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Frankenstein’s Monster is not categorized as evil by his malicious behavior and is sympathized with due to his creator abandoning him and the role of nature versus nurture taken place II. Monster’s Nature and alienation A. Monster originally had an inquisitive nature yet gentle nature a. Information on the German family was “each interesting and wonderful to one so utterly inexperienced as [he] was” (105) B. With the rejection and alienation from society, the only interactions the monster experiences, he becomes full of hatred a. Rejected by De Lacey family by his looks and labeled a monster b. Tries to save a child but is shot by child’s father C. Reader may feel sympathy towards the Monster’s actions because the readers know that his true nature was not evil and he was misjudged III.
Throughout this novel, we learn the views of the creature that Victor Frankenstein created. His views on society, justice, and injustice. When he is first created, he seeks to be accepted by society despite his appearance. However, the events he experiences shape his views. Victor Frankenstein, the DeLacey family, and the father and daughter he meets throughout his journey do not accept him.
The novel Frankenstein brings to light many problems and situations that shed light on the faults of mankind. Cruelty was a huge factor in the novel; throughout Frankenstein is cruel to his body and to his creation. When he first makes the creature he runs from it, leaving the creature to fend for himself; even when reuniting with the creature he continues displays cruelty. The creature, in turn exhibits Victor cruelty right back. Within Frankenstein cruelty can be attributed, often affecting both Victor and the creature; serving as a crucial motivator and revealing their anger, pain, frustration till eventually both die.
The Consequences of Physical Appearance in Frankenstein The novel Frankenstein by Mary Shelley is a science fiction story about a creature created from non-living matter, by a young scientist, Victor Frankenstein. The conflict between society and Frankenstein’s creature is largely perpetuated by a split between those considered attractive, and those who are not. The conflict and language use in Frankenstein demonstrate that most of society judges others based on their physical appearance, which leads to excluding those who fall outside the accepted definition of beauty and sometimes life-threatening consequences for both groups.
Victor does not handle his monster, or his fears, well. When Frankenstein first sees his monster, he immediately “escaped, [from the room the monster was in] and rushed down stairs. p50” As the monster is an externalization of Frankenstein’s fears, this escape, this inability to so much as look at the monster, can be interpreted as Frankenstein’s inability to acknowledge his fears and anxieties. Like with anxiety, denying the monster’s existence only causes him to grow more destructive.
When people hear the word “monster”, most people imagine a massive, horrid, and grotesque figure that haunts people. While pondering what a monster is, mankind thinks of the outward appearance. Seldom do people think of man’s internal qualities as being barbaric or gruesome. Authors allow readers to create their own images of these terrifying beings. Frankenstein is a thought-provoking novel that empowers readers to have their own opinions about who the actual monster is and what it looks like.
Over the past century, Frankenstein has been analyzed and interpreted in seemingly infinite different forms of literature, film, and television shows. Once solely recognized as the story about a brilliant scientist who creates a creature in whom he regrets making after the creature turns out ugly, Frankenstein now represents an internationally recognized and commercialized pop culture symbol for Halloween decorations and costumes. When analyzing and appreciating the true literary essence behind Mary Shelley’s original Frankenstein, one of the most important comparisons to consider remains the underlying influences behind the Creature’s immoral actions and whether or not the blame for these actions belong to Victor or the Creature. When exploring the dichotomy of the Creature versus Victor Frankenstein, one of the biggest and most widely debated questions remains whether Victor should be blamed for the Creature’s destructive actions or if the Creature should be considered guilty for his actions based off of his own free will. Many consider Victor Frankenstein the villain of the story due to his repetitive decisions to abandon and avoid his own “mistake,” the irresponsible choice of creating the monster in the first place, and his obvious negligence of the Creature’s feelings.
Stereotyping in today’s society exists in many forms and is part of our daily lives no matter who we are. This is true even in literature and Mary Shelley’s Frankenstein expertly shows the effects of stereotyping. In Frankenstein, Victor Frankenstein’s creature experiences rejection due to society judging the creature based on his appearance. This leads to Victor’s creature separating himself from society to distance himself from abuse. This abuse is undeserved as the creature proves himself to be a capable and very intelligent contradicting the stereotypes made against him.
An unsatisfied need for a sense of belonging transforms Frankenstein’s creature into the monster it ultimately becomes. Therefore, I argue that the predominant theme in Mary Shelley’s Frankenstein is the need for social belonging
Sticks and strangling will break bones, but words will leave irreparable emotional scars. In Mary Wollstonecraft Shelley’s epistolary novel, Frankenstein, the estranged Victor Frankenstein deprives his re-animated ‘creature’ of a name. The cruel manner Victor treats his “Adam” (Shelley 119) by withholding a name pushes the Creature further away from the belonging he so desperately seeks (148). As atrocities occur at the ashen hands of the Creature, names like “monster”(118) and “wretched devil”(118) bombard him from those he would seek refuge with . Nameless, the Creature is dehumanized and consequences of a negative perception, internally and from society, persist.
“Nothing is so painful to the human mind as a great and sudden change.” (Mary Shelley Quotes). Mary Shelley publishes Frankenstein in 1818. The novel includes many interesting events. By her choice of words readers are hooked to think Victor is the antagonist.
Beauty and ugliness is often used to justify the reaction of others in the novel, Frankenstein; in which the relation between external appearance and internal desires are shown to be related. The theme of how appearance affects judgement is often demonstrated through the characters response to the monster’s physical being. Shelley depicts this situation through Dr. Victor Frankenstein, the Delacey family, and through the monster himself. The use of appearance to determine judgement is shown to be a negative habit. By automatically associating ugliness with evil, and beauty with innocence, society unintentionally develops a negative being in those considered ugly, while at the same creating an illusion of innocence over beautiful individuals.
The fictional horror novel of Mary Shelley’s Frankenstein is driven by the accentuation of humanity’s flaws. Even at the very mention of her work an archetypal monster fills one’s imagination, coupled with visions of a crazed scientist to boot. Opening her novel with Robert Walton, the conduit of the story, he also serves as a character to parallel the protagonist’s in many ways. As the ‘protagonist’ of the story, Victor Frankenstein, takes on the mantle of the deluded scientist, his nameless creation becomes the embodiment of a truly abandoned child – one left to fend for itself against the harsh reality posed by society. On the other hand, Walton also serves as a foil to Victor – he is not compulsive enough to risk what would be almost
Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions. Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions.
The novel Frankenstein by Mary Shelley is a science fiction story about a creature created from non-living matter, by a young scientist, Victor Frankenstein. The conflict between society and Frankenstein’s creature is largely perpetuated by a split between those considered attractive, and those who are not. The conflict and language use in Frankenstein demonstrate that most of society judges others based on their physical appearance, which leads to excluding those who fall outside the accepted definition of beauty and sometimes life-threatening consequences for both groups. Frankenstein and his parents demonstrate that they also fall victim to the habit of judging others initially based off of their appearance. The Frankenstein parents first
