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Essay On Persepolis

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Persepolis is a graphic novel that follows the true account of a young Marjane Satrapi, as she comes of age during one of history 's most dramatic times, the Iranian Revolution. In my opinion however, the beauty of this literary work lies in the way that Marji brings normalcy into her messed up experiences during wartime. The way that the author relates her experiences to the reader is unlike anything I’ve ever read before, and the reader can’t help but laugh and cry with her along the way.

In the chapter called “Kim Wilde”, Marji’s parents finally got passports when the border opened up after years of being shut down during the revolution. They revealed to Marji that they would be going to Turkey, to which she replied, “Only uncool people go to Turkey.” She was more interested in them traveling to the West (that’s where the cool people were), however when she found out that Turkey had imports from the West she was ecstatic. She came up with a list of …show more content…

She decides to show this to the reader, and I think this is one of the most impactful graphics of the novel. The quote inside of this particular box on page 131 of the book reads, “...and my denim jacket with the Michael Jackson button and of course, my headscarf.” But it’s not what is said that is important. What struck me in this part was that Marji was the only thing drawn into this graphic, directly in the center of it. This is a stark contrast from the beginning of the novel. In “The Veil”, Marji presents a class photo where only part of herself is showing. This provides the reader with the feeling that Marji is cut off from the photo intentionally, showing us that her identity felt cut off at the time. In the chapter “Kim Wilde”, by showing us her full self with the denim jacket on in the comic, the reader can infer that this is Marji as her truest self in the

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Tim LaRocca Persepolis KPA In the book “Persepolis”, the author Marjane Satrapi, uses excellent diction to help the reader obtain knowledge and gain understanding of her main purpose in a specific passage or chapter of the book. Despite her specific word choice, it is challenging for readers to truly understand her main purpose only through literary terms and devices used throughout the book. Therefore, to help increase the readers ability to understand the main purpose of a certain specific passage, Satrapi uses an extensive amount of precise graphic elements. For example, in the passage “Kim Wilde”, Satrapi is able to express her main purpose that when governments tend to restrict the people too much, and become oppressive, the people tend to resist their law and rebel against the law by using the graphic elements of shading and facial expressions to express her purposes in and easier and clearer visual way.

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People are like cameras and their personal experiences can be their lenses that change and modify the actual picture. This evident in Marjane Satrapi’s book Persepolis because the whole book is about a girl growing up, and forming her own opinions. Furthermore, Marjane has to mature in the turmoil of an Iranian-Iraqi war, she also has to survive the brutal Islamic regime governing her. This creates a very particular point of view considering that the parents raising Marjane are against the new form of government, and actively protest, risking their lives. As a result, this rubs off on her creating a very rebellious and dauntless little girl, who isn’t afraid of the new oppressors.

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Persepolis: The coming of age Persepolis was created by Marjane Satrapi to explain the details of her life. She had many events that occurred over time throughout the younger years of her life which she wrote in the form of a graphic novel. One of the most important things that took place in her life was her experience and how it helped her to grow faster mentally. Many events contributed to her mental growth as most of them she describes come from the war. Out of the many contributions one has a larger explanation.

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Imagine if everyone had a pre-determined negative image about you? This is what life was like for Marji, the protagonist of the novel Persepolis by Marjane Satrapi. The book is set in the year 1980, in Iran where Islam was a major religion at the time. This is also the time for the Islamic Revolution which kicked the Shau out of office and made Iran a theocracy. In Persepolis, Satrapi challenges negative stereotypes about Iranians through important characters who oppose the Islamic Regime.

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In Persepolis by Marjane Satrapi, The Stranger by Albert Camus, and the current college process that I am engulfed in, existentialism proves itself to be true. Existentialism is intimidating until an overarching lesson is learned through the choices and responsibilities, passions (or lack thereof), and the isolation of a person, such as Marjane, Meursault, or myself. On the surface, the three of us are extremely dissimilar, but we all experience relatively negative things that teach us more than we knew before. Marjane Satrapi is a real woman who grew up in Iran, Meursault is a character from North Africa, and I am a real teenage girl from a small seaside town. Nonetheless, when it comes to existentialism, the three of us stand as examples of the legitimacy of its philosophy.

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The Meaning of Satrapi’s Suicide Attempts in Persepolis Marjane grew up in a place where her ideas did not conform to the laws practices, or society as a whole. After a short amount of time in her youth, she realized that she couldn’t find or even be who she was born to be, giving her several struggles growing up and many identity problems. In Iran, the Islamic fundamentalist were in power, and their rule was extremely strict; the last thing they wanted was women and minorities to rise against the power, so her feelings had to be suppressed in order to survive. After years of being shamed and hidden by the law, she fell in to deep depression, realizing that she did not want to live this way. Her suicide attempts come into play at this point, and you realize how badly oppression and identity struggles can affect a person.

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In Persepolis: the Story of a Childhood Satrapi uses mood, theme, and characterization in her memoir to demonstrate how her suffering during the Islamic Revolution in the 1980s led to her migration and how political problems could lead into suffering of innocent people. In three significant panels found near the end of the graphic novel, Marjane’s mother tries to shake some sense into her daughter as she holds her tightly about the shoulders and looks her in the eyes. Marjane had just talked back to the teacher in school that day causing the teacher to place a call to her parents. In the first panel Marjane’s mother angrily explains that a girl who gets into trouble and then is arrested could be forced to marry a Guardian of the

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All throughout history, occurrences of oppression and invasion have happened all around the world. The rights and freedom of innocent lives have been taken. The people with power have abused it and become tyrannical and self-centered. The innocent begin to rise against the malicious leaders trying to control their lives. Even through times of downfall and nonsuccess, humanity continues to fight back.

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An author known as Marjane Satrapi involves cultural aspects that she has encountered throughout her lifespan in her literary work. The book, Persepolis: A Story of a Childhood is a book that is deeply rooted with contexts of contributions that Marjane Satrapi included from her childhood memories. This then allows a reader to

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Get out of my life!!! I never want to see you again.”(70). Equally important to the theme of loss of innocence, nationalism also plays a big part in Persepolis. This picture shows a nationalist, this is relevant to the novel Persepolis because nationalism played a big part in Marjane 's family household, despite most of Marjane’s friends fleeing Iran due to all of the bombings and terror attacks, Marjane and her family stayed because they were Iranian nationalist. Marjane 's parents loved their country, and they went to many demonstrations and protest to make it a better place, they played such a big part in the Iranian protest that, “Her photo was published in all the European newspapers.

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The role of politics in Marjane Satrapi 's life is a critical one, as seen in her graphic novel Persepolis, which narrates her experiences as a young girl raised by revolutionaries during turbulent times in Iran. Particularly, Satrapi uses juxtaposition between her parents and children to highlight the hypocrisy and myopia of the upper class revolutionaries when it comes to the interpretation and implementation of their political ideology. Satrapi builds the foundation of her criticism through the superficial comprehension her child self exhibits regarding her parents '—and, by extension, upper class communists '—ideals, then warns about the dangers that such lack of understanding presents through child soldiers who are fed ideologies and then sent to war. However, while pointing out the shortcomings of the movement, Satrapi 's use of children as the vessels for comparison entails that there is room for the communist community to develop, like Marji does as she matures from child to teen, and encourage equality through the removal of social barriers created through binaristic thinking to truly promote communist ideals. The first point of juxtaposition is Marji herself, particularly her initial myopic thinking as a child.

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Children are constantly learning about themselves and the world around them. As they grow up, their world expands from their home to peers and, eventually, to people and places they know about. Children should learn about themselves and develop a positive self-image if they have to be successful citizens in society. They must learn how different they are as well how alike they are in relation to others. Marjane Satrapi’s Persepolis is the story of Satrapi’s childhood growing up in a tumultuous post-revolutionary Iran.

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The graphic novel, Persepolis that is written by Satrapi depicts the coming of age story of Marjane and her experiences during and after the Iranian war. Through Marjane’s experiences, the character frequently encounters the hardship and conflict of growing up. However, these hardships are major factors that shape Marjane as a character and establish the context of the novel. Within this novel, Satrapi uses graphic novel conventions and literary devices to convey the conflict of Marjane; with herself, with man (in the form of her teachers), and with the society that is revealed in Persepolis.

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Marjane cropped herself out of the class photo to show that she doesn’t want to be a part of the regime nor accept the principles of it. It would be hard for the reader to notice that Marjane isn’t in the class photo if the reader wasn’t informed and this is due to the lack of visual distinction between them, which emphasizes the oppression of women. The fashion statement in Iran creates a confusion for Marjane, who lives in a modern family but is restricted by the rules introduced by the government. She has the choice of wearing anything she wants in her home, but when she’s at school she is once again restricted by the veil and her religion. When Marjane is in Vienna, she changes from a conformist that she needs to be in Iran to an individual that she is allowed to be in Vienna.

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