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The relevant existence of the genre is not solid, with it being incorporated in many aspects of music
Zora Neale Hurston once said that “No matter how far away a person can go the horizon is till way beyond you”, and in her fictional novel, Their Eyes Were Watching God Hurston takes the audience through Janie Crawford’s journey to her horizon. The novel, published in 1937 follows Janie through her three marriages to Logan Killicks, Joe Starks, and Vergible “Tea Cake” Woods. Each of Janie’s relationships move her closer and closer to her dreams symbolized as her horizon. Through her relationships with Logan, Joe, and Tea Cake, Janie gains a sense of perspective, freedom, and opportunity.
In the novel Their Eyes Were Watching God, we follow our protagonist, Janie, through a journey of self-discovery. We watch Janie from when she was a child to her adulthood, slowly watching her ideals change while other dreams of hers unfortunately die. This is shown when Jane first formulates her idea of love, marriage, and intimacy by comparing it to a pear tree; erotic, beautiful, and full of life. After Janie gets married to her first spouse, Logan Killicks, she doesn’t see her love fantasy happening, but she waits because her Nanny tells her that love comes after marriage. Janie, thinking that Nanny is wise beyond her years, decides to wait.
Name: Lakisha Minnis Instructor: Mr. Compton English 2202-001 Date: April. 24, 2017 Sweat Zora Neale Hurston is a prolific writer famed for numerous award winning plays, novels and short stories. In this paper, I will be elaborating on a character from the novel Sweat. Her novel Sweat was first published in 1926. Sweat is a novel that tells a story about the good, evil, and domestic abusive husband.
Foster develops the concept that an illness is never just an illness in How to Read Literature Like a Professor. This is evident in Hurston’s Their Eyes Were Watching God through the symbolism of the illnesses that impact Janie’s life. Foster explains that a prime literary disease “should have strong symbolic or metaphorical possibilities” (Foster 224). Hurston utilizes this concept in her novel, the characters developing illnesses that represent Janie’s freedom and independence.
3. The audience for the essay, “Laws Concerning Food and Drink; Household Principles; Lamentations of the Father” from the Atlantic by Ian Frazier is for parents. The audience is portrayed throughout the essay through the tone of the narrator. The narrator uses a superior and authoritative tone as he is speaking, much like a parent. Because the narrator is describing the house rules, responsibilities and directly speaking to “you,” it is indicated that when he says “you” he is referring to the children of the household.
“Hurt Hawks”, by Robinson Jeffers, tells the story of a hawk whose wing is hurt and a man who makes the decision to take the hawk out of its misery by killing it. Jeffers describes the hawk in the first stanza of the poem by stating, “The broken pillar of the wing jags from the clotted shoulder, / The wing trails like a banner in defeat, / No more to use the sky forever but live with famine” (Lines 1-3). Jeffers is describing the hawk’s broken wing as the bone protrudes from the skin and blood has clotted on its wing. He describes the wing as white like a flag of surrendering to his fait.
Zora Neale Hurston used symbolism throughout the novel to express the influences that molded Janie’s emotional life. There were three moments when Hurston’s use of symbolism was used to demonstrate the forces that had an impact on Janie’s emotional life stood out, which are the vision of the pear tree, Nanny’s horizon rope, and Joe Starks’ head rag. One of the most referred and used symbolism throughout the novel is Janie’s pear tree vision. The vision occurs in chapter 2, but it continues to shape Janie’s decisions throughout her life from deciding to leave Logan Killicks to live with Joe Starks and then deciding to live with Vergible Woods after Joe’s death.
For this discussion I choose a musician Louise Armstrong song from Pandora. When I type Louis Armstrong song, there were hundreds of his records. I choose a “Stardust” track from the album called “Don 't Get Around Much Anymore “. This song is composed by the popular song composer by Hoagy Carmichael in 1927. This song has many versions that recorded by other jazz great musician added to Armstrong.
The Mayhem Poets Review To successfully entertain college students is a glorious feat. It is hard to capture their attention with technology and social events distracting them. However, on January 28, The Mayhem Poets were able to amuse their crowd at Schwab Auditorium. Scott Raven, Mason Granger, and Mikumari Caiyhe (M.C.) connected to their audience through spoken word, song, poems, and acting.
In her short story, “The Song of Songs,” Ellen Gilchrist explores the concepts of materialism and human relationships and their effects on a person’s sense of purpose. Barrett Clare, who was given up for adoption as a child, suffers from manic depression. She continually attempts to alleviate her depression in ways typically idealized in America such as owning a beautiful home and having a happy family. Intermittently in the story are glimpses of Barrett’s internal thoughts which reveal the extent of her depression as well as its presumed cause – the feelings of abandonment by her mother. Through the course of the story, Gilchrist juxtaposes materialism – a private jet, a Rolex watch, a mansion, marrying for money – with interjections of Barrett’s intensely depressed internal dialogue to show that materialism only worsens depression.
While married Janie had to conform to what her husband wanted her to be like, look like, and act like. Janie’s hair is another powerful symbol in the novel. It symbolizes her power and freedom within society. It is what most of the men characters noticed about her right away. Her hair was so beautiful that while being married to Joe Starks, he made her wear it in a hair rag.
The poem A Step Away From Them by Frank O’Hara has five stanzas written in a free verse format with no distinguishable rhyme scheme or meter. The poem uses the following asymmetrical line structure “14-10-9-13-3” while using poetic devices such as enjambment, imagery, and allusion to create each stanza. A Step Away From Them occurs in one place, New York City. We know this because of the lines, “On/ to Times Square, / where the sign/blows smoke over my head” (13-14) and “the Manhattan Storage Warehouse.”
Poems are short meaningful pieces of literature that can be interpreted in multiple ways depending upon the reader at hand. That is what makes a poem unique compared to other literature pieces because in a poem the author tends to use figurative language to fulfill meaning behind their work. One poem “Love is a Sickness Full of Woes” by Samuel Daniel describes the pains of being lovesick. Love can either benefit us if nurtured and cared for, but if not tended to then let loose can ultimately hurt us. As to another poem “American Solitude” by Grace Schulman describes a life of solitude being most warming to the soul to ward off loneliness.
The final poem of significance is Jazzonia, in which Hughes experiments with literary form to transform the act of listening to jazz into an ahistorical and biblical act. Neglecting form, it is easy to interpret the poem shallowly as a simple depiction of a night-out in a cabaret with jazz whipping people into a jovial frenzy of singing and dancing. But, the poem possesses more depth, when you immerse yourself in the literary form. The first aspect of form to interrogate is the couplet Hughes thrice repeats: “Oh, silver tree!/Oh, shining rivers of the soul!” Here, we see the first transformation.
