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Gender stereotypng in the media annotated bibliography
Gender stereotypng in the media annotated bibliography
Effect of cinema on society essay for kids
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In response to Mao Zedong’s Cultural Revolution, all texts focus on young women as they attempt to maneuver throughout the changing state. Mao’s attempted to preserve communist ideals after the failure of the Great Leap Forward by targeting the female youth. Red Azalea, Anchee Min endures tough labour on the farm while conforming to the Communist ideals of the female gender. Similarly, Rae Yang’s Spider Eaters focuses on the personal changes brought on by the Cultural Revolution. However, Wang Zheng’s Call me ‘Qingnian’ but not ‘funü’ was not written during the historical period.
Ji Li Jiang was accused of exploitation by Du Hai and Yin Lan-lan due to the fact that her family has a housekeeper, takes pedicabs, and had “‘serious problems with her class standing’” (70). Daily, Ji Li and her younger sister and brother are victimized by their peers at school, due to the fact that their family was originally supported by a landlord, a career considered cruel to the working class. The Jiangs are put in the political spotlight consistently to illustrate the perspective of those who were affected by the bigotry of Maoism. Additionally, the destruction of unique thoughts was present in Ji Li’s struggle to blend in with the proletarian class.
Xiong uses battles, executions, assassinations, and scandals to appeal to readers of any genre. Once a reader gets into the book they are hooked in the epic events of the book and the deep look into the ruling class. Unfortunately, Xiong’s novel might somewhat difficult to get into for many readers with no experience in Chinese history. Xiong also attempts to utilize dialogue that often comes off as underdeveloped or simplistic.
“Saboteur”, written by Ha Jin exposes a difficult period in post-revolutionary China and the negative consequences on people’s lives. Mr. Chiu, a scholar who does not view himself as a common citizen, was wrongfully arrested while on honeymoon with his bride. As an egotistical man who thinks he is above everyone else, Mr. Chiu is arrogant and never takes ownership for his actions. This machoism subjects Mr. Chui to maltreatment from the police that ironically transforms the once seemingly innocent Mr. Chiu to a man consumed by vengeance. Ha Jin’s proficient use of ironic tone and conflict told through the omniscient view of his main character reinforces the story’s main theme: life experiences shape our character and have the power to transform us into a person we despise.
Even to this day, shame about one’s sexual orientation remains a prominent topic. Whether one identified themselves as gay, lesbian, and transgender, society viewed them and their actions as a sin, a crime, and a disease, which only increased the amount of shame–a painful feeling of distress or humiliation caused by the consciousness of wrong or fooling behavior–they saw within themselves. Then changes began to occur as a group of gays, lesbians, and transgender people confronted police in an event known as the Stonewall Riots or the Stonewall Uprising, which became a turning point for gay liberation. Alison Bechdel’s Fun Home is a 1980s, family tragicomic-graphic memoir that addresses this perspective turning point through the use of the labyrinth
The Good Earth, a historical fiction by Pearl S. Buck, shows the life of a farmer in twentieth century China. Throughout the novel, Wang Lung, the main character, progresses from a poor countryman to a rich businessman. O-lan, Wang Lung’s faithful wife, bores her husband many children and serves as a strong foundation in the household. Through multiple examples in the book, Buck portrays the obvious gender bias of Ancient China, a woman’s understood responsibilities within a household, and their quiet power.
Because the editing in Queen of Versailles so frequently emphasizes the negatives of the Siegel family’s lifestyle, the notion of ethics comes into question. Throughout the film, the idea of power comes into question in that it is understood by the audience that the filmmaker has control due to their access to media institutions and power over the documentary images and ideas presented (Nash 2011). This causes the question of whether the
Colonial Williamsburg shows life in the 1700’s as the Revolutionary war was heating up and how the different people went about their daily routines, along with showing architecture dating back to the 17 and 1800s. One of the most important buildings there is the Capitol, originally built in 1705, the Capitol is deeply entwined throughout Virginian history as a link to the colonial times when American colonists struggled to rise for independence. The Capitol had great importance during colonial times and still holds value with the citizens in Williamsburg and all over the country. It, also has a strong connection with the motto “That the future may learn from the past”. This building is deeply deserving of a commemorative coin because it held the Governor’s Council and the House of Burgesses, helped us learn tyranny was unjust, and was built by contractor Henry Cary who created the Wren building.
Wolfenden found that in 1955 30% of those prosecuted were imprisoned. The irony of imprisoning homosexual men in institutions which were all-male seemed lost on the system. (‘Gay’ in the 1950s) With knowing the severity of homosexuality during the 50’s , it brings clarity as to why problems came about when creating the film version of Cat on a Hot Tin Roof. When deciding to make the play into a film, one main change had to be made due to restrictions of homosexual references in films.
While exploring this topic, I intend to consult Edward Said’s Orientalism, debates about “otherness,” scholarly interpretations of Apocalypse Now, historical evidence about Americans’ attitudes toward the Vietnam War, and biographical information about Francis Ford Coppola.
While Disney cinema appears to constantly equate queerness with evil, at the same time, they are opening the door for diverse representations of queerness by blurring the binary oppositions of gender and presenting dynamic expressions that challenge everything that is considered
This essay will discuss how the film uses these two techniques, in reference to the film, and to what ideological and political ends are the techniques used in the films with specific references from the film to support the argument. A Man with a Movie Camera is based around one man who travels around the city to capture various moments and everyday
Gus Van Sant, the director of the movie, chose to include every detail that he possibly could to relate this movie to American Democracy. He strategically included heterosexual and homosexual actors to spark a political debate. The director clearly wanted to make a point about the discrmination against the LGBTQ society. He emphasizes this by having homosexuals march down the streets of San Francisco, destroying city property.
The film is a masterful combination of avant-garde and exploitation aesthetics that results in a collage of dialogues, memories, interviews, thoughts, lyrics and extracts presented in psychedelically vague narration, rather than a "regular" film. Furthermore, Matsumoto managed to demolish almost every taboo existing at the time: nudity, sex, drugs, but most of all, the unfaltering depiction of the Japanese gay society through the eyes of a transvestite made the majority of the other films of the movement seem almost
Censorship of the arts is a highly debated and controversial subject that deals with what artistic content is deemed acceptable or unacceptable to the public in society, as well as the limitations of practicing artists’ rights to express themselves through art. In this regard, art should be a way to express one’s own opinions, but should not be used as a vessel for insensitive or malicious intent in dealing with topics such as race and religion. In this essay, I will be discussing this and two other reasons as to why artists should not be given absolute freedom in creating their artworks. These other reasons are that art may also cause controversy within society when dealing with topics unaccepted by conservative members of the public, such as political views that go against the norm, as well as shocking or, to some, disturbing content such as intense or extreme gore and nudity. While these are some reasons why art censorship can be justified, I will also be discussing a counter-argument to these reasons, which is that society should not shoot down views and opinions based solely on a minority that does not approve of them.
