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Examples Of Inhumane In Frankenstein

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Humans are complex creatures that can be defined by the unique characteristics that they possess. When analyzing the differences between humans and other species, it is important to take into context the non biological differences. The mental capacity of humans affects how they are able to function in the world and creates a mental barrier between them and other earthly creatures. In the novel Frankenstein, Mary Shelley highlights some of the defining characteristics of humans. Shelley displays an artificial creature that is inhumane in many aspects, but over time showcases human like characteristics. Various scenes within the novel display instances in which different characters behave in inhumane and humane ways, despite their genetic wiring. Being human can be described as being able to express heightened levels of compassion, recognize potential and seek emotional, interpersonal interaction.
The ability to express feelings of sympathy and empathy is a uniquely human characteristic. Humans have the ability to react to the events around them. Over time, humans have developed social emotions, which are based on …show more content…

He is unable to understand how a being like him is supposed to adapt to the closed minded community that is around him. The creature, however, is able to recognize his full potential after gaining more knowledge about the world. After reading a book called the Ruins of Empires, the creature learns more about the manner of man. He becomes disgusted by his readings and feels that the, “increase of knowledge only discovered to me more clearly what a wretched outcast I was” ( Shelley 88). The creature realizes that he will never fit in with the norms of society. He believes that he does not possess any potential to assimilate to the society around him and that a life of solitude is his destiny because his appearance prevents him from being

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648 Words | 3 Pages

The creature's views were warped by all of this. Even when he learned to read, write, and speak, he learned to love others, but after all of this, he could not. If society learned to stop judging only appearance, the creature himself would have lived a better life. Not a life consumed by

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177 Words | 1 Pages

Dreanna Hypes Lit comp per 7 Mary Shelley’s novel Frankenstein, tells the horrific story of Victor Frankenstein, a scientist devoured by ambition, seeks to revive life to the deceased. Thus, a horrific monster is created. Terrified of its unsightly stature, Dr Frankenstein flees his creation, neglecting it severely a result, the monster. Lonely and depressed, seeks revenge on his creator, killing several members of his family and his closest friend. Throughout shelley uses imagery and toner to amplify the horror

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503 Words | 3 Pages

In order to protect the view he holds of himself, which stems from his god complex, Victor Frankenstein uses rationalization to shelter himself from the guilt derived from his indirect involvement with the murders of William and Justine. In allowing young Justine to confess to the murder of William, though she is innocent, Frankenstein experiences conflicted emotions. Victor writes that “such a declaration [of who the true criminal was] would have been considered as the ravings of a madman,” (Shelly 86). This rationalization of not telling the truth is because of his inability to take responsibility for his actions. In the same passage, Frankenstein describes the guilt and sadness he feels as “fangs of remorse” (86).

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959 Words | 4 Pages

In Shelley’s novel Frankenstein, the creature 's acquisition of knowledge leads to his diversion from benevolence to pure hatred towards mankind. The works of Victor Frankenstein, the monster was created by old body parts and strange chemicals, animated by a spark making him come to life. The Creature enters life as an eight-foot giant only to have been created with the intellect of a newborn. Abandoned by his creator and confused, the Creature attempts to integrate himself into society only to be shunned away in disgust by humanity. The Creature then makes his way and lives next to a human family which is essentially the start for the creatures detestation towards humanity.

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687 Words | 3 Pages

The novel Frankenstein brings to light many problems and situations that shed light on the faults of mankind. Cruelty was a huge factor in the novel; throughout Frankenstein is cruel to his body and to his creation. When he first makes the creature he runs from it, leaving the creature to fend for himself; even when reuniting with the creature he continues displays cruelty. The creature, in turn exhibits Victor cruelty right back. Within Frankenstein cruelty can be attributed, often affecting both Victor and the creature; serving as a crucial motivator and revealing their anger, pain, frustration till eventually both die.

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855 Words | 4 Pages

“Pain can be alleviated by morphine but the pain of social ostracism cannot be taken away.” (Jarman). Derek Jarman had a very good point when he said this. We all feel pain at some point in our lives and that pain is often altered by pain medication or other remedies but the pain of being pushed away from society otherwise known as Ostracism, that is pain that cannot be taken away. Ostracism is a problem that has been around forever and is still an unsolved problem today.

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487 Words | 2 Pages

Marry Shelley’s novel Frankenstein raises many critical humanities questions like the question,” What does it mean to be human?” along with many others. It also highlights individual responsibilities along with societies and how important it is socializing with others. In the novel, Victor Frankenstein, our protagonist creates a creature but as soon as this creature comes to life like he wanted it to, Victor gets scared and rejects it.

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672 Words | 3 Pages

This time spent here helped to begin to develop the creature’s mind, proving he was in fact rather intelligent. The monster knew that he was different from these people, often describing them all as beautiful. He knew they would not accept him, and yet his search for belonging and family continue to surge the novel forward. While the creature is lonely and hurting, his actions slowly become malicious.

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882 Words | 4 Pages

Over the past century, Frankenstein has been analyzed and interpreted in seemingly infinite different forms of literature, film, and television shows. Once solely recognized as the story about a brilliant scientist who creates a creature in whom he regrets making after the creature turns out ugly, Frankenstein now represents an internationally recognized and commercialized pop culture symbol for Halloween decorations and costumes. When analyzing and appreciating the true literary essence behind Mary Shelley’s original Frankenstein, one of the most important comparisons to consider remains the underlying influences behind the Creature’s immoral actions and whether or not the blame for these actions belong to Victor or the Creature. When exploring the dichotomy of the Creature versus Victor Frankenstein, one of the biggest and most widely debated questions remains whether Victor should be blamed for the Creature’s destructive actions or if the Creature should be considered guilty for his actions based off of his own free will. Many consider Victor Frankenstein the villain of the story due to his repetitive decisions to abandon and avoid his own “mistake,” the irresponsible choice of creating the monster in the first place, and his obvious negligence of the Creature’s feelings.

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987 Words | 4 Pages

He is aware of his otherness and knows that he is “shut out from intercourse” (84) with the people he holds so dear. It can be argued that this is the point where the creature’s humanity is the strongest throughout the course of story. He has a basic understanding of human societies, he speaks and reads their language, shows compassion and, most importantly, seeks their company and friendship. In his knowledge that social belonging is the missing component to his own happiness, he confronts the people he secretly observed only to, once again, be met with fear and anger (94-95). He comes to realise that he

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1943 Words | 8 Pages

Psychoanalysis of Frankenstein and His Creation When doing a literary analysis using the psychoanalytic type A criticism, the reader must solely look to the work itself and exclude externalities. One may interpret, “Dr. Frankenstein and the monster as embodying Sigmund Freud’s theory of id and ego” (Telgen). The theory is based upon the idea that a character’s personality can be divided into three parts. The id which is the basic desire for what each person wants. The superego which is the opposite of id, it houses our sense of guilt.

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1068 Words | 5 Pages

Sticks and strangling will break bones, but words will leave irreparable emotional scars. In Mary Wollstonecraft Shelley’s epistolary novel, Frankenstein, the estranged Victor Frankenstein deprives his re-animated ‘creature’ of a name. The cruel manner Victor treats his “Adam” (Shelley 119) by withholding a name pushes the Creature further away from the belonging he so desperately seeks (148). As atrocities occur at the ashen hands of the Creature, names like “monster”(118) and “wretched devil”(118) bombard him from those he would seek refuge with . Nameless, the Creature is dehumanized and consequences of a negative perception, internally and from society, persist.

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818 Words | 4 Pages

The second question with the problem with humans is “what are the innate predispositions of men?” (Becker, 1971, p. 116). The third question with the problem with humans is “what types of personality are most valued” (Becker, 1971, p. 116). The fourth question with the problem with humans is “what are the modes of relating to others” (Becker, 1971, p. 116).

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790 Words | 4 Pages

In the novel, Frankenstein, by Mary Shelley, the two main characters, Victor Frankenstein and his creature, both display a sense of moral ambiguity. Each character has committed both good and evil alike, and neither knew the consequences of what they had done. However, Victor Frankenstein is generally the morally ambiguous character by his treatment of his creation and his own imperious personality. He wanted to be able to help science by recreating life or bringing it back, but at the same time, he did not want to consider the consequences of doing so. Victor tries to prove himself as a good moral character in the relationship between his creation and himself.

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929 Words | 4 Pages

The gothic fiction novel Frankenstein by Mary Shelley centralizes on humanity and the qualifications that make someone human. The content of the novel Frankenstein depicts a monster displaying human traits that his creator Victor does not possess: empathy, a need for companionship, and a will to learn and fit in. Throughout the novel Shelley emphasizes empathy as a critical humanistic trait. The monster displays his ability to empathize with people even though they are strangers. On the other hand Victor, fails to show empathy throughout the novel even when it relates to his own family and friends.

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