ipl-logo

Edward Scissor Hands Analysis

740 Words3 Pages

Dark Paradise
On a smoky hill a huge mansion a man lived, he was isolated and alone. He was unlike any other man he was a creation of a Zany scientist. He had emotions as any other human and had the same body structure one thing was missing though, he had no hands. The scientist died before he could finish his invention. Instead of hands Scissors replaced the gap where hands should be. In the town just below the mansion a woman lived her name was Peg she sold cosmetic products. She sold her products to her neighbors, none of them wanted to buy from her. One house was left in the neighborhood and that was the mansion that lay on the hill above. She went up to the mansion to find a man living in the attic of the mansion. She found out his name was Edward from director Tim Burton’s Edward Scissor Hands. Tim Burton often uses tragedy and humor in his movies, Edward Scissor Hands is no exception. His films offer dark, twisted story lines with choral music and dark lighting it plays in with Burton’s unique style. Burton’s Gothic style includes the use of music and lighting to convey being different is not queer or eerie. Burton uses these cinematic techniques in Corpse bride notably. …show more content…

Notably in Edward scissor Hands low key lighting is used. An example of this is when peg first walks into Edward’s mansion low key lighting is used to portray an eerie feeling. The audience is given an uneasy feeling with this lighting. This is similar to when Tim Burton uses low key lighting in the corpse bride. When Tim Burton first shows Emily, low key lighting is used to make Emily look horrifying and intimidating. The audience sees Emily creeping out of the depths of the ground trying to grab Victors leg. The lights are dim and you can’t see what’s happening, you are in suspense to see what happens to Victor. Tim burton uses lighting to get across what he wants his scenes emotions to feel

Show More
Related
96 Words | 1 Pages

In Tim Burton’s movie Edward Scissors-hands, Shots and Framing is unique. It’s going to be about Edward Scissor-hands and the different Shots and Framing Tim Burton used. The Long-shots were mostly on like when Edward kept on leaving and when Peg found out where Edward lived. Also Long-shot on when it showed the factory in Edwards house. The movie had a lot of Close shots.

Read More
1047 Words | 5 Pages

The lighting in Donnie Darko movie is a key component of composition which creates our sense of illuminating for people and things. This movie uses two sources of lighting; natural light, such as daylight, when the scene is in an outdoor area for example, walking from school, at home, waiting at bus stop, or playing outside of the school on sunny days. Another source of light is artificial spotlight which is used in the movie indoors to cut and shape the light at the dining table, in the classroom or in the psychotherapist's house. Also, distinct shadows are used as an essentially smooth surface that reflects hard light in the Halloween party to feature deep shadows and scary areas in function of the plot. Three-points of lighting create ominous shadows in the horror genre for all the actors at Donnie and Elizabeth's Halloween party with lighting from below the cast to create monstrous objects in real life.

Read More
300 Words | 2 Pages

These different lighting techniques are applied in the movie to help set the tone and mood for the film scene. The

Read More
929 Words | 4 Pages

In the film Edward Scissorhands there is many aspects and techniques contribute to the narrative of the film. Edward Scissorhands is a story of an unusual guy, and put into a everyday suburban lifestyle. Director Tim Burton's clever use of mise-en-scène creates a stark contrast between what is considered normal and Edward's obvious unusual differences, causing viewers to sympathize with his mistreatment as the outsider. In the sequence of The Ice Angel until Edwards Gets Mad shows the creative use of the mise-en-scene.

Read More
2502 Words | 11 Pages

The specific techniques such as warm tones to distinguish between John Smiths two residences while in Frankenstein, the utilized dynamic transition lighting techniques that helped portray an eerie sensation within viewers, helped enhance the play. By using shades of warm colors throughout different scenes Frankenstein made sure that its audience was always kept on edge. The constant shifting light also played a significant role in heightening anticipation among the

Read More
457 Words | 2 Pages

In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the

Read More
432 Words | 2 Pages

In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films

Read More
719 Words | 3 Pages

The use of background light was an important focus in this picture, there was less attention to lighting the actors faces but in almost every frame there is well placed background light often combined with a moving light source. Repetition was also evident within the visual composition of the frame, the actors were rarely positioned within the center of the frame but always to the left or the right with a light source covering them from behind. Ridley Scott perfectly matches colorful high key light with low key lights creating impeccable contrast, this lighting used could be described as a modern Citizen Kane style. Although this is overall a very dark and low light film, the motif of shadows and darkness allows the beauty of light to truly be

Read More
1071 Words | 5 Pages

Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.

Read More
1341 Words | 6 Pages

”(Frankenstein, Chapter 4. ) As Victor continues his research and experiments, without human contact, he goes into a trance-like state, not fully aware of his actions or his own physical needs, as he begins to dig up bodies to create his

Read More
1208 Words | 5 Pages

As the camera zooms out slowly and we hear crickets chirping, we are introduced to the charming world of “What’s eating Gilbert Grape”. The film that many have come to love, along with its extremely famous actors, was released in 1993 in the United States and directed by Lasse Hallstrom. Endora, Iowa is the home of the Grape family, it’s a small, unchanging town where the main character Gilbert (Johnny Depp) feels trapped and death seems to be the only way out. Gilbert provides for his mother, sisters, and his autistic brother, Arnie (Leonardo Di Caprio). “What’s Eating Gilbert Grape?” is in many ways an unrealistic and demeaning view of autism.

Read More
688 Words | 3 Pages

Tim Burton contributes to the world of animation in the film industry and redefined stop motion . Lighting is an important cinematic technique directors can use to set the mood for a particular scene. For instance, high-key lighting is used to flood a scene with light, often making the set and characters appear happy and safe. In contrast, low-key lighting casts deep shadows across the set and characters creating a sense of danger. Burton makes good use of lighting techniques in many of his films.

Read More
793 Words | 4 Pages

Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.

Read More
1016 Words | 5 Pages

The film Lord of the Rings: The Fellowship of the Ring makes use of low key and high key lighting. The low key lighting is seen when Gollum is first introduced in an ominous dark blue lighting that creates suspense and suggests an air of mystery. Further on the unnatural chiaroscuro is created when the Nazgul on his horse stands on a cliff with a lit up background surrounded by a dark forest. This makes the Nazgul seem more mysterious and threatening to the audience.

Read More
707 Words | 3 Pages

In literature, a doppelganger is a device used to shape a protagonist’s double. This double exhibits the ability to impersonate their original, but can also possess different morals and ethics that revolve around bringing a dilemma to the protagonist. The Double by Fyodor Dostoevsky uses the idea of a doppelganger when the main character, Golyadkin, finds an exact double of himself upon travel. His double ultimately has a goal of destroying Golyadkin’s reputation because he has the social skills that Golyadkin doesn’t, which creates madness in both characters. Mary Shelley’s Frankenstein reveals that Victor Frankenstein, the protagonist, and his monster each control different aspects that make up one human being.

Read More

More about Edward Scissor Hands Analysis

Related Topics

Open Document