The yellow wallpaper soon becomes sickening to the narrator which is expressed by, “it is a dull yet lurid orange in some places, a sickly sulphur tint in others. No wonder the children hated it!” (Gilman). Yellow is normally used to symbolize hope or positive thoughts which the narrator is unable to obtain due to the fact of being confined in the room. As time passes, the narrator becomes more and more obsessed with the wallpaper even believing there are people living inside which symbolize how she feels trapped and helpless.
The narrator can no longer distinguish between illusion and reality. When the yellow wallpaper starts to reveal bars, the narrator truly feels trapped and secluded. The yellow wallpaper represents the narrator’s imagined world, especially when she finds the woman inside the wallpaper. The narrator states, “And it is like a woman stooping down and creeping about behind that pattern” (Gilman). In her illusion, the woman inside of the wallpaper appears at night.
The story “The Yellow Wallpaper” is a portrayal of a woman’s descent into madness and how the society around her contributes to her illness. As a matter of fact, the story was inspired and written by Charlotte Perkins Gilman’s own personal experience. Gilman’s use of a first person point of view and tone allows the reader to experience and understand the narrator's actions and situation. The narrator’s tone also plays a role in establishing her character and the theme through the paragraph structure, her thoughts and expressions and finally her ironic expressions. To begin with, the narrator's tone helps establish character through her paragraph structure within the story.
In the story, The Yellow Wallpaper by Charlotte Perkins Gilman, The narrator develops an uncontrollable obsession with this yellow wallpaper as she is deemed crazy and is confined to a large nursery room where she is constantly being medicated and forced to rest. Throughout the story she writes in her secret journal where in each entry she describes her feelings towards both John and the yellow wallpaper. In the beginning she has a very negative attitude against the wallpaper and is constantly remarking it's horrible markings and it's very shade of color. Throughout the story however, her feelings dramatically change as she starts observing the wallpaper and each mark, and analysing everything from the odor that has spread throughout the house, to the hidden figure trapped behind the wall. Near the end of the story, she starts seeing more and more of the hidden figure and making out details of the trapped woman, but then goes crazy as she sees her crawling around the yard and then believes she is that
Due to this, darkness has been imbedded with the connotation of fear, death, and evil. However, Charlotte Gilman takes a different approach in her short story, "The Yellow Wallpaper". She shows that darkness can not only take on the aspect of fear, but it gives us a certain freedom we are not allowed in daylight. It has the power to distort our vision and change perceptions. Her story is about the obsessiveness of a depressed woman to aged yellow paper in her bedroom.
The narrator is a woman who is imaginative trying to make her mind think and realize the meaning of the yellow wallpaper. She describes the wallpaper as, “repellant, almost revolting; smouldering unclean yellow, strangely faded by the slow turning sunlight” (Gilman 641). This specific wallpaper makes the narrator feel a certain way. At first, she does not like the color or how it looks. But then not having anything else to do in the room, she starts examining the wallpaper.
She begins to see strangles heads in the wallpaper, which can be a symbolic representation of the patriarchal order that stifled women. The bars on the wallpaper that cage the imaginary women are a reflection of her own situation where she is confined in the old mansion. Even the smell of the wallpaper, which she describes as being ‘yellow’ and present throughout the house, is a reflection of the mental repression that is always present in her life. She is so consumed by the smell that she thinks about burning the old mansion just to cover it
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the female narrator is greatly troubled by the suppression of her imagination by her husband and her ultimate isolation due to this subordination. These feelings are reflected through the author’s use of setting as the narrator’s dreary and malicious descriptions of the house and the wallpaper mirrors her emotional position. Throughout the reading, the reader is exposed to the narrator’s in-depth loss of touch with reality as she sinks further and further into her own reality. As she becomes more isolated, her descriptions of the house become more abstract as she begins to focus on the wallpaper and starts to see herself as being hidden behind it.
Martin states that the narrator’s confinement in the upstairs bedroom fortifies her mental illness developing into “a frightening hallucinatory world constructed around the pattern of the yellow paper on the wall.” This shift in her identity happens as the shift in her disposition towards the wallpaper changes. The wallpaper is a visible metaphor that eventually becomes her identity. In the beginning of her stay in the bedroom she says the wallpaper is “committing artistic sin” (Par34) and can push anyone to “suddenly commit suicide” (Par35) These comments show her despise towards the wallpaper and the separation she originally has from it.
The short story “The Yellow Wallpaper” by Charlotte Perkins Gilman is a story full of imaginative symbolism and descriptive settings. However, without the narrator’s unique point of view and how it affects her perception of her environment, the story would fail to inform the reader of the narrator’s emotional plummet. The gothic function of the short story is to allow the reader to be with the narrator as she gradually loses her sanity and the point of view of the narrator is key in ensuring the reader has an understanding of the narrator’s emotional and mental state throughout the story. It’s clear from the beginning of the story that the narrator’s point of view greatly differs from that of her husband’s and other family in her life.
The Yellow Wallpaper by Charlotte Perkins Gilman is a short story told through diary entries of a woman who suffers from postpartum depression. The narrator, whose name is never mentioned, becomes obsessed with the ugly yellow wallpaper in the summer home her husband rented for them. While at the home the Narrator studies the wallpaper and starts to believe there is a woman in the wallpaper. Her obsession with the wallpaper slowly makes her mental state deteriorate. Throughout The Yellow Wallpaper Charlotte Perkins Gilman uses many literary devices such as symbolism, personification and imagery to help convey her message and get it across to the reader.
Enclosed to the four wall of this “big” room, the narrator says “the paint and paper look as if a boy’s school had used it” because “it is stripped off” indicating that males have attempted to distort women’s truth but somehow did not accomplish distorting the entire truth (Perkins Gilman, 43). When the narrator finally looked at the wall and the paint and paper on it, she was disgusted at the sight. The yellow wallpaper, she penned, secretly against the will of men, committed artistic sin and had lame uncertain curves that suddenly committed suicide when you followed them for a little distance. The narrator is forced to express her discomfort with the image to her husband, he sees it as an “excited fancy” that is provoked by the “imaginative power and habit of story making” by “a nervous weakness” like hers (Perkins Gilman, 46). Essentially, he believes that her sickness is worsening and the depth of her disease is the cause of the unexpected paranoia.
The short story, The Yellow Wallpaper, written by Charlotte Perkins Gilman, is a brilliant piece of fictional literature. The tale involves a mentally ill woman who is kept in a hideous, yellow room under the orders of her husband, John, who is a physician. The ill woman is conflicted due to the fact that the horrifying yellow wallpaper in the room is trapping a woman who she must help escape, but the sick woman is aware that she must get better in order to leave the terrifying, yellow room. The setting and personification applied in the short story, The Yellow Wallpaper, allows readers to develop an understanding of the sickness of the main character faces.
The yellow wallpaper is not just the dreadful décor the narrator is stuck within the story but the most important symbol in the story. It symbolizes how women were not allowed to change or free to make their own decisions. The narrator once said that the wallpaper "sticks horribly and the pattern just enjoys it" (Gilman). She felt like the wallpaper stuck and not able to succumb to change she demonstrates this as well when she says "The faint figure behind seemed to shake the pattern, just as if she wanted to get out" (Gilman). The narrator herself became the women she saw in the wallpaper that she felt trapped in a life without change which manifested itself into the wallpaper further increasing the symbolism and importance of yellow wallpaper.
The protagonist's fantasy about people in the wallpaper addresses the idea of supernatural elements in its most prominent form. Throughout the story, several Gothic elements are explored. The most prominent elements are isolation, insanity, and the supernatural. The eerie events that occur throughout the story and its literary elements of Victorian Literature develop “The Yellow
