Examples Of Millamant In The Way Of The World
1008 Words5 Pages
Literatura Inglesa II
Millamant: Up to what extent does she control her own destiny?
The Way of the World is a comic or satire drama written by William Congreve. This play is considered as the best representative work in Restoration comedies. As in any Restoration comedy or comedy of manners, in The Way of the World it is portrayed the typical behaviours and manners of the society in London during the restoration period, and William Congreve presents his characters in a very satirical way according to this. In this essay, I am going to explain the concept of “freedom” concerning to the character Millamant.
The Way of the World is quite related with Volpone or the Fox, written by Ben Johnson, because in both works we can see a very high level of avarice by some of the characters, and Ben Johnson’s work is quoted in William Congreve’s:
“He might, like Mosca in the Fox, stand upon terms...”
First of all, it is necessary to explain the relationship between Millamant and the rest of the characters: She is in love with Mirabell, and he also is in love with her, and she is the ward of Lady Wishfort, an old woman attempting to recapture their youth, whose husband was Millamant’s uncle. Lady Wishfort hates Mirabell because he deceived her in order to be nearer Millamant, which is a clear impediment to motivate Millamant and Mirabell’s love. Finally, the conflict between Lady Wishfort and Mirabell is solved and everything finishes well.
The relationship
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In Kate Chopin’s “The Story of an Hour” demonstrates the personal growth of the dynamic protagonist Louise Mallard, after hearing news of her husband’s death. The third-person narrator telling the story uses deep insight into Mrs. Mallard’s thoughts and emotions as she sorts through her feelings after her sister informs her of her husband’s death. During a Character analysis of Louise Mallard, a reader will understand that the delicate Mrs. Mallard transforms her grief into excitement over her newly discovered freedom that leads to her death. As Mrs. Mallard sorts through her grief she realizes the importance of this freedom and the strength that she will be able to do it alone.
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While unique characters are very valuable in various forms of literature, authors can successfully utilize stereotyped characters to achieve author’s purpose. The character of Mariane in Tartuffe by Molière is a stereotypical “damsel in distress”, as the other characters must help her while they combat the hypocrisy of Tartuffe. When Orgon, blinded by his reverence for Tartuffe, announces that Mariane is to marry Tartuffe, it causes conflict between characters. Mariane has to express her opinion and defy her father, so that she will not marry a hypocrite and liar, despite being a generally submissive person. In Molière’s Tartuffe, the author successfully employs a conventional character through Mariane, to demonstrate the strife that fanaticism and
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Mallard reaches a sense of exuberant liberation. She is overwhelmed with feelings of a newfound freedom. Chopin illustrates this burst of hope once again through nature imagery when she writes, “But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air”(Chopin 237). Though Mrs. Mallard tries, she cannot fight the growing sense of freedom that overtakes her. Chopin writes this change as a powerful realization that Mrs. Mallard cannot help but accept.
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