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Figurative Sculpture In Ancient Greece

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The Greeks underwent an extensive quest to achieving perfect figurative sculpture. Throughout this quest, the evolution of these sculptural artworks can be categorized into three major periods. The first is the Archaic period, ranging from approximately 800 BCE to 480 BCE. It was followed by the Hellenic, which ranged from 480 BCE to 323 BCE. Greek sculptural evolution concluded with the Hellenistic period, which ranged from 323 BCE to 31 BCE, ending with the Roman conquest of the Greeks. Throughout these periods, it is evident the exponential growth of the Greeks mastering figurative sculpture. During the first period, the Archaic, one can notice how much more rigid and stylized the sculptures are and the unmistakable archaic smile. A sculpture
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There are three main periods of the Greek sculpture: Archaic, Classical and Hellenistic. The Archaic period was the earliest period in Greek Sculpture which started around 600-480 BCE. These works have a stiff and ridged appearance similar to that of the Egyptian sculpture. The Classical period, was between the Archaic and the Hellenistic times 480-450 BCE.

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Greeks would perform athletics nude in celebration of the body and it’s physical abilities. Although many people might assume that this sculpture is about war because it is named “Spear-Bearer”,

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Ancient Greece was devided in two periods: Hellenistic and Classical Greece. The Hellenistic period covers the time of ancient Greek (Hellenic) history and Mediterranean history between the passing of Alexander the Great in 323 BC and the rise of the Roman Empire as connoted by the Battle of Actium in 31 BC and the consequent triumph of Ptolemaic Egypt the next year. Classical Greece was a time of around 200 years ( 5th and 4th centuries BC) in Greek culture. This Classical period saw the addition of quite a bit of cutting edge Greece by the Persian Empire and its resulting autonomy. Classical Greece affected the Roman Empire and on the establishments of western human advancement.

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Greek mythology can be viewed as a mirror to the ancient Greek civilization. Ancient Greek myths and legends often reflected how the Greeks saw themselves. Myths were used by Greeks to make justifications of every existing aspect of earth as well as their own society. In myths, Greek gods & heroes often represented key aspects of the human civilization. From Greek mythology, we can learn about the favorable characteristics of humans, such as their behavior and valuable skills that were approved of by the ancient Greek society.

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The Charioteer of Delphi is also regarded as one of the most important remaining sculptures of Ancient Greece, partly due to the fact that it vividly represents the passage from the Archaic conventions to the Classical ideas of Ancient Greeks. Furthermore the style itself which can either be classed as “Early Classical” or “Severe”, exemplifies the balance between stylized Geometric representation and idealized realism; with the contrast of its naturalistic essence but yet rigid pose. The piece is one that is common to this classical ancient Greek era due to its fluidity of style and the story it tells. It captures a moment in history where western civilization was beginning to flourish, leaping forward to define its self as not only primitive

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Uncontrolled emotionalism and shameful truth were now common characteristics to most of them. Still throughout the hellenistic, many sculptures were distinguished by their calmness, grace, and compassion for human suffering. The Ancient Greek sculptures were commonly made from stone or wood and very few of them are still existing to this day. Many were made to reflect the image of a freestanding human form even when the statue was of a god, and for this reason many of the sculptures were naked, the Greeks saw nudity as something beautiful. Other of the sculptures showed athletic figures, to essentially portray what the Greeks perceived as an ideal human and what it should look

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Sculpture specifically focused on both human potential and achievements, plus the human experience. Firstly, the Greeks often sculpted humans instead of animals or monsters, which is human-centered enough. When they did sculpt gods or goddesses, these deities were anthropomorphic, having human characteristics. Classical sculpture used nudity to depict the ideal human form; subjects were often young male athletes or soldiers, epitomizing human potential and achievement. Hellenistic sculpture was more realistic and emotional, where the subjects were everyday people; this style focused on the struggles included in the human experience.

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