying]” to him, indicating not only his desire for prestige and power, but his belief that Sir Toby is physically lower than himself because of his “drunkenness,”(TN 2.5, 34, 60-73). Malvolio thus uses his Puritanism as fuel for his actions and desires, imagining himself to be morally superior to Sir Toby and therefore more entitled to a higher social position.

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