The Sexual Ambiguity of Nick Carraway: Analyzing Homoerotic Undertones Within Fitzgerald’s The Great Gatsby
Fitzgerald, within the text of The Great Gatsby, hints at subtle moments of homoeroticism in interactions between Nick Carraway and numerous protagonists in his novel to show the possible normality of these tendencies in everyday culture.
Scholars seem to interpret that our narrator in The Great Gatsby, Nick Carraway, has homosexual tendencies that are based on his actions within the novel. There are many instances to back up this particular claim, but the most convincing part of the text is Nick’s actions that take place after his interaction with Tom and Myrtle in the city. The scene of Carraway looking at McKnee, clad in underwear,
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What is important here is not whether Nick feels homosexual desire for Mr. McKee but Nick's responses to both McKee and Tom, which create the ambiguity of the whole McKee episode. Rather than an absolute ideological statement about "feminine" emotion in art or a clear revelation of Nick's sexuality or gender identity, the chapter registers Fitzgerald's ambivalence toward the high modernist taboo on sentimentality and personal expression and perhaps also anxiety about the nature of his own artistic talent. The chapter's strange gender transgressions suggest Fitzgerald's discomfort with strict divisions between masculine and feminine behavior and personality. (Kerr …show more content…
Nick seems to profess love for Gatsby in ways of such admiration, so much of which to make the reader believe that this might not be a simple platonic relationship between the two males. A really intense passage within the novel that shows the utmost admiration for the man in the pink suit is when our narrator is describing Gatsby’s smile:
He smiled understandingly—much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on YOU with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself and assured you that it had precisely the impression of you that, at your best, you hoped to convey. (Fitzgerald 53)
Carraway continues to explain how Gatsby’s grin makes your entire life feel justified up until this point of your life, which shows that Carraway’s feelings for the man might not be strictly one of neighborly