Recommended: Cultural norms of puerto ricans
Guillermoprieto spent a year around the favelas, with that she was able to observe and hear stories that contradict what many imagine how drug lords (the malandros) interact within the community. Organized crime began in the favelas in 1889, with a lottery called the animal game. The game started with Baron Joao Batista, he used animals as symbols, similar to the game of bingo, he used the funds he received from the lottery to raise money for his zoo. After his death and the collapse of the zoo, the game lived on, “under the control of an emerging elite among the malandros” (Guillermoprieto, pg. 76). Once the government declared the animal game illegal, it was natural for these elite malandros to use this “underground” structured society as a means of prostitution rings, drug smuggling, gun dealing, and selling stolen goods.
Blanca Quinteros Ms. A. Aramillo English IV Honors 29 October 2015 How The Garcia Girls Lost Their Accent The transition the girls made from Dominican Republic to the United States was imbued with struggles – cultural, linguistic, and gender-related. In the 1960s American women were limited in various ways, including family roles and equality in the workplace. The way gender roles were set retained them from expanding their abilities in their homes and jobs. Women had one path to follow: marriage at their early 20s, and subsequent servitude to their husbands and/or children. A feminist movement in the 1960s to 1970s focused on breaking down the gender inequality.
Bridge 1 Gangsters Without Borders by T.W. Ward is an ethnography about the El Salvadorian gang Mara Salvatrucha. Ward chose to focus the majority of his research on the male members in order to earn their trust. With that in mind, I am presuming that the views of women portrayed in this ethnography are fundamentally the thoughts of its male members. Nonetheless, early on in my reading on this ethnography, I identified the role gender plays not only for the ethnographer but also for the gang members. The gender roles for these gang members mimic those of most societies, although some of the roles appear contradictory.
In Bodega Dreams, toxic masculinity is embedded throughout Spanish Harlem through the over-sexualization of religion and is further amplified by insecure men. Through a dominant form of masculinity with violence and control, men mask their insecurities by “asserting” their power and superiority over women and even other men. Ernesto Quiñonez's book illustrates life in Spanish Harlem through the eyes of Julio, a man slowly being surrounded by crimes to achieve his ideal future. From Julio and Sapo's belittling of Blanca to the bible's slut-shaming of women who don't fall into obedient roles, the characters of the book internalize a toxic and sexist mindset. Following the perspective of Julio, Bodega Dreams demonstrates that misogyny in society
Sonia Nazario’s piece, Enrique’s Journey, thoroughly depicts the hardships that come with modern day immigration and the issues that can stem from a single decision. In her book, Nazario writes that immigration “is a powerful stream...that can only be addressed at its source” (Nazario xxv). She uses the metaphor of a stream or river to illustrate the gradual escalation of complications that can arise from immigration and the choice of pursuing a greater future in the United States. Just like a river, a majority of the force behind immigration currently has developed through several minor justifiable situations that create a widespread consequence. Immigration is a vicious cycle stemmed from a lack of love and economic stability within Latino
Poverty, drugs, prostitution, and theft may not be a common occurrence seen by the average person, but for those individuals who live in housing projects, it is second hand nature. A housing project is a government-subsidized housing development that provides low rent for low income households. These developments are usually considered as ghettos; in Spanish they are referred to as “barrios”. Spanish film director and screenwriter, Fernando Leon de Aranoa, gives audiences a better understanding of the hardships that are faced in his film “Barrio”. Living in such tough conditions, it would be hard for anyone to prosper, but it becomes even more difficult for teenagers to resist the evils that surround them everyday, the future is bleak and to escape it is almost impossible.
The stories “El Tonto del Barrio” by Jose Armas and “El Barrio” by Robert Ramirez are two pieces that illustrate the lives, traditions, and hardships of Chicanos. Hispanics make up the largest ethnic minority group in the United States. Like many other ethnic and racial minority groups, they have had to withstand discrimination in the work place and in daily life. In both stories, the most prevalent issues are poverty and the lack of education, which are directly correlated. These issues create tensions within the community and between the community and society as a whole.
Inspiration of Courage Junot Diaz often thinks of his mother when he has trouble with his art. He reflects back on a seven-year-old girl being raised in the Dominican Republic, with a dream of achieving higher education. Though she had lofty goals, she had to face the reality of imprisonment from working on the family farm or receive what they called a “Third World-country beating”.
Chapter three ask why do drug dealers still live with their moms. The biggest takeaway from this chapter is the similarity between the drug dealing empire and corporate America, but we all kinda knew this. Chapter four Levitt expands on the crime and abortion correlation. This chapter also introduces the concept of black markets.
In conclusion, in the book “Violence and Hope in a U.S. – Mexico Border Town” the symbolic theory of being a man is considered to be a “macho” and to act like one, because that’s what men should do because that’s what their gender reflects, being the one who has the power. The symbol of female is to be the submissive role because the female gender reflects weakness to society. Even if in Esperanza are more nonmarianismo females, they were still women who were
As gangs increased, so did the fear in the neighborhood, giving way to deadly consequences. Unfortunately, the majority of these consequences were taken out on the African American community and young black men were given an unnecessary sentence over a struggle with the world of illegal drugs. In an article examining the structure of an African American house hold during the Crack Era, Eloise Dunlap determines a line between the struggling family and drugs. She states there were “…increasing concentrations of poverty during the 70’s and 80’s, particularly among African Americans...” with “Poverty and joblessness associated with…drug and alcohol abuse…” Not only is the use of drugs affecting their safety, but it is now ruining their home life and economic stability as well.
INTRODUCTION This essay will address how gender roles are discussed in Philippe Bourgois ethnographic book, ‘In Search of Respect: Selling Crack in El Barrio’. This will be pursued by exploring one of the key characters in this text. This essay will primarily centre on the role of women based of the stories of Candy. The other main characters in this text are of male gender.
For my project I have decided to incorporate my topic of traditional gender roles in an event the Hispanic Honor Society will host where we will show “La Mission” which is a movie that portrays all the known stereotypes and traditional norms such as sexuality associated with the low-rider Hispanic Culture in the Mission district of San Francisco. After the movie, we will have a panel discussing how the Hispanic culture sees sexuality and how traditional gender roles affect their views. My goal for this event is to raise awareness for how the Hispanic culture glorifies gender roles based on norms set by society over time. I want those who attend the event to realize the catastrophic outcomes that traditional gender roles can have in families,
Many kids on Mango Street are not expected to go to college, not only because of the low expectations, but also because their families do not have enough money. In a community where the main issue present is poverty, the kids are not expected to be successful in certain aspects and are not expected to achieve great things in life. The Vargas kids, who live on Esperanza’s street, “bend trees and bounce between cars and dangle upside down from knees and almost break like fancy museum vases you can’t replace. They are without respect for all living things, including themselves” (Cisneros 29). As one can see, when a family is deeply involved with poverty, the parents often tend to forget about the children and their success.
In Mexican American society , women are deemed inferior to men, evident in traditional family roles, the male is the head of the family who provides for the family , while the woman stays at home to look after the children she is expected to provide for her husband . In the third vignette of ‘The House on Mango Street’ titled ‘Boys and Girls’ the reader is informed of the division between men and women when Esperanza refers to herself and her sister Nenny , and her brothers, “They’ve got plenty to say to me and Nenny inside the house. But outside they can’t be seen talking to girls”. The male dominance begins at a very young age.
