Figurative Language In Sinners In The Hands Of An Angry God

Figurative language can be a compelling factor in literary works ranging from romantic poetry to political speeches. It forces the reader, or listener, to visualize and understand what the author is trying to say. Jonathan Edwards utilized this writing technique in his powerful sermon, “Sinners in the Hands of an Angry God.” Edwards used imagery, metaphors, and personification to express his differentiating attitudes towards both sinners and God which consisted of complete disgust in regards to the former and unwavering respect for the latter. Jonathan Edwards relied more on the composition of his writing rather than the execution of it which is why figurative language is found so often in this sermon. The majority of this sermon is dedicated to the audience whom Edwards views with repulsion. He uses imagery to describe the awful Hell that he believes the people in the congregation will end up in and calls it a “great furnace of wrath, a wide and bottomless pit, full of the fire of wrath” (Paragraph 8). He illustrates the never ending state of Hell in order to frighten everyone in the audience. He sees each and every person as damned and honestly believes they deserve be sent to Hell to burn for all eternity. He feels no sympathy for them because they are completely free to do what they want and he knows that what they do with their free will is commit sin. This

Through the analyzation of this figurative language it is apparent to see what his attitudes towards both sinners and God were. He saw sinners as despicable beings who were less than human in both his and God’s eyes and God as almighty and justifiably angry. This sermon swept across the colonies and completely changed people 's’ perspectives on religion and he arguably started the revival of religion known as the Great