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Examples Of Diction In Frankenstein

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In the novel Frankenstein, Mary Shelley’s diction delineates a vivid description of the creature’s characteristics, hence evoking suspense and agitation in the audience. The horrid description of the creature endorses an unsettling feeling in the reader due to the negative connotation employed by the diction selected. For instances, victor emphasizes the creature’s physical appearance by stating “yellow skin… horrid contrast… white sockets… shrivelled complexion and straight black lips”, then later victor states “breathless horror and disgust filled my heart” concerning to the creature’s physical characteristics(35). She strategically manipulates diction to alter the audience perception of the creature and directs them into viewing said creature
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Major Works Data Sheet In this column, choose five quotations from the text, one focusing on each of the following literary elements: In this column, analyze the significance of your quotations. Allow the following questions to guide your responses: Why is this important? What does this reveal? Why does the author say it this way?

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Dreanna Hypes Lit comp per 7 Mary Shelley’s novel Frankenstein, tells the horrific story of Victor Frankenstein, a scientist devoured by ambition, seeks to revive life to the deceased. Thus, a horrific monster is created. Terrified of its unsightly stature, Dr Frankenstein flees his creation, neglecting it severely a result, the monster. Lonely and depressed, seeks revenge on his creator, killing several members of his family and his closest friend. Throughout shelley uses imagery and toner to amplify the horror

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Kyle Lyon Professor Ed Steck AWR 201 F3 14 April 2015 Annotated Bibliography Shelley, Mary. Frankenstein. Ed. Hunter, Paul J. Norton Critical Edition.

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The actions of an individual defines the boundary between sympathy and wickedness. Their behaviors and thoughts change the plot of the story and character identity. Mary Shelley uses moral ambiguity to overlook the unrealistic nature of her story. In Frankenstein, this concept incorporates itself into Mary Shelley’s characters. Ambiguity invokes an attachment between the figures and readers.

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The use of the word monster in the book also correlates to appearance, and when the creature is called a monster, he feels forced to act like one. After being rejected by society because of his appearance the creature cries to Frankenstein, “Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust” (Shelley 93). This shows that the creature internalized all of the hate he received from his appearance, to the point where he viewed himself as a monster. When he internalizes all this negativity about himself that stems from his appearance, and begins to see himself as a monster, he then begins to behave as one.

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In Mary Shelley's literary masterpiece, Frankenstein, the titular character, Dr. Victor Frankenstein experiences dreadful nightmares which were brought upon by his repressed guilt and fear of the monster he had created. In this excerpt, Shelley expertly uses strong, dark diction and the symbol of "the fiend" to create an apprehensive tone throughout the passage. As aforementioned, the tone is created through the use of strong diction; Shelley utilizes dark, fear inducing words such as "misery," "possessed," "nightmare," and "disastrous" to give the passage an almost anxious mood. Dr. Frankenstein is shown to be far from unperturbed through the symbol of the fiend, which stands for the guilt he undergoes after creating the monster. He can feel

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Light and Dark in Frankenstein Throughout Frankenstein by Mary Shelley, the reader is torn between the forces of good and evil, as well as which characters represent which force. Perhaps the most masterful element of this novel is conveying how an individual can not be judged as wholly good or evil, and how having elements of both traits greatly forms the human experience. By using the motifs of light and dark to represent the positives and negatives of humanity, Mary Shelley is able to effectively convey character traits, depict transitions of good and evil within characters, and employ haunting symbolism and imagery into the novel and transform it into a literary masterpiece. The use of light and dark as imagery in the novel could not be

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When people hear the word “monster”, most people imagine a massive, horrid, and grotesque figure that haunts people. While pondering what a monster is, mankind thinks of the outward appearance. Seldom do people think of man’s internal qualities as being barbaric or gruesome. Authors allow readers to create their own images of these terrifying beings. Frankenstein is a thought-provoking novel that empowers readers to have their own opinions about who the actual monster is and what it looks like.

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Mary Shelley’s Frankenstein may be one of the most popular novels of the 1800’s. In her novel, it can be seen that it was, in fact, meant to be a horror story. One of the elements she uses to convey the horror of her story in through the use of manipulation of the creature. Manipulation and the use of manipulation is a great detail that most glance over when looking in a horror story. Manipulation is a common tactic used by many people who want to get another person to commit an act they want them to do.

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The Creature in Frankenstein Mary Shelly’s “Frankenstein” is an inspirational work of horror and science fiction; it is the narrative of an unorthodox act of creation, of a monster which torments his miserable creator. The author puts forth ideas, and reinforces it through the development of the plot, that mankind is capable of both good and evil. Shelly demonstrates the ‘humanity’ of the creature; his actions and his inclination are like those of mankind. Indeed, even the negative aspect of his character, demonstrated through his quest for revenge, has a parallel in the actions of his human creator. In Mary Shelley’s “Frankenstein” the creature is represented as being vicious and murderous but he is not inherently evil or malicious.

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Over the past century, Frankenstein has been analyzed and interpreted in seemingly infinite different forms of literature, film, and television shows. Once solely recognized as the story about a brilliant scientist who creates a creature in whom he regrets making after the creature turns out ugly, Frankenstein now represents an internationally recognized and commercialized pop culture symbol for Halloween decorations and costumes. When analyzing and appreciating the true literary essence behind Mary Shelley’s original Frankenstein, one of the most important comparisons to consider remains the underlying influences behind the Creature’s immoral actions and whether or not the blame for these actions belong to Victor or the Creature. When exploring the dichotomy of the Creature versus Victor Frankenstein, one of the biggest and most widely debated questions remains whether Victor should be blamed for the Creature’s destructive actions or if the Creature should be considered guilty for his actions based off of his own free will. Many consider Victor Frankenstein the villain of the story due to his repetitive decisions to abandon and avoid his own “mistake,” the irresponsible choice of creating the monster in the first place, and his obvious negligence of the Creature’s feelings.

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The passage on pages 43-44 in Mary Shelley's Frankenstein describe the events that occurred as Dr. Frankenstein brought his monster to life. She effectively uses her language and imagery to develop her tone, very dark and anguished. Her diction also helps to enforce the overall theme of the passage: don’t mess with the natural order of things. Immediately at the beginning of chapter five (p. 43), Shelley gives the reader an image of the day that the monster was born on: “It was on a dreary night of November that I beheld the accomplishment of my toils.” (Shelley 43).

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Sticks and strangling will break bones, but words will leave irreparable emotional scars. In Mary Wollstonecraft Shelley’s epistolary novel, Frankenstein, the estranged Victor Frankenstein deprives his re-animated ‘creature’ of a name. The cruel manner Victor treats his “Adam” (Shelley 119) by withholding a name pushes the Creature further away from the belonging he so desperately seeks (148). As atrocities occur at the ashen hands of the Creature, names like “monster”(118) and “wretched devil”(118) bombard him from those he would seek refuge with . Nameless, the Creature is dehumanized and consequences of a negative perception, internally and from society, persist.

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Defamiliarization, as defined in Viktor Shklovsky 's Art as Technique, is a technique used to contrast the effects of habit and automatization by imbibing the familiar with strangeness in order to provide a fresh perspective. Shklovsky believes art to be able an effective method of defamiliarizing the familiar as one can easily use language in order to do so. Similarly, poetry is the most effect form of defamiliarization as it is so unlike everyday speech. Mary Shelley’s Frankenstein, a novel which experiences the world employs defamiliarization in both form and content – not only is the novel 's story sifted through several narratives, but the creature 's own narrative works as a method of defamiliarization in itself as he experiences the

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Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions. Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions.

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