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Expression Of The Brain In Dracula By Bram Stoker

1381 Words6 Pages

Dracula by Bram Stoker has captivated an audience; the audience is one that seeks thrilling excitement and sexual experience. Stoker captures the audience by a well planed out story. One exemplifying theme, showing exuberant characters, recurring patters otherwise known as motif, roaring symbolism, and a captivating conflict. These points can all be looked through a critical lens and analyses. Dracula captures the farthest reaches of the brain and has a reader carefully looking and dissecting Bram Stokers work.

The threat of female expression is an important theme of Bram Stoker Dracula. Stoker first introduces this theme first with in the first chapter, "The sweetness was turned to adamantine, heartless cruelty, and the purity to voluptuous …show more content…

One masculine characteristics would be her intelligent level. "Ah, wonderful Madam Mina! She has man's brain- a brain that a man should have were he gifted- and a woman's heart" Showing her that a high intelligent level is that of a man's, who are them most intelligent and physical gender. A one more feminine quality for Mina would be her purity. "Now good be thanked that all has been in vain! See! The show is not more stainless than her forehead! The curse has passed away"(Stoker 365). This was in celebration of the return of Mina's purity and saint stature. Even other source found the same purity "An example of which in the book men surrounds women with garlic and holy water, because of Dracula's effect upon women- their sexualisation" (Scott 1) Rebecca the article by expressed that, the men were protecting the women, like the characters: Van Helsing, Jonathan Harker, Quincy Morris, and others helped protect and save Mina from a terrible fate of, becoming no longer the women of purity and intelligence, but be an evil temptress of sexual …show more content…

Throughout the woman is an object and by no means a person, “I am here to do your bidding Master. I am your slave… (Stoker 113).” Clearly the woman are known to be the “slave” and are brainwashed to be that way after years of discrimination. Yet, as powerless as the women are made out to be they still hold men in their sands like pudding, “No man knows till he experiences it, what it is like to feel his own life-blood drawn away into the woman he loves(Stoker 141).” Woman have the power of love although it is the only power they have it is an astonishing dominance. Giving the men pride in what can be accomplished repulsive or not, “I believe we should have shocked the New Woman with our Appetites (Stocker 100).” Again giving the women a weak aspect even if it just happens to be the stomach. The Feminist or Gender Theory played a imperium role in the entire book

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Throughout the excerpt from Bram Stoker’s Dracula, Stoker utilizes diction to convey the central idea that peoples’ worst fears lie in the unknown. In this section, the narrator is being held captive by an unknown entity. He begins to feel that his only hope is to understand the captor and starts to question the manner of the individual. In an effort to express the central idea, Stoker employs diction.

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Analysis Of Mina Murray Harker In Dracula By Bram Stoker

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Feminist Reading: Dracula between Beauvoir’s and Roth’s Ideas In her article, “Suddenly Sexual Women in Bram Stoker’s Dracula” Phyllis Roth argues that Dracula is a misogynistic novel which is obvious in the system of power in which men are dominant and active figures whereas women are just followers and obedient to their system. She draws on Simon de Beauvoir’s idea that “ambivalence as an intrinsic quality of Eternal Feminine”, in order to show that women are victims to men powers. In her chapter, “Myth and Reality”, Beauvoir discusses the way that anybody in the society, specially men, doesn’t do their job in taking a step towards the oppressed women, but to act just like what the system of myth impose them to act.

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At first glance, the novel Dracula by Bram Stoker appears to be a typical gothic horror novel set in the late 1890s that gives readers an exciting look into the fight between good and evil. Upon closer inspection, it becomes apparent that Dracula is a statement piece about gender roles and expectations for men and women during the Victorian age. Looking at the personalities, actions, and character development of each of the characters in Dracula bring to light startling revelations about Victorian society and how Stoker viewed the roles of men and women during this time period. To really understand Dracula, it is important to note that this novel was written during a time “of political and social upheaval, with anxieties not just about the

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The notion of separate spheres seen throughout the Victorian period was set up to distinguish the roles of men and women in society. Women fulfilled the domestic sphere and were generally seen as emotionally sensitive and submissive individuals. Conversely, men were held to be intelligent, stable, and fulfill all of the work outside of the home. In Bram Stoker’s novel, Dracula, the Count seems to actually embody the fear of the breakdown of such separate spheres. However, Bram Stoker breaks down these separate spheres and the fear associated with their breakdown through the theme of the “New Woman” intertwined with the actions and behaviors of the characters in the novel.

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Within Dracula, Van Helsing discovers new material about vampires by witnessing them in the flesh. During one of these instances, Van Helsing says to Mina, “‘Will you not come over to the fire?’ for I wished to make a test of what she could. She rose obedient, but when she have made a step she stopped” (Stoker 325). Van Helsing is testing Mina through an experiment with a ring of holy wafer around her.

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1253 Words | 6 Pages

Gothic horror novel Dracula, the title character makes only several relatively short appearances, some of which are while in disguise. Throughout the novel, Stoker keeps Count Dracula in the shadows, both literally and figuratively. This essay will describe these appearances and analyze Stoker’s use of them to determine what effect they might have on the impression of the character and the novel overall. It will be claimed that by keeping his title character hidden for much of the novel, Stoker’s Dracula is made much more frightening to the reader. Human beings tend to fear the unknown, and by leaving Dracula to the imagination,

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811 Words | 4 Pages

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1674 Words | 7 Pages

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1329 Words | 6 Pages

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