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Figurative Language In Hitchcock's The Hot Zone

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Richard Preston does an outstanding job when making you feel as if you're reading about the apocalypse. One thinks to themselves throughout the course of the novel " This can't be real...This must be a script from an Alfred Hitchcock movie." These gruesome and violent life forms even scare experts such as Eugene Johnson, which would leave a bad taste in any civilian's mouth. I find that Preston's impressive use of figurative language and unique writing style made the work what it is, a brilliant piece of literature. He switched back and forth between Third person omniscient and first person point of views, giving an idea of everyone's personal views on the situation. The author has an extremely descriptive writing style, pulling from his journalistic …show more content…

The last excerpt I decided to use are my favorite two sentences in the entire book. It has multiple literary devices but I could not resist using both sentences. On page 355 Preston writes with an eerie undertone "Nature seemed to be closing in on us for a kill, when she suddenly turned her face away and smiled. It was a Mona Lisa smile, the meaning of which no one could figure out. " Within that short passage one can see the presence of personification, allusion and imagery. One could almost visualize a powerful, mysterious smirk appear on Mother Nature's face as she turns away. The novel The Hot Zone, is currently my favorite read. The powerful and provoking writing style of Richard Preston makes me want to dive other works by him. The fact that he can make a non fictional informative story so intriguing and addicting is a large feat. It was effective in many aspects as well. To Be able to inform the reader of a dangerous and cruel being while making the book hard to put down makes this one of my favorite books of all time. I'd recommend this to a vast bracket of bookworms. Those absorbed in the world of science all the way to book junkies looking for an engrossing fix. I hope everybody finds the time to be exposed to this genius piece of

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Laurie Halse Anderson’s historical fiction novel, Fever 1793 takes place in colonial Philadelphia, during the time of the yellow fever outbreak. Mattie Cook, a young girl during the outbreak has to cope with the many hardships brought onto her by the disease. While the fever brought many terrible things to Mattie and her family, she is able to move past them and build her life up again. By using character development and figurative language, Anderson is able to create the theme that good things can always come out of something bad. The theme that prevails throughout the novel Fever 1793 is that good things can always come out of something bad.

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The reading immediately starts out with, “’So apparently I’m really leaving for the Australian outback tomorrow,’ I said to the storm trooper beside me” (Lawson 161). The content of that sentence itself invokes curiosity, but the fact that it is in first person, with little explanation as to why, forces the reader to be immersed in the character’s, or in this case the author’s point of view. She also, in multiple instances, directly interacts with the readers and makes them a tangible part of her writing by conversing with them, breaking the

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In Fahrenheit 451, the author Ray Bradbury invokes a sense of fear by the use of dark tone. Bradbury illustrates a dark tone with the main character Guy Montag who is described as a person who loves to burn; he is portrayed as a man who loves his craft of burning books. In the passage Montag says, “IT WAS A PLEASURE TO BURN.IT was a special pleasure to see things eaten, to see things blackened and changed” (Bradbury, 1) this portrays his love to burn books in a negative manner. Montag enjoys things being eaten, distorted, and blackened, which in turn causes a dark depiction. Another example of dark depiction is used when Bradbury describes his hose as a python spitting its venomous kerosene upon the world (1) .

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For example, in one passage the author states, “The turkey-bone sculpture gives off a faint rotting odor” (151). This is just one of the many examples of sensory detail which make the novel move enjoyable. The combination of figurative language and descriptive imagery in the novel makes it both able to be understood easily and enjoyable for

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Allusions can bring history into many types of literature. They compare and illustrate situations, people, and many other parts of a story to better the audience’s understanding of the connotation being presented. For example, the book The Hot Zone, portrays many examples of allusion. In this novel, scientists from all over the world research to find the natural host and the end to the Ebola virus and its sister, the Marburg virus. Many people and events in history are used to describe the way the Ebola virus behaves in humans and monkeys.

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Have you ever read a book actually changed you? That gave you the chills and caused goosebumps to break out across your skin?   Violent Ends did that to me, more than once. Reading it left me internally shaken, craving a teddy bear and soft blanket, and half wanting to throw the book and frame it. Violent Ends is an exceptional creature.

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Some have named Ray Bradbury “the uncrowned king of the science-fiction writers” because of his imagination and beautiful way of making Fahrenheit 451 come to life. The book Fahrenheit 451 is one of the first books to deal with a future society filled with people who have lost their thirst for knowledge and for whom literature is a thing of the past. The author mainly portrays this world from the point of view of Montag, a man who has discovered the power that knowledge contains and is coming to grips with the fact that it is outlawed. However, the reader also gets to see what life is like for one of the people content in living a life lacking in independent thought and imagination through his wife, Millie.

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All throughout this book, Capote used imagery, for example “...simply an aimless congregation of buildings divided in the center by the main-line tracks of the Santa Fe Railroad, a haphazard hamlet bounded on the south by a brown stretch of the Arkansas (pronounced ‘Ar-kan-sas’) River, on the north by a highway, Route 50, and on the east and west by prairie lands and what fields” (3). By using imagery at the start of the book, it helps you visualize the basic layout of the town of Holcomb, where the murders had taken place and where most of the story takes place. Imagery throughout the story makes you feel as if you are there in the story, resulting in a better flowing and understood story. An example of imagery that stood out to me was whenever Capote stated, “Here was a picture of the two together bathing naked in a diamond-watered colorado creek, the brother, a pot-bellied, sun blackened cupid, clutching his sister’s hand and giggling..”.

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In literature, the setting poses itself as a vital element in literature. When characters interact with the world encompassing them and respond to its atmosphere, we unearth various underlining traits and secrets that ensconce betwixt the pages. Ann Petry's 1946 novel The Street accentuates the relation between Lutie Johnson and the urban setting by employing figurative language, such as imagery and personification conjointly with selection of detail. Petry promptly exploits imagery and figurative language to navigate us to a bustling town where an astringent wind is "rattl[ing] the tops of garbage cans, suck[ing] window shades out through the tops of opened windows and [sending] them flapping back against the windows.

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