Exit through the gift shop is a film based on the innovation of street art in the art world which is by a street artist called Banksy (Mikkelsen 2010). In the movie, the story is focused on a French immigrant called Thierry Guetta who is the main protagonist who had an obsession with filming and street art, in Los Angeles. The film graphs Guetta 's consistent filming of his each waking minute on film which served as a junction with many street artists Shepard Fairey and Banksy himself. The film that Thierry Guetta was working on towards was taken over by Banksy after noticing Guetta’s attempt on a short documentary called ‘Life Remote Control’ where he was unable to edit a proper documentary (Preece 2010) This essay will endeavor to reveal insight into how through a precisely refined structure, with a conventional yet innovative style, and through a mixture of genres, Banksy makes utilization of the documentary to lift up and study street art and contemporary workmanship as a rule.
The first bit to the film is, as promised, an invigorating, guided voyage through the development of a recently perceived sensation: Street Art. The protagonist Thierry Guetta, an unpredictable and glib Frenchman who lives in California gets to be occupied with Street Art and fanatically movies his experiences with street artists as he immerses himself in their reality. His recordings
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In conclusion the title itself serves as an explicit commentary on the issues being raised throughout the film. Exit Through The Gift Shop is both a celebration and a biting assessment of the commercialization of the street art world. Banksy chooses the real strides in his developmental procedure, the ascent of the street artists development, and in Thierry 's life so as to present a story which accept unquestionable genuine qualities, with all the chronicle footage and meetings. Nonetheless, it additionally leaves the audience with the inclination that something greater in the background is