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English First Semester Final Essay To many readers, the most enjoyable stories are the ones that take place without sorrow, and betrayal. While these are both tragic topics, some pieces of literature are fantastic, while still broaching topics that may be harmful to the characters themselves. In the novel Bless Me, Ultima by Rudolfo Anaya, the play A Midsummer’s Night Dream by William Shakespeare, and the novella The House on Mango Street by Sandra Cisneros, all contain examples of the these specific topics. These pieces of literature all share common themes of family, magic, and betrayal.
Yet her refusal to do so prevents her growth. She instead chooses to sit by her window and miss something that she can no longer have. Esperanza throughout the novel does the same. She misses a home, even though at that moment her home is Mango Street. She is constantly repeating throughout the novel that Mango Street is temporary and not her home.
She dreams “One day I will pack my bags of books and paper. One day I will say goodbye to Mango. I am too strong for her to keep me here forever” (707). Esperanza believes that she can change the way she is living and live a better life. She is trying to get a good education to become a more improved and intelligent person so one day she does not have to be poor.
In the the book The House on Mango Street Esperanza is shown to become a dynamic character throughout the story. This is shown by how she is at the beginning when she changes and why. In the beginning Esperanza cares about popularity her appearance and boys. This is all shown in the chapter “Chanclas”. Her mom buys her everything for the party she is going
At the end of The House on Mango Street Esperanza's is proud of who she is and where she is. Stephen has found where he belongs and what he is good at when A Portrait of the Artist as a Young Man concludes. “One day I will pack my bags of books and paper. One day I will say goodbye to Mango. I am too strong for her to keep me here forever.
She knows she is lucky to have a less problematic family to support and her during good choices or bad decisions. Esperanza talks about the relationships of each family on Mango Street until she leaves and finds a better place. The other families on Mango Street also have it hard, but they don’t have the bond of the Esperanza’s
Esperanza shifts from a follower into a confused individual, allowing her to begin her life as a woman outside of the oppressive nature of Mango Street. The suffocating stereotypes and sad, gloomy traits of the culture surrounding Esperanza contribute to the cultivation of her strong will and ardor. Mango Street opens her eyes to the abusive nature of her environment, and aids her in breaking the chain of corruption by defining and terminating the situation for herself. The neighborhood itself allows Esperanza to
Believe it or not, people are not entirely unique. It is certain that no one is truly the same as another person, but it would not be ridiculous to think that everyone does in fact share many similarities. After all, the majority of the population grows and develops opinions or values based on what they see or hear. For Esperanza, the protagonist of Sandra Cisneros’s, The House on Mango Street, the perspective she has is built upon her childhood on Mango Street. This coming-of-age novel illustrates how Esperanza’s experiences on Mango Street play an important role during her period of growth.
In the book, The House on Mango Street, Esperanza is portrayed as a young innocent girl that drastically changes over the course of the book. Esperanza is new to mango street and encounters many challenges but also positive experiences that she is able to take away from mango street. In order for Esperanza to transform as a human it was inevitable for her to face the struggles on mango street. As Esperanza matures throughout the novel she experiences three major developments that shape her future through the awakening of maturity, responsibility and her awakening of her interest in poetry.
As a child, Esperanza wants only escape from mango Street. Her dream of independents and "self-definition" also means leaving her family behind without any responsibilities to her family. Throughout the book, her has also faced some situation where is feels ashamed to be part of the Mango Street community and in some instances refuses to admit she has anything to do with mango street. At the beginning of the book near the earlier chapters, Esperanza feels very insecure about herself in general along with the house that she lives in. As mentioned before, she doesn’t want to discuss her name nor where she lives.
It can also be inferred that she is physically weak and malnourished. Finally, Esperanza will do anything to get what she wants. This means that she is extremely determined. Esperanza is a very timid little girl. After pestering her mother to give her a note to eat in the canteen, she is seemingly unable to answer the nun who asks what she is doing there, instead meekly holding up the note and scurrying upstairs to Sister Superior.
In the House on Mango Street, Esperanza is seeking for an identity of her own. In her current neighborhood, she struggles with economic, cultural, and gender based barriers to personal growth, and she believes that changing her surroundings is her solution; however, she realizes that to discover her identity, her ultimate destination is a home in the heart. The house on Mango Street was one that was the opposite of what Esperanza had dreamt her entire life. The house is, “…small and red with tight steps in front and windows so small you 'd think they were holding their breath... bricks...crumbling in places, and the front door...so swollen you have to push hard to get in". (Cisneros 5)
“In the meantime they’ll just have to move a little farther north from Mango Street, a little farther away every time people like us keep moving in (Cisneros 13).” This quote is a significant part of the story because it shows how Esperanza truly feels about herself and her family. She thinks that because she is poor and lives and a bad neighborhood people move away from her family. Esperanza doesn’t think very much of her or her family at all. She thinks that it is because of their race that people do not want to be near them.
Not once, or twice, or ever again.” (Cisneros 105). One of the reasons for this is her meeting the three old ladies who came for Rachel’s sister’s funeral. There prophesy that Esperanza will leave Mango Street boosts her self-confidence. The narrator also says, “Before Keeler it was Paulina, but what I remember most is Mango Street, sad red house, the house I belong but do not belong to.”
This ideal heaven that Esperanza's family dream about is what gives them hope to keep going everyday, although it may not be attainable. Since Esperanza does not know this, though, when they get to their new house on Mango Street, she sees it is nothing like that despite the depictions of a house she was told. This contributes to a cynical, jaded attitude that is sad to see someone so young have, as we see when she her parents tell her that this new house is temporary, and she tells the reader: “But I know how those things go” (Cisneros, 5). Here, although the house of dreams help her parents keep surviving, it gives haunts Esperanza as an unobtainable myth.