Examples Of Ashes In The Great Gatsby

Loving to Ashes in The Great Gatsby

Questioning love and all of it’s virtues is a taunting task most people tend to avoid altogether. Although it is a rather complex term, it can mutually be under the consideration of relentless, selfless, forgiving adoration and affection. On another note, it’s also agreeable that we only question what we lack or don’t have. Love in The Great Gatsby isn’t always “ideal”, but is rarely in question- undoubtedly present. Throughout the novel, the representation of love is relative to who is expressing it- loving indifferently, leaving in ashes. Tom’s love is within his betrayal, Gatsby’s love is through what no longer exists in the present, and Daisy’s love is within the lines of deception. Through these

Instead, she loves with deception of herself and others. Her marriage bounds her ignorance, being completely aware of Tom’s affairs, and all she can do is “‘[hope her daughter will] be a fool... a beautiful little fool”’ (21). Daisy neglects all of her husband’s affairs and lives in ignorance, she hopes her daughter is ignorant to everything- wrong doings, sadness, all and the bad realities love brings. Customarily, love has no secrets and love is real- perhap the truth is, Daisy is so in love the truth is nothing more than ignorance. Materialism rules the degree of love Daisy presents. For what one can offer, will quite often dictate the amount of love Daisy returns. During a visitation at Gatsby’s mansion, Daisy indulges in the lavish luxuries his home has to offer. While lusting over Gatsby’s array of fine attire she “bent her head into the shirts and began to cry stormily” (98), although she weeps for what Gatsby has, not for Gatsby. When love, ideally, is not an object of materialistic value. In at least one situation, Daisy is no more faithful than her husband, Tom. During the excitement and spur of one of Gatsby’s parties, Gatsby makes a move and she unforgivingly began to “[blossom] for him like a flower” (117). Her actions, like Tom’s, contain no guilt or concern for repercussion. Daisy’s love may not be angry, but proves to be more and more