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Gender roles in literaturetoday
Analysis of othello character
Gender roles and literature
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The women in Othello and Chaucer's Wife of Bath differ, but in the end both want their husbands to love them. In Othello there are only three women displayed in the story, but the statements that were said about these three women were the belief that all women in that society were all the same- evil, whores who were temptress to the men. The three women; Desdemona, the wife of Othello, Emilia, the wife of Iago, and Bianca, perceived as a prostitute who is a “customer” (l. 138. 4.1) of Cassio. Iago is one of the main characters who degrades and slanders all women including his wife Emilia.
In Shakespeare’s ‘Othello’, women are portrayed as either pure angelic beings and jewels, or as whores who are impure. They are objectified and shown as something to be used. The only women in this play are Desdemona, Emilia and Bianca compared to the main 6 male characters, not to mention the minor characters, who are also all male. Their depicted purpose is to belong to a man; Desdemona, Emilia and Bianca’s lives revolve around being wives to Othello, Iago and Cassio. This fits into the idea of a perfect Elizabethan woman, who’s lives are subject to their husband’s rule across all aspects, to be disposed of as men wish.
Iago’s hatred of Othello stems from the rumor that Othello bedded his wife Emilia and was fueled by Othello’s choice to promote Cassio, the inexperienced soldier. The story begins with Iago manipulating Desdemona’s (Othello’s wife) father. Convincing him that Othello used witchcraft to win over Desdemona. When that plan fails, another is hatched as Iago plans to use a small gesture against Cassio. He will succeed in convincing Othello that his wife was unfaithful.
Shakespeare’s Othello chronicles the downfall of a noble Moor, Othello, who is deceived by a man he considers his friend, Iago. Throughout the course of the play, Iago toys with Othello and eventually leads him to murder and lose his love, his new wife Desdemona. Iago exploits the unquestioned trust Othello places in him to achieve evil ends. As such, trust is a central theme in the story.
“Othello” written by William Shakespeare revolves around this protagonist who is depicted as strong and powerful. To everyone he is known as Othello or the Moor. Throughout the play, Shakespeare portrays numerous counts of jealousy and manipulation around many of the characters. It is mainly illustrated through Iago, the antagonist of the play, who manipulates other to their downfall. Iago who is known for always being true and honest towards others has easily earned the trust of everyone around him, thus giving himself an advantage on his schemes.
The most influential, important, and critical relationship amongst humanity is a trusting and attentive friend. A friend is anyone who is supportive of one 's best and compassionate at one 's worst. A friend is an absolutely essential connection to maintain throughout a lifetime. According to the Huffington Post, lack of friendship has been associated with higher chances of a premature death than obesity. Consequently, friendships are required not only for mental health but for longevity.
But, Othello did not seem to think so. This caused Iago to feel like he wasn 't appreciated and he vowed to get revenge on Othello. He got his revenge by working Othello 's mind to believe that Desdemona was cheating on him with Cassio. After Iago got Cassio drunk one night, Cassio lost his place as lieutenant. Iago suggested that he go plead to Desdemona to show her he is a good man, and then she would convince Othello.
Throughout the play we observe Emilia’s character change, and how she suffered the consequence of challenging the system. Shakespeare’s Othello, utilises a range of dramatic techniques to showcase how women where portrayed during early modern England, as tools, chaste and naive. The antagonist, Iago takes this to advantage to manipulate his wife to unintentionally take a part in the moral dissembling of Othello. The idea where women were being victimised is presented when Iago utilises his power and authority to
In the play of Othello jealousy caused anger and distrust, which in the end led to much bloodshed. The first time we see jealousy towards Othello is in the council chamber, everyone is gathered together when Othello and Desdemona share how they truly feel about each other and Brabantio was displeased. Brabantio told Othello with much anger, “look to her, moor, if thou hast eyes to see: she has deceived her father, and may thee.” (Othello I.III 293-294)
Shakespeare's Othello is set during the Renaissance period and therefore the roles of the women in Othello are supposedly bounded by the period when women are considered to be of low intellect. In Othello, most male characters assume that women are inherently promiscuous, which explains why all three women characters in the play are accused of sexual infidelity. Yet Shakespeare develops the women to speak the most sense throughout the play and able to trust other characters in the play. To the men in Othello, female sexuality is a threatening force more than it is an attractive one.
In Shakespeare’s play Othello, the male characters perceive woman as property of their own who have to be submissive and they treat them as adulterous. The male characters in Othello perceive women characters as promiscuous and adulterous. Iago being the character who strongly shows his perception that woman are promiscuous by concluding that his wife has deceive him with Othello and Cassio. Moreover, Iago creates and immoral image of Desdemona persuading Othello of this lie, ultimately, Othello convinces himself that Desdemona is a promiscuous.
Also, each relationship in Othello provokes jealousy in one partner. In a typical Venetian society, a woman was considered to be a man’s property, so if a woman was disobedient, it negatively impacted the man, while also questioning his masculinity. The hyperbolic soliloquy as Othello expressed he would “rather be a toad” than “keep a corner of the thing I love” is Othello’s justification of killing his wife, as her untrustworthiness challenged his masculinity and reputation. Referring to Desdemona as a “thing” emphasises the idea of women being property. Iago’s jealousy of Desdemona and Othello’s relationship is emphasised through the degrading comment of Othello, “an old black ram” “tupping” Brabantio’s “white ewe”.
I will a round unvarnish 'd tale deliver Of my whole course of love; what drugs, what charms, What conjuration and what mighty magic, For such proceeding I am charged withal, I won his daughter. (1.3.79-99) Othello’s actions in this scene show is undeniable love for his wife, he knows that he could be killed or fired for expressing his feelings for Desdemona. Othello also trusts his second in command, Cassio, very much. He admires him very much and thinks of him as a brother. Othello has a close relationship with Iago, as well.
In Shakespeare’s Othello and in Susan Glaspell’s Trifles women play an important role in the development of the plot. Shakespeare and Glaspell develop these women differently to enhance their message. In Othello, Emilia, Desdemona, and Bianca are all treated very poorly by their male counterparts.
Othello’s life transforms the second he steps into Cyprus. Iago’s motives are devastating as he plan’s to take Othello’s position, regardless of the cost. Iago plants the seed of deceit and unfaithfulness when he hints of an affair involving Othello’s love, Desdemona and Cassio. An overwhelming feeling of jealously takes a hold in Othello’s life. Othello is no longer the well spoken, and respected army general that everyone knew him to be, but instead a short tempered man with little respect for