ipl-logo

Ethical And Moral Values In Alfred Hitchcock's Rear Window

217 Words1 Pages
Alfred Hitchcock’s film Rear Window sort to challenge the ideas of ethical and moral values of the characters throughout the film can change or affected by situations and circumstances in different ways. Some character in the film consolidates this idea, as both and Lis and Stella at the beginning of the movie seems to disagree to moral values of Jeff, as they show a strong disputation of his impulsive behaviour throughout. The obsession of Jeff towards observing his neighbourhood has a great impact in the film. In the film, Jeff’s characterise as a great person and have a good moral values base on his personal principles and the way he acts but the fact that he entering other people life because of his own pleasure reinforce the idea that
Show More
Related

Analysis Of Alfred Hitchcock's Caddyshack

408 Words | 2 Pages

hurt with Chevy Chase, Rodney Dangerfield, and Bill Murray in the comedy Caddyshack, and see life from the eyes of mob henchmen, Tom Hanks, in the crime and gangster film Road to Perdition. American cinema has used Alfred Hitchcock to create fear for many years like it was displayed in the horror film Psycho, has allowed us to sing in dance with the cast in the musical Chicago, and check out, momentarily, from reality in many science fiction films. American cinema has taken us back in time as we rode horse-back with our western heroes John Wayne and Clint Eastwood or put on the badge with the brothers of the law in Tombstone. Some of the greatest impacts from the world of cinema have been from films that covered war.

Read More

Relationships In Alfred Hitchcock's Rear Window

827 Words | 4 Pages

Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying as well.

Read More

Conflict In Rear Window

443 Words | 2 Pages

Q – ‘’Alfred Hitchcock’s film Rear Window explores ways of seeing and spectatorship’’ The protagonist of Alfred Hitchcock’s ‘Rear Window’ is trapped, stuck in a wheelchair with a broken leg and we share his pain, we are also trapped. In a different way of course. We are trapped in his point of view. As the successful photographer that is L.B Jeffries (Jeff to his fiancée), played by James Stewart, passes his long and limited days and nights sitting by his window and shamelessly keeping an eye on his neighbours around him, we too share this obsession.

Read More

Ethical Issues In Rear Window

873 Words | 4 Pages

Rear Window Argues that people should mind their own business. Do you agree? Rear Window, a 1954 romance/murder-mystery by the renowned golden age director Alfred Hitchcock, is a film that explores a multitude of themes and genres through the voyeuristic gaze of protagonist L.B. Jefferies. Jefferies, or ‘Jeff’ as he commonly known throughout the film, is a middle-aged bachelor recently hospitalised due to his high-risk career as a photojournalist. This hindered condition serves as an important foundation on which the movie is built upon as Jeff’s forced lifestyle being in a wheelchair causes an abrupt stop in his usual high intensity way of life and causes him to quench his boredom in other ways, predominantly watching the other residents in his apartment complex through the ‘rear window’ of his apartment.

Read More

Economics In Steven D. Levitt's Freakonomics

996 Words | 4 Pages

In Freakonomics, by Steven D. Levitt and Stephen J. Dubner, the reader is introduced to the idea that economics is everywhere and can be found in places where you'd never think of. The book explains that economics is the study of incentives, and shows how motives can affect human behaviors. It's broken down into different types of incentives-- economic, social and moral. Economists often change incentives to try to affect human behavior, though an incentive can cause unforeseen consequences. In Chapter 1, the authors use a daycare in Israel, where parents are charged a $3 fine if they're late picking up their kids.

Read More

The Role Of Community In Alfred Hitchcock's Rear Window

1132 Words | 5 Pages

The idea of similarities among all people, an underlying connection, is expressed by Hitchcock when Lisa in Rear Window argues with Jefferies, saying, “There can't be that much difference between people and the way they live! We all eat, talk, drink, laugh, sleep, wear clothes --“. When she says this, Lisa has a lamp light shining from the upper right side of the screen to indicate the truth of her argument. There is also an instance in Rear Window where the ability to understand a person sprouts empathy. Jefferies is sitting in the dark, after Lisa leaves angry, when the piano man comes home.

Read More

Symbolism And Motifs In Alfred Hitchcock's Rear Window

672 Words | 3 Pages

Rear Window by Alfred Hitchcock is a fillm full of symbolism and motifs that provides viewers with a bigger meaning. It shows these rhetorical appeals through Hitchcok’s eyes that would not be recognized if not analyzed. Through these appeals I have recognized the window as being a symbol and marriage and binoculars as motifs. After understanding much more than what the eye anitially sees when viewing this film there is a fine line between understanding what is going on in the film and observing what the protagonist Jeff is viewing.

Read More

How Did The Celts Move Across The Center Of Europe?

145 Words | 1 Pages

Across the centre of Europe the Celts move gradually west through Germany into France, northern Spain and Britain. This branch contains two sub-branches: Continental Celtic and Insular Celtic. By about 600 BCE, Celtic-speaking tribes had spread from what today are southern Germany, Austria, and Western Czech Republic in almost all directions, to France, Belgium, Spain, and the British Isles, then by 400 BCE, they also moved southward into northern Italy and southeast into the Balkans and even beyond. During the early 1st century BCE, Celtic-speaking tribes dominated a very significant portion of Europe. On 50 BCE, Julius Caesar conquered Gaul (ancient France) and Britain was also conquered about a century later by the emperor Claudius.

Read More

Alfred Hitchcock Rear Window Analysis

1431 Words | 6 Pages

With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.

Read More

Camera Narration In The Movie 'Rear' Window

765 Words | 4 Pages

Camera narration is crucial to the effect the movie has on its audience. It is noticed that the viewer rarely gets close to the apartments or characters across the courtyard. The viewpoint is mainly fixed to Jeff’s apartment, apart from a few occasions where the camera plunges out of the window. The fronts of the buildings facing the main street are never shown either; instead all of the action takes place within the mystery and secrecy of the backyard, hence the title name ‘Rear’ Window. Perhaps Hitchcock realised that many people would not behave the same way in their front facing windows.

Read More

Cormac Mccarthy Code Of Ethics In The Road

1813 Words | 8 Pages

The thrilling novel “The Road” by Cormac McCarthy is a story about a post apocalyptic world following the lives of a man and a boy as they head south to escape the cold winter that is headed their way. Along with the cold of winter approaching they also have to deal with the new dangers of the land while traveling such as cannibals, robbers, and many more dangers. This is a tale of a unnamed man and a boy who must not only learn how to survive but find a inner “fire”, establish a code of ethic, and continue in finding reasons to live in this “new world”. With McCarthy’s unique approach to the characters of the book having no names or the cause of destruction of the world unknown it helps the reader feel the confusion and whats really important

Read More

The Auteur In Alfred Hitchcock's Rear Window

1591 Words | 7 Pages

This meant the guilt of a burning secret kept within the main antagonist became known to that of the main protagonist. This created a deeper connection between the two characters, and the audience could also feel the overwhelming guilt of the main antagonist. as well as a sense of triumph for the main character. This is evident in Hitchcock's film "Rear Window" (1964). The transference of guilt is made crystal clear when Jeff starts to resort to what could be considered to be almost drastic measures such as peeping with a telescope and having Lisa and Stella assist in leaving the safety of the apartment to scout certain areas where they had suspicions on such as the flower bed in order to bring the murderer Thorwald to justice.

Read More

Essay On Rear Window

934 Words | 4 Pages

She argues that the act of moviegoing satisfies these voyeuristic desires in people. She writes, “The mass of mainstream film portray a hermetically sealed world which unwinds magically, indifferent to the presence of the audience, producing for them a sense of separation and playing on their voyeuristic fantasy,” (pg. 186). In this essay, I will further discuss her viewpoints on cinema and voyeurism, and how it connects to the film Rear Window by Alfred Hitchcock. Rear Window is a film that follows the

Read More

Social Isolation In Alfred Hitchcock's Rear Window

1225 Words | 5 Pages

Alfred Hitchcock 's Rear Window explores the lives of those who feel isolated within society. The 1954 film, set in the tenements of Grenwich village, depicts those who are incapable of fitting into society 's expectations, as well as those who feel isolated from common interaction with others. Moreover, Hitchcock displays how its human nature to seek comfort and deeper connection even with those who are surrounded by others. Despite depicting characters as lonely, the progression of the film illustrates how individuals can be freed from isolation. The director asserts the loneliness and struggle that comes from fitting into social mores.

Read More

Ethical Principles In The Film 'Miss Evers Boys'

1121 Words | 5 Pages

The tem ethics refers to the moral principles that guide a person’s behavior, with respect to the rightness and wrongness of their actions. In the field of nursing, these moral principles govern the relationship between the nurse and the patient, members of the healthcare team, and society at large. Nurses must constantly question whether a certain procedure or course of treatment is in the best interest of the patient. When viewing the film “Miss Evers’ Boys”, it was clear that the doctors, researchers, and even Miss Evers were not acting in the best interest of all the patients. This movie depicted true events of a study that took place in Macon County, Alabama, in 1932.

Read More

More about Ethical And Moral Values In Alfred Hitchcock's Rear Window

Related Topics

Open Document