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The motif of deception in macbeth
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Recommended: The motif of deception in macbeth
Rough Draft The tragedy of Macbeth written by William Shakespeare, is one of the most commonly known plays around the world. In Macbeth, betrayal and deception is always present throughout the play. Shakespeare portrays the idea of betrayal and deception through multiple characters throughout the play. Macbeth, Banquo, the Three Witches, and Macduff are all key players in how Shakespeare uses betrayal and deception in Macbeth.
As substantial as a situation can seem, the reality of true meaning can be different from an outside perspective. Throughout the play, Macbeth, Shakespeare uses the motif of paradox to reveal deceiving appearances and the truths of a contradicting statement. Shakespeare’s Macbeth, manipulates the motif of paradox to show how divulging truthful statements will allow an individuals deceiving appearance to cause destruction. A variety of paradoxes appear in the play and focus on each character as their lies get shown for what really occurred. The motif of paradox unveils a major theme of appearance vs. reality in the play, as a result of these truths being uncovered.
In this essay I am going to be exploring how Shakespeare shows that the key characters are disturbed. The key scenes I am going to be looking at are ‘Macbeth’ Act 2 scene 2 and ‘Romeo and Juliet’ Act 3 scene 5. Firstly, I am going to look at how the use of questions in ‘Macbeth’ shows that he is disturbed. Macbeth has just killed King Duncan; he has blood on his hands and is terribly shocked by the murder.
“Things are not always as they seem; the first appearance deceives many”. This quote was written by a Roman poet, named Phaedrus around 370 BCE, long before Shakespeare’s time. Thousands of years later, Shakespeare incorporates many deceiving motifs in Macbeth that put the words of Phaedrus into action. The use of ill-fitting clothes, sleep, and bloodshed is all examples of imagery used to illustrate that not everything that looks genuine is so. Just as clothes appear to fit well, they can be very uncomfortable at the same time.
Appearance vs. reality happens every day to everyone with just a look. Just a glimpse of someone's facial expression in the hall and you can tell you how things appear, but the reality could be monumentally different from the appearance. What I'm trying to convey is how no one knows someone's true feelings and thoughts by looking at the surface, their deepest desires, secrets, and struggles are locked away from the naked eye. Someone could easily be smiling but be dying on the inside, or someone can seem sane but truly be psychotic. An example of appearance vs. reality in Macbeth is how Macbeth appears to be a loyal friend to Banquo, but in reality he's plotting to eliminate him for his own benefit.
In Macbeth, Shakespeare writes about a man named Macbeth, who has a very strong ambition to be the the king of Scotland. His credulousness led him into believing the prophecy from the three witches without thinking rigorously. Because of this prophecy, Macbeth is willing to do everything he can to gain the throne, even to the extreme of murdering someone. Shakespeare uses syntax, similes, and personification to convey the evolution of Macbeth’s insanity.
A little white lie won't hurt a fly. Just telling half the truth is good enough, right? Does this sound like a simple truth or an elaborate lie. Deception, when reading Shakespeare’s famous play, Macbeth can agreeably be directed to the three witches. In every medieval story witches are notoriously known for their wicked works.
Deception in Macbeth (An Understanding of Deception in Macbeth) During these present times, there is one word that describes the ability of making another person do what you want without brute force, and it is called peer pressure. Shakespeare knew of this idea, however in his time it was not known as peer pressure. He interpreted this theme into his play, “Macbeth,” by forming Macbeth’s wife into a power-hungry narcissist, who used Macbeth’s ego to her advantage.
The mental juxtaposition and deterioration between Macbeth and Lady Macbeth defines the inevitable decline and psychological problems associated with tyranny. In the beginning of the play, Macbeth is depicted as a valiant and noble soldier. However, this begins to change when the three sisters are introduced. The three sisters deliver three prophecies proclaiming that Macbeth will first be the thane of both Glamis and Cawdor, and then eventually, the King.
It is evident throughout the play, that appearances do not always accurately reflect reality. Lady Macbeth's whole character is evidence to this theme. “O gentle lady, ‘tis not for you to hear what I can speak: the repetition, in a woman’s ear, would murder as it fell.” (Shakespeare 2.3.?)
What is a false appearance? False appearances happen all the time. They can be defined as a facade, which is a false, superficial, or artificial appearance or effect. People try to hide their bad deeds by using a false appearance, attempting to make themselves look better than what said bad deeds make them appear to be. Macbeth is said to be a timeless play and in order to prove such a statement there will be examples used from the play and from our everyday life.
Just because a person looks nice and put together on the outside does not mean that they are a good person. Vise versa if a person looks bad or rough on the outside doesn't mean that they are ratty and bad on the inside. And the second analogy being the same, just because a sweet has a nice wrapped doesn't mean it is sweet on the inside and again that goes backwards. This relates to Macbeth in a few scenarios, first being the witches and their riddles being unclear and end up being not as glorious and great as thought to be when they were given. Second being when Duncan came to
Act I In the beginning of the play, the three witches chant “Fair is foul and foul is fair” (I.I.12). This phrase is used to represent the saying: appearances aren't always as they seem. This phrase can apply to Macbeth and his wife as they were very loyal to the throne and quickly changed to have foul thoughts about the king. It is not known that the Macbeths are hiding their true intentions behind kind faces.
Macbeth we see that throughout the play no one realizes who has killed the king until it is revealed. As for the characters in this story it drove them to madness as often times we do see that. Similar to Macbeth we recognize that change can be possible it just depends on the outcome that makes the situation good or bad. Deception is seen many times throughout our daily lives. Whether through politicians or our very own friends we continually see this in practice.
Shakespeare engineered a most impressionable character in Macbeth who easily succumbs to the extensive magnitude of opposing constraints. This character is Macbeth, who is the protagonist in the play and husband to a conniving wife, who in the end is the sole cause for Macbeth 's undoing. Conflicting forces in the play compel internal conflicts within Macbeth to thrive on his contentment and sanity as he his torn asunder between devotion, aspiration, morality and his very own being. He has developed a great sense of loyalty from being a brave soldier; however, his ambition soon challenges this allegiance. As his sincerity begins to deteriorate, his own sanity starts to disintegrate until the point where he cannot differentiate between reality