Wait a second!
More handpicked essays just for you.
Difference between sociopath and psychopath essay
Psychopath vs sociopath
Psychopath vs sociopath
Don’t take our word for it - see why 10 million students trust us with their essay needs.
More handpicked essays just for you.
Difference between sociopath and psychopath essay
Psychopath vs sociopath
Psychopath vs sociopath
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Meursault is eventually convicted and sentenced to death because of his inability to conform to the societal expectations of French Algeria in the 1940’s. 3. Characters: Meursault- the protagonist and narrator of the novel, Meursault is a young shipping clerk who has detached himself from the world around him. He is indifferent
Cultural standards all over the world vary based on religion, economy, morals and numerous other factors. The infamous region of the United States known as Appalachia, where values and standards are as diverse as the hollows that define the region, is no different. Native Appalachian author Sharyn McCrumb inarguably portrays such values and standards that North Carolinian Loyal Jones also outlines in his excerpt from Voices From the Hills. Throughout the novel of She Walks These Hills McCrumb illustrates such traits by depicting life in the mountains of Mitchell County, North Carolina, whose citizens personify the mentioned traits of being independent, hospitality and love of place. As Jones discusses, “individualism, self-reliance and pride”
Meursault constantly has varying thoughts dancing around his mind, one of which is the environment. The environment is behind all of Meursault’s struggles and problems in his mental world and interferes with his physical world as well, causing him to think that the world is irrational. Holden’s attitude toward the world is particularly similar to Meursault’s because nihilism and absurdism are quite similar. Both believe that the world is irrational and out to get them. The only difference between the two is that Meursault discovers that even though he believes that the world manipulated him and demanded to kill the
Eventually, the prosecutor completes his goal of condemning Meursault to death. Before dying, Meursault heavily reflect upon his life. Although never showing signs of faith towards any certain religion, he is accused of being the antichrist and is almost forced by the chaplain to rely on god during his last moments. The chaplain tells him “Every man I have known in your position has turned to Him” (116) At the beginning of the book when Madam Meursault is being buried, Meursault is told that she wanted a religious funeral even though Meursault never remembered her as religious. “While not atheist, Maman had never in her life given a thought to religion” (6).
Evidently, Meursault’s life lacks any higher meaning to human
Meursault is not an emotional person. Meursault often seems not to react to major events that happen to him. For example when his mom dies, he says, “Really, nothing had changed”(24). There is an obvious emotional disconnect. Either he was not close to his mother or her death had little to no effect on him.
Introduction: In the novel The stranger, written by Albert Camus Meursault kills a man, “The Arab” in act of self defense. After Meursault is put to trial, his lawyer becomes more focused on Meursault's attitude and believes. When meursault mother died, he had a very unemotional attitude, which causes problems later on in his trail. He is later sentence to the death penalty.
The jury's decision isn't based on the type of crime (the murder of an Arab by a Frenchman wouldn't usually have been a capital punishment) but on its judgement of Meursault's character. It is clear that the prosecutor feels that Meursault's real misdeed is the rebuttal of the moral code. Meursault is sentenced for his lack of appropriate filial grief towards his mother's death as for his refusal to seek forgiveness of the Arab's death. In the end, Meursault is condemned for his nonconformity, for dismissing "les règles les plus essentielles". This becomes evident to the reader that Meursault challenges society's rules and thus must be executed.
But that’s not what Camus is trying to say, the way Meursault talks about wanting death is more existential than actual logical reasons. Meursault’s life has been good all things considered, he did well enough at work for a promotion, he had friends (Raymond, Masson, and kind of Salamano), and he had his girlfriend Marie. So he lived a pretty comfortable and good life, so he’s not escaping life because it is terrible or unbearable. Camus is portraying that Meursault wants to die because life is pointless and irrational, and he doesn’t want to try to make sense of it anymore. From the point where this realization comes to the execution he starts to think, no matter what he was going to die anyways
He is unable to make ration and irrational decisions when using the gun and he is unable to think clearly. All of his action when the sun is on him reflects his ignorant to recognize himself and a driving force to commit crimes. Meursault’s actions are not done by him thinking, but more when the sun reflects makes Meursault more motivated to take action. The reason
Camus gives the reader no background or details as to why Meursault shoots the Arab, let alone why he shoots him four times. As the reader, it is hard to analyze the situation because of how natural the occurrence seems. There was no premeditation to his actions and it seems that it was only a coincidence that Meursault had the gun in the first place. When looking at the text it appears that Meursault is shooting at the blade of light reflecting off of the Arab’s knife into his eyes, “the Arab drew his knife and held it up to me in the sun. The light shot off the steel and it was like a long flashing blade cutting at my forehead”(Camus 59).
(59) After long passages describing the painful violence of the sun, Camus’s transition into the murder is shockingly abrupt, provoking a sense of bewilderment at the unexpected randomness of the murder, conveying effectively the irrationality of Meursault’s murder of the man. However, during the trial, when Meursault reveals that he murdered the Arab only because of the sun, refusing to allow others impose their logical but false interpretations upon his life, “people laughed” (103) and even his own “lawyer threw up his hand” (103) as they are unable comprehend and accept such an irrational motivation. To protect themselves from this harsh reality of the universe, they can only fabricate and impose their own logical explanation for Meursault’s behavior. The prosecutor, for instance, is convinced Meursault murdered the man in cold blood, certain in the narrative he has constructed out of events completely unrelated to the murder, from Meursault’s “ignorance when asked Maman’s age” (99) to his association with a man of “doubtful morality” (99). In both cases, Meursault’s indifference for societal standards of morality has painted him as a man immoral and cold-hearted enough to premeditate the murder.
In The Stranger by Albert Camus: the protagonist, Meursault, appears to be indifferent to everything throughout the book. Even on fundamentally important concepts such as death, love, and time. Because to Meursault, “we’re all going to die, it’s obvious that when and how doesn’t matter (2.5.114).” This general lack of interest is similar to the Universe because if the grand scheme of things, our lives, and our deaths mean nothing and would have no real impact on the future of the Universe. Our deaths turn meaningless over time, eventually love will fade away, and time will blur together to the point that 100 years will seem like a millisecond.
Meursault also strays from the morals society has imposed; he does not see a difference between bad and good; he merely observes without judging. However, when Meursault kills an Arab, he is brutally judged for the aspects that make him unique. In the second part of the novel, as the trial
In his novel The Stranger, Albert Camus creates an emotionally incapable, narcissistic, and, at times, sociopathic character named Meursault to explore and expose his philosophies of Existentialism and Absurdism. Throughout the story Meursault follows a philosophical arc that, while somewhat extreme - from unemotional and passive to detached and reckless to self-reflective - both criticizes the dependent nature of human existence and shows the journey through the absurd that is our world. In the onset of The Stranger, following his mother’s death, Meursault acts with close to utter indifference and detachment. While the rest of “maman’s”(9) loved ones express their overwhelming grief, Meursault remains unphased and, at times, annoyed at their