The House On Mango Street is written in a series of vignettes to emphasize essential events in Esperanza's life. Each of these contain important literary choices made by Cisneros to emphasize different things of importance in the book. The vignette “Four Skinny Trees” is extremely prominent in the book. Here, the use of symbolism, personification, and diction illustrates Esperanza's growth from a child to a young women, and the strength she has.
Loss of Innocence In the book The House on Mango Street, Sandra Cisneros demonstrates in her writing how a child can be forced to mature too rapidly. Esperanza encounters sexism, racism, and discrimination towards the poor that impacted her paradigm of the world around her. The motif occurring throughout the novel is how a young girl must become a woman before they are ready. In the chapter “The Monkey Garden”, Esperanza makes one of her final transitions into the woman, her environment forces her to be, this is shown by the change of her opinion of her shoes, the realization of woman accepting manipulation by men, and her loss of childlike interest in the Monkey Garden.
Although there are a variety of characters throughout literature that have made sacrifices that expose their values, none of them come close in comparison to the sacrifices of Esperanza in Sandra Cisneros’ The House on Mango Street. The consistent sacrifices displayed through Esperanza’s self-image, innocence, and cynicism express the struggles and desire for feminine individuality and respect that begin for many in childhood and dissolve into adulthood. Not only does Esperanza display these sacrifices constantly throughout the novel, the author’s use of her character as a beacon of catharsis to the reader symbolically represents the majority of women. Much like other women, Esperanza constantly tries to find herself throughout her own sacrifices,
Characters Comparison/Contrast Essay Intro: Include one or more sentences summarizing each story and describing each character. Esperanza and house on mango street: Esperanza is a young girl who lives for a year on mango street and gradually grows into a mature young woman by a series of encounters and situations on her quest to learn more about female sexuality and later conclusion on rejecting sex as a form of escaping reality but rather focus on the importance of community and family. At the end of the book, Esperanza becomes a important figure for women’s help in her community and proves herself as an artist and writer through her analysis and observations through her writings.
In the the book The House on Mango Street Esperanza is shown to become a dynamic character throughout the story. This is shown by how she is at the beginning when she changes and why. In the beginning Esperanza cares about popularity her appearance and boys. This is all shown in the chapter “Chanclas”. Her mom buys her everything for the party she is going
House on Mango Street analysis essay: Hopes and Dreams In the House on Mango Street, a novel by Sandra Cisneros, she suggests the notion that hopes and dreams can be obtained even when people are at the bottom of the totem pole as seen in Esperanza’s desire to live in a better place and find friends. One way that Sandra Cisneros suggests this theme is when Esperanza feels ashamed of her current house and knows “she has to have a real house. One she can point to and feel proud of (Cisneros 5) Another example is when Esperanza and the nun are talking and the nun asks where Esperanza lives and she is forced to “point to the the third floor, with the paint peeling”
In the novellas; A Portrait of the Artist as a Young Man, and The House on Mango Street both of the main characters have a difficult time fitting into their society. Esperanza, from The House on Mango Street, is ashamed of where she lives. Stephen, from A Portrait of the Artist as a Young Man, does not even fit in with his family. Both novellas show that it is possible to find yourself and not fit it, and that it is okay to be different. Esperanza and Stephen have overcome the difficulty of not fitting in, finding themselves and a future, and the courage to be different.
Everyone is affected by life’s circumstances. The responses to those experiences can have a positive or negative outcome in one’s future. In Sandra Cisneros's The House on Mango Street, the protagonist, Esperanza, gives us her views on life, how she views herself, and she views her future. Not only does she give her perspective throughout the story, she tells us of the numerous experiences that she grows through. These experiences have an impact on her, creating new emotions and new adult like perspectives she has never faced before.
The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.
In the book, The House on Mango Street, Esperanza is portrayed as a young innocent girl that drastically changes over the course of the book. Esperanza is new to mango street and encounters many challenges but also positive experiences that she is able to take away from mango street. In order for Esperanza to transform as a human it was inevitable for her to face the struggles on mango street. As Esperanza matures throughout the novel she experiences three major developments that shape her future through the awakening of maturity, responsibility and her awakening of her interest in poetry.
Many people are undermined by the drawbacks of belonging to a low socioeconomic status. In The House on Mango Street, Esperanza is raised in a poor, Latino community, causing her to be introduced to poverty at an early age. This introduction of poverty affects Esperanza in many ways, one including that she is unable to find success. Esperanza struggles to achieve success in life because the cycle of poverty restricts her in a position in which she cannot break free from her socioeconomic status.
The main protagonist Esperanza, matures from a childish girl to a young confident woman through many critical and life changing events in the story. Ultimately, the author, Sandra Cisneros implements the symbols of confidence, the house on mango street and the metaphor of shoes to show how Esperanza develops into a more mature state. Sandra Cisneros
In the House on Mango Street, Esperanza is seeking for an identity of her own. In her current neighborhood, she struggles with economic, cultural, and gender based barriers to personal growth, and she believes that changing her surroundings is her solution; however, she realizes that to discover her identity, her ultimate destination is a home in the heart. The house on Mango Street was one that was the opposite of what Esperanza had dreamt her entire life. The house is, “…small and red with tight steps in front and windows so small you 'd think they were holding their breath... bricks...crumbling in places, and the front door...so swollen you have to push hard to get in". (Cisneros 5)
“No, this isn’t my house I say and shake my head as if shaking could undo the year I’ve lived here (Cisneros 106).” This quote shows Esperanza’s unwillingness of accepting her poor neighbourhood because of the violence and inequality that has happened in it. In the House on Mango Street, the author, Sandra Cisneros, shows that there is a direct link between inequality, violence and poverty. The House on Mango Street shows women are held back by the inequalities that they face. Cisneros shows that racism prevents individuals from receiving job opportunities which leads to poverty and violence.
At first Esperanza believes her name expresses herself as a person, but she accepts it. Even though, Esperanza was ashamed of living on Mango Street that is the place she lived, and had many experiences. The vignettes that were described about Esperanza’s situation of identity and growing up is all a worry. In the end Esperanza’s writing will express her feeling from Mango Street, and she will come back to write about the house that she belongs but does not belong