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Evil In Dracula

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In Dracula, Stoker portrays the presence of good vs evil by contrasting the two in a straightforward and odd manner. The characters interact having different sides, but sometimes couldn’t tell if a specific character has a personality of goodness in themselves or not. The main character in the novel, Dracula, is considered evil. His appearance and expressions that appear seem to have an evil sense to the others characters. The book also shows elements of gothicism, when the setting starts to turn into the daytime to nighttime quickly, which represents the role of light going against darkness. Dracula is described, “Within stood a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without …show more content…

“Before the sun dipped below the black mass of Kettleness, standing boldly athwart the western sky, its downward way was marked by myriad clouds of every sunset- colour- flame, purple, pink, green, violet, and all the tints of gold; with here and there masses not large, but of seemingly absolute blackness, in all sorts of shapes, as well outlined as colossal silhouettes”(Stoker 65). These colors will make others think about a perfect society that has many bright, pretty colors. Half of the area was full of darkness, which reminds us of many colors, such as black and grey. The light is going against the darkness, just like how the count shows evilness. Dracula starts to get more involved with the weather when, “The waves rose in growing fury, each overtopping its fellow, till in a very few minutes the lately glassy sea was like a roaring and devouring monster”(Stoker 66). The journalist that shows up describes the storm, but doesn’t realize that the sea is being controlled by a vampire. Dracula shows how he is evil by starting to create an area of destruction by controlling animals and

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Bram Stoker, describes one of the verbal taboos of the Victorian era, violence, through the representation of vampires as “monsters” through the point of view of their victims in his novel Dracula. Stoker portrays violence in three distinct categories- physical, visual and psychological. Each one of these categories is described by one of the antagonists in the Novel, with Count Dracula as the physical aspect of violence, his underlings, the female vampires as the visual and Renfield, the patient at Dr. Seward’s mental asylum, as the psychological aspect of violence. This essay looks at the portrayal of such Categorical violence as different renditions of a “monster” and considers why Stoker would segregate violence in such a manner.

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Bram Stoker's Dracula is filled with interesting symbology and religious comparisons. Dracula is a gothic novel set in late 1800s Britain and Transylvania. Dracula is an epistolary, meaning it is told through a series of journal entries, news clippings, etc. It’s like the written version of found film. Dracula draws from many old myths for its villain and is the basis for the modern vampire.

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In Stoker’s novel Dracula, Renfield is a patient in Dr. Seward’s mental asylum who has a desire to gain the life of small, living organisms (e.g., flies, spiders, and rats) by consuming their souls. Although the purpose of Renfield’s character may be considered irrelevant to the central plot of Dracula, it is of utmost significance. To elaborate, the Renfield sub-plot functions as an “abstract representation for a better understanding” and in-depth knowledge to the character of Count Dracula through Renfield’s actions (Dracula). According to Gray, the character of Renfield “parallels aspects of Dracula 's livelihood,” such as his need to consume life. The dark relationship that Renfield and Dracula share is evident in the scene when Renfield

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The major theme in the novel Dracula by Bram Stoker is the threat of female sexual expression. During this time period, female sexual behavior was frowned upon. Women were said to have to be either a virgin or a wife and mother. Social standards were very strict during this time, making it unheard of for women to show sexual expressions. In is era, the main concern was the role women had in society.

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The horror genre of Bram Stoker’s Dracula, combined with mild eroticism is able to draw in readers due to the fact that Stoker is able to intricately weave suspenseful sexual scenes/scenes of desire throughout the novel—making it clear that

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At first glance, the novel Dracula by Bram Stoker appears to be a typical gothic horror novel set in the late 1890s that gives readers an exciting look into the fight between good and evil. Upon closer inspection, it becomes apparent that Dracula is a statement piece about gender roles and expectations for men and women during the Victorian age. Looking at the personalities, actions, and character development of each of the characters in Dracula bring to light startling revelations about Victorian society and how Stoker viewed the roles of men and women during this time period. To really understand Dracula, it is important to note that this novel was written during a time “of political and social upheaval, with anxieties not just about the

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Gothic horror novel Dracula, the title character makes only several relatively short appearances, some of which are while in disguise. Throughout the novel, Stoker keeps Count Dracula in the shadows, both literally and figuratively. This essay will describe these appearances and analyze Stoker’s use of them to determine what effect they might have on the impression of the character and the novel overall. It will be claimed that by keeping his title character hidden for much of the novel, Stoker’s Dracula is made much more frightening to the reader. Human beings tend to fear the unknown, and by leaving Dracula to the imagination,

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